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114-
Valenzuela Fernando, Mexican pitching phenomenon of
Fernandomania fame dies at
63
- By
Gary Sunkin, TVI
Magazine

Fernando
Valenzuela, the cultural hero and baseball legend
whose journey from a dusty pitcher's mound in rural
Mexico to center stage at Dodger Stadium launched a
movement for baseball fans around the globe, died
on Tuesday. He was 63.
Following
his memorable career, Fernando was an outstanding
ambassador for baseball. He consistently supported
the growth of the game through the World Baseball
Classic and at MLB events across his home country.
As a member of the Dodger broadcasting team for
more than 20 years, Fernando helped to reach a new
generation of fans. Fernando will always remain a
beloved figure in Dodger history as pitching
phenomenonf of Fernandomania fame, and a special
source of pride for the millions of Latino fans he
inspired.
Up until
recently, he called games on the Dodgers' Spanish
radio broadcasts, sharing his quick but dry humor
with his loyal fanbase. Outside of baseball, he was
regularly seen golfing at municipal courses.
He not only
changed baseball but the cultural landscape of Los
Angeles. Fernando's memory will be honored during
the 2024 World Series at Dodger Stadium.
///
Courtesy of The
Hollywood Christmas Parade
Jeremy Renner chosen Grand Marshal of the iconic
Annual Hollywood Christmas
Parade
Hollywood, CA (November 10,
2024) Jeremy Renner has been announced as the Grand
Marshal of the iconic 92nd Hollywood Christmas
Parade Supporting Marine Toys for Tots. Associated
Television International in association with The
City of Los Angeles will present the parade in the
streets of Hollywood, CA on Sunday, December 1,
2024 at 6:00 p.m. PST.
The parade also brings
goodwill to people from all walks of life
throughout the world. It's a good reminder
about what America stands for, who we are, and all
that we can accomplish when we come together."
Hosted by Dean Cain,
Elizabeth Stanton, Laura McKenzie, the parade
features Hollywood celebrities and movie cars,
award-wining bands from around the country,
dazzling equestrians, larger-than-life character
balloons, colorful floats, and humorous specialty
acts. The parade culminates with the
appearance of the Jolly Old Elf himself, Santa
Claus and his reindeer, ushering in the holiday
season!
Mario Lozez
will appear as the 2024 Humanitarian Award
recipient and KTLA anchors Megan Telles and Lauren
Lister are riding in the Hollywood Christmas
Parade.
Click
for
Hollywood
Christmas Parade
///

115
Mipcom celebrates 40th anniversary in
Cannes
Autumn
in Cannes -
By Josie
Cory
AHHH....
Autumn in Cannes... where
mild breezes blow as the warm Mediterranean sun
smiles over this beautiful spot on the Cote d'Azur.
There you can feel a timeless sensuality, assuaging
a nostalgia for the Mediterranean which since as
far back as the 16th century has been a constant
theme in many a Northern European's life.
"Now give us lands where the olives grow," Cried
the North to the South, "Where the sun with a
golden mouth can blow bubbles of grapes down the
vineyard row!" Cried the North to the South (to
borrow a phrase from the English writer Elizabeth
Barret Browning.)
"Cannes," wrote Charles Lentheric, the
indispensable and erudite historian of maritime
Provence, in 1880, " is a town where you feel no
need to work," and where the inhabitants were not
interested in the world that lay beyond their shady
gardens, or the sheltered balconys of their hotels.
Now the world has come to Cannes, chosen to be the
Mediterranean headquarters for its annual events,
and when you stroll along the Croisette on some
warm October day you will hardly share Mr.
Lenteric's sentiments. Cannes at festival time
blossoms into a cosmopolitan spot.
///
MIPCOM
CANNES
announced that
Dan Cohen, Chief Content Licensing Officer at
Paramount, will give a keynote
speech.-
-
(TVI
Magazine)
During this main stage
conversation, Cohen will share insights into the
worldwide content licensing strategy he leads
within the multi-faceted global studio, and
additionally be joined in Cannes by special guests.
The keynote will be presented in the world-renowned
Grand Auditorium of the Palais des Festival in
Cannes on 22 October 22, at 15.00.
Dan Cohen, Paramount's Chief
Content Licensing Officer and
President of Republic Pictures
As head of Paramount's global
content licensing and all post-theatrical
distribution operations, Cohen oversees the
monetising of an extensive and expanding portfolio
of original content that airs or streams
on CBS, The CW,
and Paramount+ with Showtime, as
well as programming from Paramount Pictures,
CBS Studios, CBS News, CBS Media Ventures,
the MTV Entertainment Studios, Nickelodeon,
Miramax and third-party partners.
"Dan
Cohen drives one of the biggest licensing
portfolios in Entertainment." said Lucy Smith,
Director of MIPCOM CANNES and MIP LONDON. "The
breadth of Paramount's brands and distribution
platforms combined with their commitment to third
party licensing is second to none. An audience with
Dan Cohen offers a masterclass study in creativity
and monetization, informed by his decades of
experience on the international stage adapting to
new technologies, audience behaviors and
opportunities. We warmly welcome him warmly back to
Cannes."
Dan
Cohen said: "MIPCOM Cannes has consistently been a
critical beat in our annual sales cycle in the
ever-changing global content licensing landscape,"
said Cohen. "I'm honored to be delivering a keynote
address at the landmark 40th edition of the market
as it is a valued opportunity which MIPCOM provides
for our global team to gather together and with our
clients."
Paramount
Global Content Distribution will also host
the World Premiere Screening of the highly
anticipated CBS Studios series Watson on the
eve of the market on Sunday 20 October at 18.00,
also in the Palais des Festivals' Grand Auditorium.
Attended by title lead and executive
producer Morris Chestnut and executive
producer and showrunner Craig Sweeny, the new
medical drama inspired by the characters from Sir
Arthur Conan Doyle's Sherlock Holmes mysteries, is
set to air mid-season 2024-25 on CBS. The screening
will be followed by a Q&A and is open to all
delegates.
Click
for
more
TviStory 115- Mipcom celebrates 40th anniversary
-
industry
players to meet at
MIPCOM
115-
MIP London is launching in
2025
(TVI Magazine)
Cannes-based annual market
MipTV has confirmed back in April its move to
London. The inaugural Mip London is set to take
place Feb. 24 to 27, 2025 at the five-star Savoy
Hotel. The market will run alongside the London
Screenings, as well as the IET London, a screenings
venue located at Savoy Place in the West End
area.
The scale of the London
event will be much smaller than MipTV since the
Savoy Hotel and EIT venue can welcome only 1,300
people at a given time. By comparison, the market
space in Cannes -- the Palais des Festivals et des
Congrès -- can welcome up to 30,000
participants.
Click
for
more
TviStory 115- MIP London is launching in
2025
///
October: German Currents 18th
Festival of German Film
115-
43rd FILM SCHOOL FEST MUNICH, the festival of
storytellers
For nine days, young
filmmakers from all over the world will present
their latest works in person at the 43rd
FILMSCHOOLFEST MUNICH (November 15 -- 23).
The FESTIVAL OF FUTURE
STORYTELLERS is a festival of short films which
finds a connection to other art forms and media.
What topics are on the minds of young filmmakers,
and what new aesthetic trends are they setting? The
dialogue between the audience and students of
filmmaking from near and far is a particularly
important and inspiring part of
this.
60 films from 28 countries
(including Myanmar, Vietnam, Finland, Mexico, and
Lithuania) will be screened in 15 diverse programs.
These films will compete for a total of eleven
awards in two competitions: the prestigious
International Short Film Competition and the new
DACH Competition for films from Germany, Austria,
and Switzerland. Also new this year is the QMS
Award.
The festival also offers a
unique opportunity to watch the short films that
have just been nominated for the European Film
Awards (including "The Man Who Could Not Remain
Silent" by Nebojsa Slijepcevi, recipient of the
Short Film Palme d'Or). Programs specially made for
all those who appreciate the Spanish or French
language are once again on offer. There are also
two special programs for school classes (ages 14
and up; registration
required).
"Emerging talent is what the
Filmschoolfest has always been about. In recent
years, the needs of film students and people
starting out in the arts have been evolving. That's
why the restyled Festival of Future Storytellers is
centered around more networking, more
experimentation, and more inspiration -- in Films,
Talks, Labs -- all within easy reach of anyone
interested in filmmaking," say artistic directors
Christoph Gröner and Julia
Weigl.
Click for
more
TviStory 115- 43rd FILM SCHOOLFEST MUNICH, the
Festival of
STORYTELLERS
Film
School Fest
Munich
///
115-
The American Film Market, a first in Las
Vegas
The World's Leading Sales &
Production Companies Will be at AFM in Las
Vegas
AFM 2024 a first Las Vegas event is taking place
November 5-10 at the Palms Casino Resort.
Currently, sales and production companies, along
with international trade organizations, national
umbrella stands and film commissions from 25
countries, have secured exhibit spaces in The
Palms, AFM's designated hub, with more confirming
each day.
Click
for
American
Film
Market
///
Celebrate
top films and stars at the 2024 SCAD Savannah Film
Festival
The
largest university-run film festival in the
world
Saturday, Oct.
26- Saturday, Nov. 2.
- (TVI
Magazine)
Set against the fall backdrop of one of the South's
most beautiful city, the SCAD
Savannah Film Festival
returns this October to
spotlight the cinematic creativity of both
award-winning professionals and emerging student
filmmakers, welcoming a week's worth of acclaimed
films and honored guests to scenic Savannah.
Join filmmakers and fellow cinephiles for the 27th
edition of the SCAD Savannah Film Festival, the
largest university-run film festival in the world.
The festival hosts screenings of innovative
features, shorts, animations, and documentaries
from around the globe, as well as insightful series
and panels like The Hollywood Reporter's Docs to
Watch, Variety's 10 Artisans to Watch, and Pixels
and Pencils: Top Animated Contenders. Attendees
enjoy major studio releases and indie films prior
to their theatrical debuts; meet award-winning
filmmakers at talks, panels, and workshops; and
make career-defining connections with industry
insiders.
SCAD.edu
///

Jane Fonda on the Red Carpet, Cannes
Jane
Fonda to Be Honored with the 2024 SAG Life
Achievement Award
60th Annual Accolade to be Presented During the
31st Annual Screen Actors Guild Awards®
---
Streaming Live on Netflix Sunday, February 23,
2025
LOS ANGELES
(October 17, 2024) -- Legendary actress and
activist Jane Fonda has been named the 60th
recipient of SAG-AFTRA's highest tribute: the SAG
Life Achievement Award for both career and
humanitarian accomplishments. Fonda will be
presented the performers union's top honor at the
31st Annual Screen Actors Guild Awards, which will
stream live on Netflix Sunday, Feb. 23, 2025, at 8
p.m. ET / 5 p.m. PT.
Given annually to an actor
who fosters the "finest ideals of the acting
profession," the SAG Life Achievement Award will be
the latest of Fonda's esteemed catalog of
international industry and public distinctions
recognizing her masterful performances and
impactful activism. Jane Fonda's acclaimed career,
which spans six decades, has captivated audiences
with her versatile performances across film,
television and theater, while using her platform to
champion critical social causes. Her previous
honors have included two Oscars, two BAFTA Awards,
an Emmy, seven Golden Globes, the 2015 AFI Life
Achievement Award, the Cecil B. DeMille Award,
Elle's Women in Hollywood Icon award and the Women
in Film Jane Fonda Humanitarian Award named after
Fonda for her lifelong activism and philanthropic
commitments.
.
Click for more
TviStory
101- JaneFonda to be honored with 2024 SAG Life
Achievement
Award
///
115-
The
2024 NAB Show New York to Showcase a Wave of New
Exhibitors, Products and Launches in AI, Sports
Media, Content Creation and
More
-- (TVIMagazine)
Washington, D.C -- The
National Association of Broadcasters' NAB Show New
York, is currently taking place October 9-10)
(Education October 8-10) at the Jacob K. Javits
Convention Center. As the premier event for
broadcast, media and entertainment on the East
Coast, NAB Show New York brings together the
industry's most prominent voices and innovative
tech leaders in the media capital of the world.
This year's Show features an
impressive lineup of media personalities and
journalists including radio and TV host Bobby
Bones, who will emcee the NAB Marconi Radio Awards,
along with Wall Street Journal senior political
correspondent Molly Ball and New York Times
national political correspondent Lisa Lerer, who
will moderate the Election Coverage Summit.
Speakers represent major
media and big brands including ABC, AbelCine,
Audacy, AWS, Bloomberg, CBS, Fox Television
Stations, Fujinon, iHeart Media, National Academy
of Television Arts & Sciences, National Women's
Soccer League, NBCUniversal Local, National Women's
Soccer League, NYU, Ross Video and Yahoo Finance.
These thought leaders will share insights on
critical trends reshaping the industry.
Click for more
TviStory
115-
The 2024 NAB Show New York to Showcase a Wave of
New Exhibitors, Products and Launches in AI, Sports
Media, Content Creation and
More
Click
NAB www.NABshow.com
///
15th
Edition of Languages & The Media Conference
2024
to be hosted in Budapest,
Hungary
The 15th year edition will
focus on the overarching theme of "New Frontiers in
Media Localization", addressing the evolving
challenges and innovations in the field. It will
take place Nov. 13-15, 2024.
The first day, Wednesday,
November 13, will be dedicated to pre-conference
workshops, offering hands-on seminars to learn
about Gen AI solutions, collaborative translation,
the important role of access coordinators or
quality assessment in dubbing. Places are limited,
so secure your seat early! You will find
more
information
here.
The conference will
officially open on Thursday, November 14 with a
keynote from Adam Salkeld, co-founder of Digital
Learning Associates and award-winning producer,
followed by a plenary panel featuring leading
industry experts.
Over the next two days,
attendees will have access to 30 presentation
sessions and panel discussions with over 100
speakers, addressing burning topics such as
challenges and opportunities presented by AI
driven-technologies, targets and achievements in
access services and inclusion, trends in training,
the future of work for dubbing and subtitling
professionals, certification and many more.
Besides the lively
participants' reception sponsored by Pixelogic, and
the networking session hosted by ESIST on November
14, this year there is another wonderful
opportunity to connect with other participants --
the conference dinner on the river Danube, on
Friday, November 15. to celebrate the closing of
the conference.
Click
for more
///
115-
The
International Burbank Film Festival runs Sept
25-29th at the AMC
theaters

BURBANK, Sept 12, 2024 -
The Burbank International Film Festival (BIFF) is
an annual film festival held since 2009 in Burbank,
California, United States. It was founded by Val
Tonione, and awards are distributed to filmmakers
that have focused on social and environmental
issues.
Burbank, California is the
Media Capital of the World, and it's headquarters
to more than a thousand entertainment and media
companies, including Warner Bros., The Walt Disney
Company, Cartoon Network Studios and Nickelodeon.
The Burbank International Film Festival continues
its primary mission of fostering a diverse creative
spirit and promoting up-and-coming artists in the
center of the entertainment industry. Burbank
possesses a rich history of movie making magic
where you can dine in the same restaurant booth
where Michael Mann shot "Heat" or stay in the same
Hotel room where "True Romance" was filmed.
Burbank provides a unique
film festival experience, because filmmakers
showcase their movies in the exact same AMC 16
Theaters where Robert Pattinson attended the
premiere of "Batman" and Austin Butler/Baz Lurhman
surprised audiences with their appearance at a
screening of "Elvis":
BIFF's schedule of films
comprises cinema of every genre, so there's
something for everyone to enjoy. BIFF also
continues to introduce new Awards categories to
honor the talented craftspeople behind the scenes.
The four-day festival includes 130+ film
screenings; Q&A's featuring celebrities and
industry professionals; fabulous red carpet
receptions; audience awards; and informative
panels.
BIFF culminates with the
closing night at the star-studded Gala Dinner and
Awards Ceremony which is the highlight of the
Festival. A beautiful 12" tall custom-designed
crystal-based BIFF Award is presented to the winner
in each category
Click
for More
BIFF
///

76th
EMMY Awards Complete Winners'
List
Outstanding comedy series
WINNER: "Hacks"
"Abbott Elementary"
"The Bear"
"Curb Your Enthusiasm"
"Only Murders in the Building"
"Palm Royale"
"Reservation Dogs"
"What We Do in the Shadows"
|
Writing in a comedy series
WINNER: Lucia
Aniello, Paul W. Downs, Jen Statsky,
"Hacks"
Quinta Brunson, Abbott Elementary"
Joanna Calo, Christopher Storer, "The
Bear"
Meredith Scardino, Sam Means,
"Girls5eva"
Chris Kelly, Sarah Schneider, "The Other
Two"
115-Click
for
More
EMMY
Winners
|
For
more please
visit Emmys.com
Or TelevisionAcademy.com.
Click
for
More
EMMY
Winners
///
106-
Introduction of NO FAKES Act in
House
LOS ANGELES (Sept. 12)
-- The SAG-AFTRA-supported NO FAKES -- Nurture
Originals, Foster Art and Keep Entertainment Safe
-- Act was officially introduced today in the U.S.
House of Representatives, following its
introduction in the Senate on July 31.
The bill establishes a
federal right in voice and likeness to protect
against unauthorized use of digital replicas in
audiovisual works and sound recordings, effectively
balancing that right with strong First Amendment
protections for content creators.
The House bill is sponsored
by Reps. Maria Salazar, Madeleine Dean, Nathaniel
Moran, Joe Morelle, Adam Schiff and Rob
Wittman.
SAG-AFTRA National Executive
Director & Chief Negotiator Duncan
Crabtree-Ireland said, "SAG-AFTRA applauds
Representatives Maria Salazar, Madeleine Dean,
Nathaniel Moran, Joe Morelle, Adam Schiff and Rob
Wittman for introducing the NO FAKES Act in the
House. It is critical and urgent for Congress to
establish nationwide protections in law against the
unauthorized creation and use of digital replicas.
A.I. technology can now clone us all and make us
appear to do, say or perform things we never did,
said or performed. The dangers for careers,
reputations and lives are real, and this bill
provides much needed recourse.
"With identical bills now
before both the House and Senate, and with robust
bipartisan support, Congress must act expeditiously
to safeguard everyone in this age of rapidly
advancing technological innovation," added
Crabtree-Ireland.
The NO FAKES Act is
supported by the entire entertainment and media
industry landscape, from studios, record labels,
broadcasting companies and technology companies to
unions, workers and artist advocacy groups. It is a
milestone achievement to bring all these groups
together for the same urgent goal.
///
Getty Images: Angelina Jolie on
the red carpet at the premiere of Pablo Larrian's
"Maria"
115-
'Maria,' Creates Oscar Buzz for Angelina
Jolie
A-list movie stars, top-tier
auteur filmmakers and a battalion of Hollywood
publicists descended on the Italian island of Lido
this week for the 81st edition of the Venice Film
Festival, one of the most prestigious celebrations
of movie culture in the world -- and the unofficial
start of the Oscar season.
Among this year's A-list
talent includes Angelina Jolie, her ex Brad Pitt,
Cate Blanchett, George Clooney, Michael Keaton,
Jenna Ortega, Joaquin Phoenix, Lady Gaga, Tilda
Swinton, Julianne Moore, Daniel Craig, Angelina
Jolie, Kevin Costner, Sigourney Weaver, Nicole
Kidman, Isabelle Huppert, Winona Ryder, Monica
Bellucci, Willem Dafoe and many more.
The Festival got underway
Thursday, August 27th to be held through September
9, 2024, at Venice Lido in Italy.
On opening night Angelina
Jolie was the toast of Italy. The actress wept
during an eight-minute standing ovation at the Sala
Grande Theatre at the world premiere of
"Maria," Pablo Larraín's
biographical drama about the Greek opera singer
Maria Callas.
Callas was an American-born
Greek soprano singer and one of the most famous
singers of the 20th century. She receiived her
opera training in Greece when she was 13 and later
moved to Italy to persue her career. Through the
years she dealt with near sigtedness that left her
nearly blind and multiple scandals in her
professional and personal live. She had an intense
rivalry with Itlian opera singer Renata Tebaldi,
and is known for her affair with Aristotle Onassis
(who later married Jacqueline Kenndy Onassis.)
'Maria'
is sure to be an Oscar contender, putting Jolie in
the best actress race for the first time in 15
years. She was nominated in 2009, for her her work
in Clint Eastwood's "The Changeling," and won an
Oscar for best supporting actress in 2000 for
"Girl, Interrupted."
Maria reunites
Larraín and writer Steven Knight, whose last
project "Spencer" bowed in Venice in 2021, and
tells the "tumultuous, beautiful, and tragic story
of the life of the world's greatest opera singer,
relived and re-imagined during her final days in
1970s Paris."
Netflix will release "Maria"
later this year.
Besides Maria, Joker, and
Queer, are among Venice Film Festival's best movies
this year.
As "Joker" was the best
movie of 2019, one need not be pushed to consider
"Joker 2" a must-see movie again.
'Joker: Folie à
Deux," Todd Phillips's comic-book sequel starring
Joaquin Phoenix and Lady Gaga, will compete for the
Golden Lion at this year's Venice Festival.
About
Established in 1932, the
Venice Film Festival is held annually from late
August to early September on the Lido island in
Venice, welcoming cinema enthusiasts from all
backgrounds. Visitors can enjoy the scenic Lido, an
11-kilometre-long barrier island renowned as a
fancy tourist destination.
As a haven for celebrities
during the Venice Film Festival, Hotel Cipriani has
been a celebrity haven for decades.
Films can be submitted from
the La Biennale di Venezia official website. After
completing a submission form, there is a fee of
¤ 40 for features and ¤ 80 for
shorts.
General Admission tickets
are your basic entry pass to the Venice Film
Festival. These tickets typically allow access to a
variety of screenings and events.
All the debut feature films
in the various competitive sections in the Venice
Film Festival, whether in Official Selection or
Independent and Parallel Sections, are eligible for
this award. The winner will be awarded a prize of
US$100,000, which to be divided equally between the
director and the producer.
Like other festivals, Venice
reserves a number of spots for interesting movies
that are shown out of competition. This year,
besides "Beetlejuice Beetlejuice", there is "Wolfs"
directed by Jon Watts, "Finalement" by French
veteran Claude Lelouch and "Broken Rage" by
Japanese master Takeshi Kitano.
"Finalement" an upcoming
French comedy drama film will premiere at the 81st
Venice International Film Festival on 3 September
2024 before receiving a theatrical release in
France on 13 November 2024.
Venice has banned tour
guides from using megaphones and limited their
groups to 25 people. The new rules on tour groups
sizes came into force on Thursday but include
exceptions for children under two, school groups
and educational trips. They also apply on the
Venetian islands of Murano, Burano and Torcello
Click
for
More
Angelina Jolie
at Venice Film
Festival
///
Torronto
International Film Festival taking
place
September 5
-15
The Toronto
International Film Festival is one of the most
prestigious and largest publicly attended film
festivals in the world, founded in 1976 and taking
place each September. It is also a permanent
destination for film culture operating out of the
TIFF Lightbox cultural centre, located in Downtown
Toronto.
Awards & Prizes
The following awards and prizes will be awarded at
the 2024 Festival. This list includes awards and
prizes granted or determined by independent
organizations and/or juries. Awards and prizes are
subject to change:
People's Choice Award -- All feature films or
series in Official Selection are eligible to win
this award
People's Choice Midnight Madness Award -- All films
selected for the Midnight Madness programme are
eligible to win this award
People's Choice Documentary Award -- All
feature-length documentary films are eligible to
win this award
Platform Award -- An award of $20,000 CAD given to
the best film in the Platform programme, selected
by an in-person international jury
The Prize of the International Federation of Film
Critics (FIPRESCI Prize) dedicated to emerging
filmmakers
Network for the Promotion of Asia Pacific Cinema
(NETPAC) Award
Short Cuts Award for Best Canadian Film
Short Cuts Award for Best International Film
Best Canadian Feature Film Award
TIFF continues to celebrate the unique craft and
storytelling within Canadian cinema with the Best
Canadian Feature Film Award. All Canadian feature
films in Official Selection -- excluding first or
second features -- will be considered for the
award. The winning filmmaker will receive a $10,000
CAD cash prize.
Best Canadian Discovery Award -
The Best Canadian Discovery Award celebrates works
of emerging filmmakers who contribute to enriching
the Canadian film landscape. All first or second
feature films in Official Selection by Canadian
filmmakers are eligible for this award. The winner
will receive a cash prize of $10,000 CAD.
Click
for
More
Torronto Film
Festival
TIFF
///
Getty Images: Alain
Delon

Romy Schneider, Alain Delon pictured in
1963
Alain
Delon Dies at 88
President
Emmanuel Macron posted on X, formerly
Twitter:
Monsieur
Klein ou Rocco, le Guépard ou le
Samouraï, Alain Delon a incarné des
rôles légendaires, et fait rêver
le monde. Prêtant son visage inoubliable pour
bouleverser nos
vies.
Mélancolique,
populaire, secret, il était plus qu'une
star: un monument français.
(Mr. Klein or
Rocco, the Leopard or the Samurai, Alain Delon
played legendary roles and made the world dream.
Lending his unforgettable face to shake up our
lives.
Melanchcolic,
popular, secretive, he was more than a star: a
French moment)
PARIS
-- (August 18) -- French actor Alain Delon has
died. "He passed away peacefully in his home in
Douchy, surrounded by his three children and his
family." He was 88.
Delon had been in poor
health since suffering a stroke in 2019, rarely
leaving his estate in Douchy, in France's Val de
Loire region and had become a virtual recluse. More
recently, the breakdown of his family had been
making headlines in France.
French President Emmanuel
Macron was among those paying tribute to Delon on
Sunday, saying the actor "played legendary roles
and made the world dream".
Brigitte Bardot led tributes
in France saying Delon's death left a "huge void
that nothing and no-one will be able to fill."
The actor was a star of the
golden era of French cinema, known for his
tough-guy persona on screen in hits including "The
Samurai" and "Borsalino."
He stole the hearts of fans
whatever role he was playing, from a murderer to a
charismatic conman. His colourful personal life
regularly made the front pages as he charmed and
seduced his way around Europe at the height of his
fame.
Delon became a star in
France and was idolised by men and women in Japan,
but never made it as big in Hollywood despite
performing with American cinema giants, including
Burt Lancaster when the Frenchman played
apprentice-hitman Scorpio in the eponymous 1973
film.
In total, made almost 90
films during
his career.
From the 1990s, his film
appearances grew rare, but he remained a fixture in
the celebrity columns.
Delon shot to fame in two
films by Italian director Luchino Visconti, "Rocco
and His Brothers" in 1960 and "The Leopard" in
1963.
He starred alongside Jean
Gabin in Henri Verneuil's 1963 film "Melodie en
Sous-Sol" ("Any Number Can Win") and was a major
hit in Jean-Pierre Melville's 1967 "Le Samourai"
("The Godson"). The role of a philosophical
contract killer involved minimal dialogue and
frequent solo scenes, and Delon shone.
Born just outside Paris on
November 8, 1935, Delon was put in foster care aged
four after his parents divorced..
He ran away from home at
least once and was expelled several times from
boarding schools before joining the Marines at 17
and serving in then French-ruled Indochina. There
too he got into trouble over a stolen jeep..
Back in France in the
mid-50s, he worked as a porter at Paris wholesale
food market, Les Halles, and spent time in the
red-light Pigalle district before migrating to the
cafes of the bohemian St. Germain des Pres
area..
There he met French actor
Jean-Claude Brialy, who took him to the Cannes Film
Festival, where he attracted the attention of an
American talent scout who arranged a screen
test..
He made his film debut in 1957 in "Quand la femme
s'en mele" ("Send a Woman When the Devil
Fails").
Delon was outspoken
off-stage and courted controversy - notably when he
said he regretted the abolition of the death
penalty and spoke disparagingly of gay marriage,
which was legalised in France in 2013.
He publicly defended the
far-right National Front and telephoned its founder
Jean-Marie Le Pen, an old friend, to congratulate
him when the party did well in local elections in
2014.
Delon's lovers included
Schneider and German model-turned-singer Nico, with
whom he had a son. In 1964, he married Nathalie
Barthelemy and fathered a second son before ending
the marriage and embarking on a 15-year
relationship with Mireille Darc. He had two more
children with Dutch model Rosalie van Breemen.
Delon told Paris Match in an
interview in 2018 he was fed up with modern life
and had a chapel and tomb ready for him on the
grounds of his home near Geneva, and for his
Belgian shepherd dog, called Loubo.
Delon's last major public
appearance was to receive an honorary Palme d'Or at
the Cannes film festival in May 2019.
At the event, he made an
emotional speech in which he appeared to bid
farewell to cinema.
In recent years, Delon was
the centre of a family feud over his care, which
made headlines in French media. The actor had three
children - two sons and a daughter - by two
different women, and a third son unacknowledged and
now dead.
In April 2024 a judge placed
Delon under "reinforced curatorship", meaning he no
longer had full freedom to manage his assets. He
was already under legal protection over concerns
over his health and well-being.
Click
for
More
Alain Delon passed away at 88
///
Phil
Donahue dies at
88
Talk
show host Phil Donahue has died at the age of 88,
his family has confirmed.
He
died at his home on Sunday after a long illness and
surrounded by family, according to a statement
issued to NBC's Today
show.
Donahue,
who created and hosted The Phil Donahue Show, was
considered the "king of daytime
talk."
Over his
career, Donahue interviewed well-known figures
including Muhammad Ali, Nelson Mandela, Sammy Davis
Jr, Sir Elton John, Whoopi Goldberg, Dolly Parton,
Michael J Fox and Robin
Williams.
Donahue is
considered a trailblazer in the daytime television
landscape.
His TV show
was the first to include many elements familiar to
viewers today, including participation from the
studio audience, typically during a full hour with
a single guest.
He hosted
more than 6,000 editions of his talk show between
1967 and 1996.
Born in
Cleveland in 1935, Donahue began his media career
in the late 1950s in talk radio and television,
launching his eponymous talk show in 1967.
In 1974,
the show relocated from Ohio to Chicago and changed
its name to simply Donahue. The show got into its
groove soon after, once Donahue began involving the
studio audience in discussions and the program more
widely.
Donahue
married his second wife, actress Marlo Thomas, (
"That Girl" star of the 1960s) in 1980 after the
two first met three years earlier when she was a
guest on his talk show.
For its last
decade on air, the show was hosted from New York
City. The final episode was broadcast in September
1996.
Donahue was
credited with changing the face of daytime
television and challenging assumptions about what
female audiences in particular wanted from talk
show.
Phil Donahue, Marlo Thomas
Donahue was
credited with changing the face of daytime
television and challenging assumptions about what
female audiences in particular wanted from talk
shows.
"If there
had been no Phil Donahue show, there would be no
Oprah Winfrey Show," Winfrey wrote in the September
2002 issue of O, the Oprah Magazine.
"He was the
first to acknowledge that women are interested in
more than mascara tips and cake recipes - that
we're intelligent, we're concerned about the world
around us and we want the best possible lives for
ourselves."
Donahue's
eagerness to explore controversial social issues of
the day emerged, when he featured atheist Madalyn
Murray O'Hair as his first guest. He would later
air shows on feminism, homosexuality, consumer
protection and civil rights, among hundreds of
other topics.
Donahue
himself once said: "I honestly believe we have
spoken more thoughtfully, more honestly, more often
to more issues about which women care than any
other show."
He won 20
Emmy Awards across his career, 10 of which were for
outstanding host and 10 for the talk show
itself.
Earlier this
year in May, he was awarded the medal of freedom,
the highest civilian honour in the US, by President
Joe Biden.
Donahue is
survived by Thomas and five children from his first
marriage.
Click
for
More
Phil Donahue has passed away at
88
///
115-
Valley Film Festival Concluded 25th Edition with 70
film
screenings
Los Angeles, CA &endash;
August 15, 2024: The 24th annual Valley
Film Festival has concluded, screening over 70
films and hosting daily professional development
panels across eight days. Juried "Ten Degrees
Hotter" awards, along with Audience awards were
announced at a ceremony hosted at Hennessey Studios
in the NoHo Arts District.
The "Ten Degrees Hotter"
awards went to The Ghost Trap for Best
U.S. Narrative feature, Ciurè for
Best International Narrative Feature,
and American Pot Story: Oaksterdam for
Best Documentary Feature. Short film honors went
to Broad Daylight, Best Narrative Short,
and Speaking with the Ancestors for Best
Documentary Short, with an Honorable Mention to the
documentary An Unlikely Mermaid.
Best
Music Video was awarded to Butterfly
Effect from the artist Tough Front.
Short
film Audience Award winners were given to "1 in the
Chamber," "Dion & Denver," "Palmdale,"
"Quayle," and "Squish."
The Valley Film Festival is
an all-volunteer non-profit arts organization that
supports local and international voices that
advance storytelling. Now in its 25th year, VFF is
the first and longest running film festival in Los
Angeles' San Fernando Valley, and screens short
films along with narrative and documentary feature
films from around the world. In addition to film
screenings, The Valley Film Festival mentors'
filmmakers through every stage of their careers,
via our Focus On: series of educational panels
and professional development seminars.
valleyfilmfest.org
///
115-
The American Film Market, a first in Las
Vegas
The World's Leading Sales &
Production Companies Will be at AFM in Las
Vegas
AFM 2024 a first Las Vegas event is taking place
November 5-10 at the Palms Casino Resort.
Currently, sales and production companies, along
with international trade organizations, national
umbrella stands and film commissions from 25
countries, have secured exhibit spaces in The
Palms, AFM's designated hub, with more confirming
each day.
Click
for
participants
already confirmed for AFM this
year
Click
for
American
Film
Market
///
101-
SAG-AFTRA and Narrativ
Announce New Agreement
-
Deal Allows Member to Safely License
Digital Voice Replicas for Audio Ads
LOS ANGELES (Aug. 14, 2024) --
SAG-AFTRA members who wish to license their digital
voice replica for use in digital audio advertising
now have the option to work with Narrativ -- an
online marketplace where brands can create audio
ads using artificial intelligence. SAG-AFTRA, the
union representing 160,000 media artists, and
Narrativ negotiated and reached an agreement
concerning the union's informed consent and
compensation requirements, along with other crucial
A.I. guardrails.
A
New Era in Ethical A.I. Use
By working together,
SAG-AFTRA and Narrativ are ensuring that the rights
and interests of talent are prioritized and
protected. This collaboration not only offers a
novel revenue model for individuals in the digital
age but also equips advertisers with the tools
needed for more efficient, impactful, and
customizable ad campaigns.
Visit
narrativ.ai
to learn more.
Click for
more
tvi Story-101-
SAG-AFTRA
and Narrativ License Digital Voice Replicas for
Audio Ads
Agreement
///

US Gymnastic Team - Getty Images
Simon Biles - Getty
Images
Simone
Biles wins gold again, claiming the Paris Olympics
all-around gymnastics
title
TVI
Magazine - August 1, 2024
PARIS -- Smone Biles continued
her golden run at the Paris Olympics. Biles won the
gymnastics individual all-around competition,
holding off a formidable push by U.S. teammate Suni
Lee (bronze) and Brazil's Rebeca Andrade (silver).
Biles has now won the most medals by a U.S. gymnast
after winning gold in the team all-around
competition earlier this week.
Click
for
more
tvi
Story-101-
Simone Biles Wins Gold - is Number 1
Again
///
SAG-AFTRA
Applauds the Introduction of the NO FAKES
Act
LOS ANGELES -- (July 31 ) --
Today, the SAG-AFTRA-supported Nurture Originals,
Foster Art, and Keep Entertainment Safe (NO FAKES)
Act was officially introduced in the Senate. If
passed, the bill -- sponsored by Sens. Marsha
Blackburn, Chris Coons, Amy Klobuchar and Thom
Tillis &emdash; would establish a federal right in
voice and likeness to protect against unauthorized
use of digital replicas in audiovisual works and
sound recordings.
The
NO FAKES Act is supported by the entire
entertainment industry landscape, from studios and
major record labels to unions and artist advocacy
groups. It is a milestone achievement to bring all
these groups together for the same urgent goal.
Click
for
more
tvi Story-101- SAG-AFTRA
Applauds the Introduction of the NO FAKES
Act
///
115-
THE AMERICAN FILM CONVENTION is aiming to launch a
"new film market" and entertainment industry
convention as it marches throug
summer.
Los Angeles, CA (July 16, 2024)
-- The American Film Convention (AFC) has secured
numerous developments for its eponymous film
industry event to take place October 15-17, 2024 at
Magic Box in Downtown Los Angeles.
CEO and founder Mitesh
Patel, a grassroots independent filmmaker and
producer, says the event will incorporate a "market
strategies, new technologies, breaking down
barriers, auction, conference, product and service
showcase, distribution, workshop, talks and
addresses, pitch fest, networking event, and filmed
and live entertainment."
Click
for
American
Film
Convention
Click
for
more
tvi Story-115- THE AMERICAN FILM
CONVENTION
///
Symposium & Expo on Artificial Intelligence
for the Built World to take place September 10-12,
Munich
Munich, Germany -- (July 30,
2024) -- The Georg Nemetschek Institute announced
the AI Symposium & Expo on Artificial
Intelligence for the Built World September 10-12,
2024, in Munich.
This unique conference
hosted by the Technical University of Munich (TUM)
and TUM Venture Labs will bring together leading
academic researchers, industry professionals, and
innovative startups to discuss the opportunities
and challenges presented by AI in the built
environment.
The symposium and expo is
taking place at the High-Tech Campus Garching, a
major science and research hub near Munich,
Germany. It is part of the Technical University of
Munich (TUM) and is one of the largest and most
important campuses for science, technology,
engineering, and entrepreneurship in Germany.
The main theme will be the
presentation of AI applications in the context of
the current and future needs of the construction
industry, with a particular focus on how AI can
improve project efficiency, decision-making, and
safety in practice.
Attendees will explore what
works and what doesn't, fostering a comprehensive
dialogue about the potential solutions and
innovations in this rapidly growing field.
Keynote speakers come from
the academic as well as the industry side, amongst
them Marc Nuzet, Chief Strategy Officer and Chief
Division Officer at the Nemetschek Group.
The symposium starts with a
welcome and keynote on September 10, 9:00 am, free
of charge. For the full conference, tickets are
required.
For more information and
to register, visit the Event
Website.
Click
for
more
tvi
Story-115-
Symposium & Expo on
AI
///
WINNERS
OF THE 76th LOS ANGELES AREA EMMY®
AWARDS
LOS ANGELES -- ( July 27, 2024)
-- The 76th Los Angeles Area Emmy® Awards were
presented tonight from the Four Seasons Hotel
Beverly Wilshire in Beverly Hills, hosted by
award-winning journalist Michaela Pereira.
The Los Angeles Area Emmy
Awards honor locally produced programs in the
categories of crime and social issues, culture and
history, the arts, human interest, sports, the
environment, and live and breaking news
coverage.
This year's awards ceremony,
produced by Bob Bain and Bob Bain Productions,
honored locally produced programs in the categories
of Live and Breaking News Coverage, Crime and
Social Issues, Culture and History, the Arts,
Health and Science, Human Interest, Music, Sports,
and the Environment.
KCET topped the list of Los
Angeles TV stations with the most wins,10, at the
76th local Emmy Awards handed out by the Television
Academy Saturday. It was followed by KVEA and
Spectrum News 1 with 4 each, ABC7 and CBS2/KCAL9
with 3 and KTLA5 and Spectrum SportsNet with
two.
The main newscast awards
last year went to KVEA, this year the three prizes
split the honors: Spectrum News 1's "Your Morning
on Spectrum News 1" won the morning (4 a.m. to 11
a.m.) newscasts; KCAL won daytime (11 a.m. to 7
p.m.) and KVEA landed the Emmy for evening
newscast.
One
of KTLA5's two Emmys went to veteran entertainment
anchor Sam Rubin who died earlier this year of a
heart attack. He was the receipient given
posthumously of the 76th Los Angeles Area Emmy
Governors Award, recognizing his legacy of more
than three decades of entertainment news reporting
for KTLA.
A complete list of this
year's Los Angeles Area Emmy Award winners, as
compiled by the independent accounting firm of
Ernst & Young LLP, is attached.
Christie Lyn Lugo Leigh and
Stephanie Hampton are the Los Angeles Area
Governors.
The Los Angeles Area Emmys
were made possible by Television Academy partners
FIJI Water, Franciacorta, Johnnie Walker Blue
Label, Justin Vineyards & Winery, People, The
Ritz-Carlton and United Airlines.
Click
for
more
Emmys winners
///
SAG-AFTRA
Members Who Work on Video Games Go on
Strike
A.I.
Protections Remain the Sticking Point
LOS ANGELES (July 25,
2024) -- SAG-AFTRA National Executive Director
& Chief Negotiator Duncan Crabtree-Ireland,
acting under the authority delegated by the
SAG-AFTRA National Board, and with the unanimous
advice and counsel of the Interactive Media
Agreement Negotiating Committee, called a strike of
the Interactive Media Agreement, effective July
26 at 12:01 a.m. Today's vote to strike comes
after more than a year and a half of negotiations
without a deal.
The convenience bargaining group with whom
SAG-AFTRA is negotiating includes Activision
Productions Inc., Blindlight LLC, Disney Character
Voices Inc., Electronic Arts Productions Inc.,
Formosa Interactive LLC, Insomniac Games Inc.,
Llama Productions LLC, Take 2 Productions Inc.,
VoiceWorks Productions Inc., and WB Games Inc.
Any game looking to employ SAG-AFTRA talent to
perform covered work must sign on to the new
Tiered-Budget Independent Interactive Media
Agreement, the Interim Interactive Media Agreement
or the Interim Interactive Localization Agreement.
These agreements offer critical A.I. protections
for members.
Negotiations began in October 2022 and on Sept. 24,
2023, SAG-AFTRA members approved a video game
strike authorization with a 98.32% yes
vote. Although agreements have been reached on
many issues important to SAG-AFTRA members, the
employers refuse to plainly affirm, in clear and
enforceable language, that they will protect all
performers covered by this contract in their A.I.
language.
"We're not going to consent to a contract that
allows companies to abuse A.I. to the detriment of
our members. Enough is enough. When these companies
get serious about offering an agreement our members
can live -- and work -- with, we will be here,
ready to negotiate," stated SAG-AFTRA President
Fran Drescher.
"The video game industry generates billions of
dollars in profit annually. The driving force
behind that success is the creative people who
design and create those games. That includes the
SAG-AFTRA members who bring memorable and beloved
game characters to life, and they deserve and
demand the same fundamental protections as
performers in film, television, streaming, and
music: fair compensation and the right of informed
consent for the A.I. use of their faces, voices,
and bodies. Frankly, it's stunning that these video
game studios haven't learned anything from the
lessons of last year - that our members can and
will stand up and demand fair and equitable
treatment with respect to A.I., and the public
supports us in that," said Crabtree-Ireland.
"Eighteen months of negotiations have shown us that
our employers are not interested in fair,
reasonable A.I. protections, but rather flagrant
exploitation. We refuse this paradigm &endash; we
will not leave any of our members behind, nor will
we wait for sufficient protection any longer. We
look forward to collaborating with teams on our
Interim and Independent contracts, which provide
A.I. transparency, consent and compensation to all
performers, and to continuing to negotiate in good
faith with this bargaining group.
Click
for more
Nominees,
tvi
Stroy-101-
#101-SAG-AFTRA Members who work on Vide o Games Go
On Strike http://smart90.com/101-s90/#101-SAG-AFTRA
VideoGamesWorkersStrike
Artwork - Designed by Digital
Hollywood, Inc.
21st
Century AI at Hollywood Digital's Virtual Event:
The Future of Entertainment, Media &
Technology, Monday, July 22nd,
2024
While AI has been front and
center in the entertainment and media industries
for more than a decade, enabling on the one hand
predictive and qualitative analytics and then
serving as the backbone of major creative
innovation in feature film, advertising, and the
cloud on the other. But now, with the establishment
of "Generative AI," that process of innovation and
disruption is unfolding at an accelerated and
unprecedented rate. In this roundtable, we bring
together executives from major entertainment and
technology organizations who are at the forefront
of that innovation transformation. We thank them
for their time and very much look forward to their
commentary.
Television Academy
Emerging Media Peer Group Members
AI and Hollywood Production, Advertising,
Virtual Production & Analytics
AI and Video and the 21st Century Artist
Virtual Humans and Robotics: The Summit on
Synthetic Intelligence
AI and Music: The Challenge of Artists vs.
Technology - Musicians - Science - Creativity
AI - Deep Fakes, Bias Threats, Bias,
Creative Rights & Regulation
AI Fashion, The Artist
Speakers:
Phil Wiser, Executive Vice President and Chief
Technology Officer, Paramount Global
Samira Panah
Bakhtiar, General Manager, Media & Entertainment, Games
and Sports, Amazon Web Services (AWS)
Eliot Sakhartov, Business and Technology
Strategist, Media and Entertainment, Microsoft
Michael Kaplan, Global Bus. Development.
Generative AI, Media & Entertainment (M&E),
NVIDIA
Seth Hallen, President,
Hollywood Professional Association (HPA),
Moderator
Read
More
///
EXCLUSIVE
76TH EMMY AWARDS AND GOVERNORS GALA TICKETS UP FOR
BID
Emmy Season Auction to
Benefit Television Academy Foundation Launches in
Celebration of Television Excellence and
Philanthropy
(LOS ANGELES - ( July 22, 2024) -- As excitement
builds for the upcoming 76th Emmy Awards, the
Television Academy Foundation announced the launch
of its annual Emmy Season Auction, a unique
opportunity for television enthusiasts to win VIP
experiences during the festivities while
contributing to the nonprofit's educational
programs.
The auction features
exclusive access to star-studded events, such as
orchestra seat tickets to the 76th Emmy Awards and
tickets to the Governors Gala on Sept. 15 in Los
Angeles, tickets to the Emmy's Performer Nominees
Celebration on Sept. 13, and tickets to the 76th
Creative Arts Emmy Awards and Governors Gala on
Sept. 7.
The
auction is hosted online on Charitybuzz,
https://charitybuzz.com/support/televisionacademy,
providing accessibility to bidders worldwide.
Bidding concludes Tuesday, July 30 at 3 p.m.
EDT.
Fantastic
chances for winners and their guests to join in the
excitement and rub elbows with television's hottest
stars during TV's biggest
night honoring nominees at
the 76th Emmy® Awards and exclusive invitations
to official after-parties
///
Nominations
for the 76th Emmy® Awards were announced today
from the historic El Capitan Theatre in Hollywood,
recognizing remarkable programs, extraordinary
performances and impactful storytelling across
multiple
platforms.
(LOS ANGELES -- July 17,
2024) -- The live ceremony was hosted by Emmy
winners Tony Hale and Sheryl Lee Ralph along with
Television Academy Chair Cris Abrego.
The nearly 22,000 voting
members of the Academy nominated an abundance of
inspiring talent and a robust selection of diverse
program offerings. In a year marked by significant
challenges and changes in the television landscape,
the nominations recognize the excellent work of
performers, producers, writers, directors,
craftspeople, and professionals above and below the
line on television programs from the 2023 &endash;
2024 eligibility year.
"Television delivers stories
that connect us, uplift us, challenge us and always
entertain us. Today, I am honored to celebrate
the outstanding work of our extraordinarily
talented and hardworking creative community," said
Television Academy Chair Cris Abrego. "This
morning's Emmy nominations are a testament to their
contributions and highlight the incredible
programming that has risen to the top of an
exceptional year in TV."
The Bear set a new record
for nominations in a single year in the Comedy
category with 23 (previously held by 30 Rock with
22 nominations in 2009), and Sh?gun lead this
year's Drama category with 25 nominations.
As
previously announced, Emmy Award winners Jesse
Collins and Dionne Harmon along with Emmy-nominated
Jeannae Rouzan-Clay of Jesse Collins Entertainment
are set to return as executive producers of the
76th Emmy Awards. This marks their second
consecutive year as producers of television's
biggest night.
The
76th Emmy Awards will broadcast live on ABC on
Sunday, September 15, (8:00-11:00 PM EDT/5:00-8:00
PM PDT) from the Peacock Theater at L.A. LIVE
and stream the next day on Hulu. The 76th Creative
Arts Emmy Awards take place at the Peacock Theater
over two consecutive nights on Saturday, September
7, and Sunday, September 8, with an edited
presentation to air on Saturday, September 14, at
8:00 PM EDT/PDT on FXX.
C
///
EXCLUSIVE
76TH EMMY AWARDS AND GOVERNORS GALA TICKETS UP FOR
BID
Emmy Season Auction to
Benefit Television Academy Foundation Launches in
Celebration of Television Excellence and
Philanthropy
(LOS ANGELES - ( July 22, 2024) -- As excitement
builds for the upcoming 76th Emmy Awards, the
Television Academy Foundation announced the launch
of its annual Emmy Season Auction, a unique
opportunity for television enthusiasts to win VIP
experiences during the festivities while
contributing to the nonprofit's educational
programs.
The auction features
exclusive access to star-studded events, such as
orchestra seat tickets to the 76th Emmy Awards and
tickets to the Governors Gala on Sept. 15 in Los
Angeles, tickets to the Emmy's Performer Nominees
Celebration on Sept. 13, and tickets to the 76th
Creative Arts Emmy Awards and Governors Gala on
Sept. 7.
The
auction is hosted online on Charitybuzz,
https://charitybuzz.com/support/televisionacademy,
providing accessibility to bidders worldwide.
Bidding concludes Tuesday, July 30 at 3 p.m.
EDT.
Fantastic
chances for winners and their guests to join in the
excitement and rub elbows with television's hottest
stars during TV's biggest
night honoring nominees at
the 76th Emmy® Awards and exclusive invitations
to official after-parties
///
Nominations
for the 76th Emmy® Awards were announced today
from the historic El Capitan Theatre in Hollywood,
recognizing remarkable programs, extraordinary
performances and impactful storytelling across
multiple
platforms.
(LOS ANGELES -- July 17,
2024) -- The live ceremony was hosted by Emmy
winners Tony Hale and Sheryl Lee Ralph along with
Television Academy Chair Cris Abrego.
The nearly 22,000 voting
members of the Academy nominated an abundance of
inspiring talent and a robust selection of diverse
program offerings. In a year marked by significant
challenges and changes in the television landscape,
the nominations recognize the excellent work of
performers, producers, writers, directors,
craftspeople, and professionals above and below the
line on television programs from the 2023 &endash;
2024 eligibility year.
"Television delivers stories
that connect us, uplift us, challenge us and always
entertain us. Today, I am honored to celebrate
the outstanding work of our extraordinarily
talented and hardworking creative community," said
Television Academy Chair Cris Abrego. "This
morning's Emmy nominations are a testament to their
contributions and highlight the incredible
programming that has risen to the top of an
exceptional year in TV."
The Bear set a new record
for nominations in a single year in the Comedy
category with 23 (previously held by 30 Rock with
22 nominations in 2009), and Sh?gun lead this
year's Drama category with 25 nominations.
As
previously announced, Emmy Award winners Jesse
Collins and Dionne Harmon along with Emmy-nominated
Jeannae Rouzan-Clay of Jesse Collins Entertainment
are set to return as executive producers of the
76th Emmy Awards. This marks their second
consecutive year as producers of television's
biggest night.
The
76th Emmy Awards will broadcast live on ABC on
Sunday, September 15, (8:00-11:00 PM EDT/5:00-8:00
PM PDT) from the Peacock Theater at L.A. LIVE
and stream the next day on Hulu. The 76th Creative
Arts Emmy Awards take place at the Peacock Theater
over two consecutive nights on Saturday, September
7, and Sunday, September 8, with an edited
presentation to air on Saturday, September 14, at
8:00 PM EDT/PDT on FXX.
Click
for more
Nominees,
tvi
Stroy-101-
76th
Emmy®Nominations
///
PLAYED:
The Games of the 1936 Berlin
Olympics
'36
Summer Olympics Were More Than Just Games: New Book
Sounds Real-World
Alarms
WINTHROP, Mass. -- As
the 2024 Paris Olympics quickly approach, a new
book co-authored by Richard Kaufman and Glenn
Allen, PLAYED: The Games of the 1936 Berlin
Olympics, harkens to a different era with some
startlingly similar realities with worldwide
impacts. Historical figures and events play a role
as the writers unravel a gripping story that could
serve as a warning signal for world leaders in 2024
and beyond.
Sportswriters will say that
their job is often mockingly referred to as the
"toy department" of news, as if fun and games are
unimportant. A newly released book, PLAYED: The
Games of the 1936 Berlin Olympics, illustrates just
how significant and historic the sporting world can
be.
Co-authors Richard Kaufman
and Glenn Allen take readers into a time and place
when the world felt like it was teetering on the
brink of war, Nazi Germany was rattling its sabers,
and one of the most memorable of all Olympic Games
was taking place in Berlin.
PLAYED blends politics,
sports, espionage and courage, all in a real-world
setting where the most popular hero was American
sprinter and long jumper Jesse Owens, who won four
gold medals. That stuck a needle in Adolf Hitler's
attempt to use the games to prove his theory of
Aryan racial superiority.
PLAYED feels real because it
is based on real events, real outcomes and real
people, including American Olympic Committee
President Avery Brundage, Franklin Delano
Roosevelt, Charlie Chaplin, Joseph Goebbels and Eva
Braun.
The authors say the most
important message of their story is that history
must not repeat itself ... a poignant thought in
this, the year of the 2024 Paris Olympics, where
Russian and Belarusian athletes are banned from
participating in team sports due to the war in
Ukraine.
Dr. Thomas Law gave PLAYED
five stars and wrote in his review, "To those of us
who are history buffs, this is a must-read,
especially if you are enthralled with the events
leading up to the Second World War, xenophobia,
lust for power and their current implications
Although the book presents itself as 'a
novel,' the people and events are real. This makes
the dialogue (the fictional parts, I presume) come
alive and seem likely to have happened."
About the Authors
Richard Kaufman and Glenn Allen have been writing
together for over 25 years. They have numerous
projects in development, including scripted feature
films, a docuseries and television series, and they
have co-written and produced two a
ward-winning independent films, all under the
banner of their company, Green Bandana.
PLAYED: The Games of the 1936 Berlin Olympics -
Available from Amazon.com
For more information, please visit www.greenbandana.org
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tvi Story-113-PLAYED: The Games of the 1936 Berlin
Olympics -Were They More Than Just Games? New Book
Sounds Real-World
Alarms
///
Judge
Grants SAG-AFTRA Dismissal Motion for Return to
Work Agreement
Lawsuits
LOS ANGELES (July 18,
2024) -- Yesterday, a federal court judge dismissed
40 lawsuits filed against SAG-AFTRA over the Return
to Work Agreement, which allowed entertainment
workers to be among the first industries to safely
return to work during the height of the COVID-19
pandemic.
In her order, Judge
Josephine L. Staton, U.S. district judge for the
Central District of California, dismissed the
complaints, finding that even if all allegations in
the complaints could be proven, they failed to
state a legal claim against the union. The
dismissal was ordered "with prejudice," meaning
that the claims cannot be refiled.
"We are pleased with the
federal district court's order to permanently
dismiss these cases," said SAG-AFTRA National
Executive Director & Chief Negotiator Duncan
Crabtree-Ireland. "We look forward to continuing to
expand our members' work opportunities and
acknowledge the hard work and dedication of those
who helped make sets safe enough to return the
industry to work during the unprecedented challenge
presented by the COVID-19 pandemic."
SAG-AFTRA
was represented by Lisa Demidovich of Bush
Gottlieb, ALC.
///
115-
THE AMERICAN FILM CONVENTION is aiming to launch a
"new film market" and entertainment industry
convention as it marches throug
summer.
Los Angeles, CA (July
16, 2024) -- The American Film Convention (AFC) has
secured numerous developments for its eponymous
film industry event to take place October 15-17,
2024 at Magic Box in Downtown Los Angeles.
CEO and founder Mitesh
Patel, a grassroots independent filmmaker and
producer, says the event will incorporate a "market
strategies, new technologies, breaking down
barriers, auction, conference, product and service
showcase, distribution, workshop, talks and
addresses, pitch fest, networking event, and filmed
and live entertainment."
Magic Box's website says,
"Our unique venue can accommodate large scale trade
shows and conferences, fashion shows, galas,
receptions, holiday parties, to
intimate screening parties." AFC
organizers tell us they plan to "build out
screening facilities" for the event.
Several of the participants
have already had their events/speaking roles
assigned. For example, Sturgess of BooksOffice will
host a dedicated pitch event at AFC, where authors
will pitch their literary properties to producers.
BooksOffice is a new platform for finding
unrepresented but published authors who have
stories that could make the journey from book to
screen.
"The event offers more than
100,000 square feet of exhibition space and has
room for 400 exhibitors and participants. We expect
the convention to draw about 5,000 delegates in its
first year," they said.
AFC has opened the
submission portal for films to be considered for
auction and exhibition in the halls as well as the
delegates' online streaming room. Filmmakers,
buyers and sellers will have the option of booking
slots onsite, offsite or making their projects
available online for both premium convention
delegates and buyers.
AFC will auction 70 hours of
rare, mostly unseen and highly sought-after O.J.
Simpson tapes, along with three of Norman Pardo's
completed films: OJ: What a Life, Wendy Williams:
Keeping it Real and OJ: Off the Chain. Filmed
during Pardo's relationship with Simpson from
December 1999 to O.J.'s incarceration for robbery
in 2008, Pardo's website claims,
"The original tapes Norman
shot of the disgraced running back and his team
also contain a bevy of other celebrities, like
Wendy Williams, Bernard Hopkins, and more, and have
been digitized for editing. This is an exclusive
collection of OJ's most embarrassing moments, his
unfiltered thoughts about life, women, drugs and
kinky sex." Arizona-based Brett Higgins will serve
as auctioneer for the Pardo collection and the rest
of the film auction.
Patel's production credits
include low-budget features Woman In The Maze, Bite
The Dust and Instant Karma. He also founded and
serves as CEO of the Chandler International Film
Festival in Arizona.
"We created The American
Film Convention as an innovative entity that's
poised to vault to the forefront of the global film
industry and return that focus to the entertainment
epicenter of the world, Los Angeles, California,"
Patel claimed.
"AFC is dedicated to
expanding the way industry professionals engage,
collaborate, and innovate within the filmed
entertainment realm. We're committed to creating
some fresh and innovative programs and present a
more all-inclusive forum. AFC intends to supplement
rather than supplant the current industry gathering
landscape and offerings."
Development executive and
producer Jenean Atwood Baynes of the Eco Channel
will supervise the Actor's Nest, a unique AFC
program where actors and their representatives will
present themselves and their clients to delegates
any way they choose.
Baynes works as an
independent producer on Lifestyle with Roy Ice and
is the Festival Director for the Omni Cultural TV
Fest. She has also worked at Warner Bros. and Sony
Studios as well as for major industry entities such
as NAB and NATPE. A twice-published author, Jenean
has written and performed standup comedy at The Ice
House, The Comedy Store and The Hollywood Improv.
"I am delighted to be part of the American Film
Convention team, where innovation meets inspiration
and the future of filmmaking and content creation
takes center stage," she shares. "Together, we're
shaping a new
narrative for the global
film industry, one that redefines creativity,
collaboration and excellence."
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Convention
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Paramount
and Skydance merger signals end of a Redstone
family reign in Hollywood and the rise of new
power
NEW
YORK -- Oracle founder Larry Ellison's son, David
Ellison, announced he had reached terms to acquire
a controlling stake in Paramount. The entertainment
giant Paramount will merge with Skydance, closing
out a decades-long run by the Redstone family in
Hollywood and injecting needed cash into a legacy
studio that has struggled to adapt to a shifting
entertainment industry landscape.
It also signals the rise of a new power player,
David Ellison, the founder of Skydance and son of
billionaire Larry Ellison, the founder of the
software company Oracle.
Shari Redstone's National Amusements has owned more
than three-quarters of Paramount's Class A voting
shares through the estate of her late father,
Sumner Redstone. She had battled to maintain
control of the company that owns CBS, which is
behind blockbuster films such as "The Godfather."
and "Top Gun."
As
one of Hollywood's first studios, 112-year-old
Paramount Pictures is the crown jewel of the
company. That's certainly how Sumner Redstone,
Shari's late father, saw it.
The on-again, off-again merger arrives at
tumultuous time for Paramount, which has struggled
to find its footing for years and its cable
business.
Skydance, based in Santa Monica, California, has
helped produce some major Paramount hits in recent
years, including Tom Cruise films like "Top Gun:
Maverick" and installments of the "Mission
Impossible."
Skydance was founded in 2010 by David Ellison and
it quickly formed a production partnership with
Paramount that same year. If the deal is approved,
Ellison will become chairman and chief executive
officer of what's being called New Paramount.
The new combined company is valued at around $28
billion. In connection with the proposed
transaction, which is expected to close in
September 2025 pending regulatory approval, a
consortium led by the Ellison family and RedBird
Capital will be investing $8 billion.
Ellison stressed that the company needs to
transition into a "tech hybrid" to stay competitive
in today's evolving media landscape. He added that
it was "essential" for New Paramount to chart a
similar course going
forward.
The
foray into the streaming business has been a costly
one for Paramount. The company was late to join the
so-called streaming wars, lagging behind
competitors Netflix and even Disney, and then spent
heavily on the
service.
That
includes plans to "rebuild" the Paramount+
streaming service, Ellison noted -- pointing to the
company's aims to transition to more cloud-based
production and continue the use of generative
artificial intelligence to boost efficiency.
Ellison laid out a plan for
tech upgrades to the Paramount+ service, including
improved ad technology and a better algorithmic
recommendation engine that could help reduce
subscriber churn and increase users' time on the
platform.
The new combined company is
valued at around $28 billion. In connection with
the proposed transaction, which is expected to
close in September 2025 pending regulatory
approval.
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Paramount and Skydance
Merger
///
Award-winners
of the 41st Munich International Film
Festival!
"Our juries
have truly embraced an affirmation of the diversity
of global cinema. Meticulous in their artistry,
socially relevant, and forward-thinking in their
cinematic approach, our winning films show what
cinema today can be. Our first Audience Day, which
beckons audiences to theaters at reduced admission
prices, offers another chance to discover all of
these films here at the Munich International Film
Festival," say festival director Christoph
Gröner and artistic co-director Julia
Weigl.
CineCoPro Award
"To a Land Unknown" by Mahdi
Fleifel and with it the film's German co-producer,
François Morisset of Salaud Morisset, was
honored with the CineCoPro Award.
The winning film was
selected by a three-member jury of international
renown: Baran bo Odar (director and screenwriter),
Leonie Benesch (actress), and Sol Bondy
(producer).
Honorable mention was given to "The Village Next to
Paradise" by Mo Harawe and thus to the film's
German co-producer, Nicole Gerhards of NiKo
Film.
After a five-year break, the Munich International
Film Festival brought back the 100,000-euro
CineCoPro Award. Ten international co-productions
involving German co-producers competed for this
exceptional award in the CineCoPro competition. The
prize money is provided by the FFF Bayern and is
distributed to the German co-producers of the
winning film for their next co-production. The
award was presented by Minister of State Dr.
Florian Herrmann.
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2024
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Award-winners
of the 41st Munich International Film
Festival!
"Our juries
have truly embraced an affirmation of the diversity
of global cinema. Meticulous in their artistry,
socially relevant, and forward-thinking in their
cinematic approach, our winning films show what
cinema today can be. Our first Audience Day, which
beckons audiences to theaters at reduced admission
prices, offers another chance to discover all of
these films here at the Munich International Film
Festival," say festival director Christoph
Gröner and artistic co-director Julia
Weigl.
CineCoPro Award
"To a Land Unknown" by Mahdi
Fleifel and with it the film's German co-producer,
François Morisset of Salaud Morisset, was
honored with the CineCoPro Award.
The winning film was
selected by a three-member jury of international
renown: Baran bo Odar (director and screenwriter),
Leonie Benesch (actress), and Sol Bondy
(producer).
Honorable mention was given to "The Village Next to
Paradise" by Mo Harawe and thus to the film's
German co-producer, Nicole Gerhards of NiKo
Film.
After a five-year break, the Munich International
Film Festival brought back the 100,000-euro
CineCoPro Award. Ten international co-productions
involving German co-producers competed for this
exceptional award in the CineCoPro competition. The
prize money is provided by the FFF Bayern and is
distributed to the German co-producers of the
winning film for their next co-production. The
award was presented by Minister of State Dr.
Florian Herrmann.
CineMasters Award
The film "Explanation for
Everything" by Gábor Reisz earned the
CineMasters Award for best international film,
which was presented to producer Júlia Berkes
of Proton Cinema LLC. Marie-Lou Sellem (actress,
Germany), Moritz Peters (Director of Marketing
& Acquisitions, Plaion Pictures, Germany), and
Rajendra Roy (Chief Curator of Film, Museum of
Modern Art, New York) comprised this year's
independent jury for the CineMasters competition.
Fourteen films were in the running this year for
the CineMasters Award, worth 50,000 euros and
sponsored by ARRI, for the best international
film.
CineVision Award
The CineVision Award for the
best international film by an emerging director
went to "Simón de la Montaña" by
Federico Luis. The independent jury that honors the
best directorial achievement was comprised of Bob
Byington (director and screenwriter, USA), Maksym
Nakonechnyi (director, Ukraine), and Sarah
Blaßkiewitz (director and screenwriter,
Germany). Fourteen talented international directors
competed for this award for the best international
film by an up-and-coming director. The award, which
is sponsored by MPLC Deutschland GmbH (Motion
Picture Licensing Company), is worth 15,000
euros.
CineRebels Award
The CineRebels Award,
presented this year for the third time, went to
"Viêt and Nam" by Minh Quy Truong.
Honorable mention was given to "Fragments of Ice"
by Maria Stoianova.
This year's jury consisted of Mia Bays (Director of
the Filmmaking Fund at the British Film Institute,
UK), Nicolas Wackerbarth (filmmaker and author,
Germany), and Dale Dickey (actress, USA). The
CineRebels Award is an exciting new platform for
films that dare to take risks and break the mold of
established filmmaking. Fourteen productions
competed for this award, which is now worth 15,000
euros. The festival's main partner, AUDI, sponsors
this award for best directorial
achievement.
CineKindl Award
"Lars Is LOL" by Eirik
Sæter Stordahl won the CineKindl Award for
best children's film.
Since 2022, the film
production company megaherz has presented the
CineKindl Award to the best film in the CineKindl
section at the Munich International Film Festival.
This award for outstanding directorial work was
presented this year by a jury comprised of Barbara
Kronenberg (director and screenwriter, Germany),
Philipp Budweg (producer, Germany), and Jytte-Merle
Böhrnsen (actress, stage director, and
screenwriter, Germany). This award has a value of
2,500 euros.
Young Jury Award
The Young Jury Award,
presented this year for the first time, went to
"Hoard" by Luna Carmoon.
Honorable mention went to "Sisterqueens" by Clara
Stella Hüneke.
The jury was comprised of Lorenzo Germeno (actor),
Virgina Olivia Obiakor (actress), Johannes
Rockstuhl (screenwriting student at HFF Munich),
Maryna Shymko (student), and Tarik Uslu
(student).
Audience Awards
The festival's Audience
Awards were also presented alongside the others.
The Audience Awards, supported by media partners
Bayerischer Rundfunk and Süddeutsche Zeitung,
went to "Führer and Seducer" by Joachim A.
Lang in the national category and "Samia" by
Yasemin ?amdereli, in collaboration with Deka
Mohamed Osman in the international category.
The CineKindl Audience Award went to "Dìdi"
by Sean Wang.
FIPRESCI Prize
Since 2015, the
International Film Critics Association (FIPRESCI)
has presented an award in the New German Cinema
section at the Munich International Film
Festival.
This year it went to "Sad Jokes" by Fabian
Stumm.
The FIPRESCI critics' jury consisted of Jason
Gorber (journalist and film critic), Paola Casella
(journalist and film critic), and Rudolf Worschech
(journalist and film critic).
German Cinema New Talent
Award
On Friday, July 5, 2024,
up-and-coming German talent was also honored with
the coveted German Cinema New Talent Award. The
jury &emdash; which consisted of Mariko Minoguchi
(director and screenwriter), Denis Moschitto (actor
and director), and Florian Koerner von Gustorf
(film producer) &emdash; honored Fabian Stumm as
best director for his film "Sad Jokes". Semih
Korhan Güner clinched the award for best
production for the drama "Smell of Burnt Milk".
Aaron Arens and Lukas Loose took the award for best
screenplay and a slot in the Bavaria Fiction
mentoring program for "Places in the Sun". Atika
Jumaih Bashiru received the award for best acting
performance for her role in the film "O
Chale".
Bernd Burgemeister TV Production
Awards
Previously, on Sunday, June
30, 2024, the two prestigious Bernd Burgemeister TV
Production Awards for outstanding achievement in
production were presented. The three-member jury,
chaired by producer Dagmar Rosenbauer and including
Jan Kruse (Bavaria Fiction) and Martin Richter (Rat
Pack Filmproduktion), honored producers Maren
Knieling and Lars Jessen (Florida Film GmbH) for
the comedy "Micha Thinks Big" starring Charly
Hübner as best TV movie. The award for best
series or miniseries went to producers Katrin
Haase, Oliver Arnold (U5 Filmproduktion GmbH &
Co. KG), and Lasse Scharpen (Studio Zentral) for
the vampire-themed series "Love Sucks".
Fritz Gerlich Prize
This year's Fritz Gerlich
Prize was awarded by Tellux Next to "Tatami" by Zar
Amir and Guy Nattiv.
One Future Prize
This year's One Future
Prize, awarded by the Interfilm Academy, went to
the documentary "Petra Kelly &endash; Act Now!" by
Doris Metz. The 2024 One Future Honorary Award was
presented posthumously to Petra Kelly for her
life's work and her tireless engagement with
sociopolitical issues.
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2024
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101-
SAG-AFTRA Awards George Heller Memorial Gold Card
to Union Officers
LOS ANGELES (June 22, 2024) --
Today SAG-AFTRA announced Sheila Ivy Traister,
Michele Proude, Janice Pendarvis and Stacey Travis
as recipients of the George Heller Memorial Award
gold cards in recognition for their outstanding
contributions to SAG-AFTRA and its members.
The George Heller Memorial
Award is presented every two years at SAG-AFTRA's
national convention and bestowed based on
contributions and years of service to SAG-AFTRA or
its predecessor unions. Honorees are selected by
the National Honors and Tributes Committee members
from around the country. This year's recipients
are:
SAG-AFTRA Former National
Board Member Sheila Ivy Traister
A tireless union advocate,
Traister has dedicated more than 44 years of
cumulative service to the labor movement, having
served on the SAG-AFTRA National Board, as
president of the Colorado Local and as a current
member of five national committees. Traister puts
particular focus on committees that help promote
inclusiveness of her industry and the labor
movement and expand equal opportunity in the
industry, including for performers who are Asian
American and Pacific Islander, and performers with
disabilities. She also devotes her time to
conducting workshops and lectures for film
students, educating them about SAG-AFTRA and the
benefits of union membership.
SAG-AFTRA National Vice
President, Mid-Sized Locals Michele Proude
Compassionate, articulate, and determined, Proude
has served on local and national committees and as
New England Local president. She was first elected
by her fellow SAG-AFTRA convention delegates as the
national vice president of the mid-sized locals in
2019, and was elected to her third term in 2023. As
a leader, she's known for being open and
communicative and she cultivates an environment
where people can disagree and debate respectfully.
As an accomplished performer, she is an invaluable
resource for her knowledge of SAG-AFTRA's
constitution, union governance, and her ability to
find solutions and get things done. Proude has
managed to balance a very full home life, a busy
career and union service, and is devoted to making
SAG-AFTRA the very best that it can be.
SAG-AFTRA National Vice
President, Recording Artists/Singers Janice
Pendarvis
A singer and voice actor who
has spent years fighting for singers legislatively
and within the union, Pendarvis' priority has
always been creating more union work for SAG-AFTRA
members -- especially those working in the
recording industry. Currently serving her second
term as SAG-AFTRA's national vice president,
recording artists/singers, her legacy in union
service is almost as impressive as her career; she
began as a songwriter and a singer working with
artists such as Sting, David Bowie, Steely Dan,
Peter Tosh and the Rolling Stones. Currently, she's
an associate professor of voice at Berklee College
of Music, assisting the next generation of
musicians in the pursuit of their dreams.
Former SAG-AFTRA National
Board Member Stacey Travis
For over three decades,
Travis has been dedicated to union service. She was
first elected to the SAG Board in 2008, and her
extraordinary leadership accomplishments include
revolutionizing SAG-AFTRA's low budget contracts
and fighting fiercely for over a decade to remove
ages and birthdates from IMDb. She also devotes her
time and energy to ensuring that our members are
educated about contract changes and opportunities,
and helps to drive SAG-AFTRA's legislative agenda
in California and Washington, D.C. Whether she's
tracking state and national actions, researching
vital legislation or educating members, Travis is
always working to help members and strengthen
SAG-AFTRA.
About George Heller
Established in 1956, the gold card award was
created in memory of George Heller, a stage
performer and a legend in the union's history who
co-founded AFRA, the American Federation of Radio
Artists in 1937. Heller became AFRA national
executive secretary in 1946, departing in 1949 to
head Television Authority to organize and negotiate
TV contracts for actors. When AFTRA and TVA merged
in 1952, as AFTRA, Heller became its national
executive secretary. Heller was also the driving
force behind negotiating and achieving the AFTRA
Pension and Health Plan -- an entertainment
industry first -- shortly before his premature
death in 1955 at age 49.
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SAG-AFTRA
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George Heller Memorial Gold Card to Union
Officers
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115- NATPE BUDAPEST 2024 - First keynotes announced
Natpe
Budapest will take place June 24 - 27 at the
Intercontinental Hotel in Budapest.
KEYNOTE: AI & TECHNOLOGY:
REDEFINING ENTERTAINMENT IN A CONNECTED WORLD
Producer, Tech Entrepreneur and Journalist Elif
Dagdeviren will lead a thought-provoking
presentation that puts AI center stage as a
powerful tool for molding the business. This
keynote will focus on the intersection of
technology and entertainment today, and how it will
evolve in the future.
CEO-level executives from
leading broadcasters across Central and Eastern
Europe will lead insightful discussion around the
trends, challenges, and innovations shaping the
region's media landscape with a particular focus on
the health of Linear TV & investment in local
content.
Featuring:
Moderators
Stewart Clarke, SVP, Content, International,
Deadline
Ralf Bartoleit CEO, bTV Media Group
Stella Litou
CEO, CME Adria; CEO, Pro Plus; President of the
Management Board, RTL Croatia
Pavel Stantchev, CEO, TV2 Media Group Hungary,
Planet TV Group Slovenia
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NATPE
BUDAPEST 2024- First keynotes
announced
///
115- Cinematic
gems to be presented at Munich 41st
FILMFEST
MÜNCHEN.
The Munich International
Film Festival is the number-one platform for German
filmmaking. Its 41st edition will see the premieres
of 150 films from 53 countries, with the usual
large number of guests attending. Both the general
public and the film industry will find much to
discover here. The complete festival schedule,
which includes German co-productions involving
Canada, Argentina, Somalia, and India, is now
online, as are all of the events and talks, which
feature lots of big names in filmmaking.
The Munich International
Film Festival will be held from June 28 to July 7,
2024. Its opening gala will be held at the Gasteig
HP8 on Saturday, June 29. The festival center will
once again be at the Amerikahaus in the museum
district.
The awards for the
competition sections will be announced on July 6,
2024 at the festival center
Amerikahaus.
The works competing for the
new CineWaves award trophies in the international
and national competitions will be screened at
twelve venues. This year also sees the return,
after a four-year break, of the competition for
Germany's most valuable co-production prize, the
100,000-euro CineCoPro Award.
The 150 feature-length
fiction and documentary films address themes that
cover the entire spectrum of human and societal
experience. Some 40 % of the films are
directed by women. All of the films are being
screened in Germany for the first time. 62
productions are even celebrating their
international, world, or European premiere in
Munich.
As this is the first
festival at which we've teamed up to set the
creative tone, it's naturally very special to us.
We're taking the festival back to its roots by
presenting genuine finds alongside star-studded
cinema, but are doing this in new, grand, and great
locations. The return of the CineCoPro Competition
makes the festival more complete, and CineYou, our
laboratory for young audiences, finally gives us an
avenue for making young people from Munich an
active part of the festival. We and our fantastic
team are looking forward to 10 days of unparalleled
interactions, unforgettable experiences with
cinema, and inspiring, open-minded discussions,"
say Christoph Gröner, festival director, and
Julia Weigl, artistic co-director.
Plenty of cinematic gems
that we're able to present come to us straight from
the Cannes and Tribeca film festivals. In "The
Substance", Demi Moore returns to the big screen in
a breathtaking female body horror film by Coralie
Fargeat. Also fresh from Cannes is "Rumours", an
absurdist satire starring Cate Blanchett, Charles
Dance, and Alicia Vikander. Fourteen films in total
are from the Croisette. "Samia", an Italian-German
co-production, offers the perspective of a young
sportswoman who confronts injustice in Mogadishu.
In "Motel Destino", another film involving Germany
in its co-production, Karim Aïnouz turns
desire, intoxication, and violence into a colorful
spectacle. From Brazil, there is the horror drama
"Continent", which is celebrating its world
premiere at the Munich International Film Festival
(more information on the international world
premieres here). "Xoftex" will be presented in a
joint world premiere with the Karlovy Vary
Festival.
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Cinematic
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FILMFEST
MÜNCHEN.
///
115- Michaela Pereira Returns to Host July 27th
Emmys
Ceremony
LOS ANGELES - June 4,
2024 -- The Television Academy today announced 124
nominations in 33 categories for the 76th Los
Angeles Area Emmy® Awards, to be presented
Saturday evening, July 27, 2024, at the Four
Seasons Hotel Beverly Wilshire in Beverly Hills,
hosted by award-winning journalist Michaela
Pereira.
The Los Angeles Area Emmy
Awards honor locally produced programs in the
categories of Crime and Social Issues, Culture and
History, the Arts, Human Interest, Sports, the
Environment, and Live and Breaking News
Coverage.
A
complete list
of today's nominations,
tabulated by the Academy's accounting firm Ernst
& Young LLP, is attached. The nominations are
listed alphabetically by program within each
category.
Host
Michaela Pereira has more than three decades of
experience in the television industry and has made
her mark on Los Angeles area news as the anchor for
both the KTLA Morning News and KTTV's Good Day LA.
Additionally, she has been on the national stage as
a co-host of the CNN morning show New Day, and
hosted her own daily show, MichaeLA, on
HLN. She is currently hosting her own national
weekly podcast, "The Michaela! of it All," which is
the leadup to her national talk show.
Christie
Lyn Lugo Leigh and Stephanie Hampton are the Los
Angeles Area Governors.
Click here for
the complete list of Emmys nominees
////
115-
CINEKINDL -- A VARIETY OF FILMS ABOUT THE WORLD OF
YOUNG
PEOPLE
MUNICH,
June 7,
2024 -- The 41st edition of
the Munich International Film Festival will give
young audiences in particular a lot to look forward
to. Programming director Tobi Krell aka Checker
Tobi and co-curator Tobi Obermeier will once again
present a thoughtfully compiled selection of films
for the young and young-at-heart aged 5 and up. The
former KINDERFILMFEST MÜNCHEN, a standalone
competition section at the festival, will for the
first time be held using its new name,
CineKindl.
On the morning of June 29,
2024, the CineKindl section will officially be
inaugurated by programming director Tobi Krell. The
CineKindl trailer, shot by a group of young people
under the guidance of director Axel Ranisch, will
be shown on the big screen for the first time. The
highlight at the opening of this section will be
the world premiere of the documentary
"Sisterqueens". In her graduation film from the
Baden-Württemberg Film Academy, director Clara
Stella Hüneke gets up close and personal with
a Berlin-based initiative that promotes feminist
rap by and for girls. The film follows three young
female protagonists for several years as they find
their voice and begin to give artistic expression
to their political demands.
Click
for list of all the
films
Click
for more tvi
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CINEKINDL at the Munich Film Festival
///
CineWaves
motiv will be gracing
the
Munich
Film
Fest
The
international FILMFEST MÜNCHEN is giving its
awards a coordinated design that will be reflected
across the
festival
Starting this year, the
CineWaves will be the motif gracing the awards
presented at Munich's international film
festival.
"FILMFEST MÜNCHEN has
given itself a fresh iconography inspired by one of
Munich's most scenic locations: the incomparable
Isar River. The flow of the water is inspiring and
surprising. It constantly delivers something new.
It encourages interaction and refreshment,
especially in the summer," say festival director
Christoph Gröner and artistic co-director
Julia Weigl.
The design is based on
footage of flowing water which was intentionally
distorted by non-binary artist PPPANIK using a play
of colors and other effects, thus becoming a
cinematic statement in itself. We're drawn into a
summery, lush, blue-green colorscape that will
remind everyone in Munich of the Isar, the Eisbach,
and the English Garden.
During the festival period
from June 28 to July 7, all of Munich's cinematic
events will reflect this design, which will be
featured prominently at the opening at the Gasteig
HP8.
Click
for
more
115-
41st Munich International Film Festival and its
jury
This year, the Munich
International Film Festival will once again be
joined by international and national juries. The
juries are made up of an diverse selection of
industry representatives with a variety of
perspectives and expertise who will judge the
unique films from the festival's competition
sections.
After a four-year break, the
Munich International Film Festival brings back the
100,000-euro CineCoPro Award. Ten international
co-productions involving German co-producers will
vie for this exceptional award in the CineCoPro
Competition. The winning film will be chosen by a
three-member independent jury of international
renown: Baran bo Odar (director and screenwriter),
who established himself as an international
filmmaker after the success of hit series "Dark",
Leonie Benesch (actress), winner of the German Film
Award for Best Leading Role for the Oscar-nominated
film "Das Lehrerzimmer", and Sol Bondy (executive
producer), known not least for Ali Abbasi's Cannes
competition title "Holy Spider"
(2022).
The audience sits not only
in the movie theater, but on the jury as well. For
the Audience Award, festival attendees vote online
to determine their favorite of all the films
screened at the festival. Since 2024 the award has
been sponsored by BR and the Süddeutsche
Zeitung.
The awards for the
competition sections will be announced on July 6,
2024 at the festival center
Amerikahaus.
The Munich International
Film Festival will be held from June 28 to July 7,
2024. Its opening gala will be held at the Gasteig
HP8 on Saturday, June 29. The festival center will
once again be at the Amerikahaus in the museum
district.
///
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for more tvi
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41st
Munich Film Festival 2024 - Jury

KATE WINSLET
CINEMERIT AWARD WINNER 2024
115-
Kate Winslet honored for outstanding artistic
achievement
The Munich International
Film Festival will this year again have the
privilege of presenting two CineMerit Awards.
Alongside Jessica Lange, multiple award-winning
actress Kate Winslet will be honored for her
achievements in the service of film. Winslet will
personally introduce the European premiere of her
film "Lee," which she stars in and produced about
photographer Lee Miller. It also stars
Marion
Cotillard,
Andrea Riseborough, Andy Samberg, Josh O'Connor,
and Alexander Skarsgår. The film will be
released to cinemas across Germany on September 26,
2024.
Since
1997, the Munich International Film Festival has
been honoring outstanding personalities in
international filmmaking with the CineMerit Award
for their achievements in the art of film. This
event will include an Extended Film Talk with Kate
Winslet.
Kate Winslet portrays a
woman who was far ahead of her time and who left
behind an extensive artistic and intellectual
legacy. Winslet began developing the project in
2016 with Lee Miller's son, Antony Penrose. Struck
by the defining decade of Lee's life which she
spent as a war correspondent on the front line in
Europe during World War II, Kate, alongside Antony
Lee, immersed herself in Lee's personal archival
material to in order to discover the experiences
that drove Lee to use her voice as a witness to
war.
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Kate
Winslet, CineMerit Award Winner
2024
///
115-
An Evening with Jessica Lange - International
premiere of "The Great Lilian Hall" and CineMerit
Award, June 30,
2024.
As part of this year's
Munich International Film Festival, Oscar-, Tony-
and Emmy-winning actress Jessica Lange will not
only present a selection of her own photographic
works at Deutsches Theatermuseum, but will also
celebrate the international premiere of her new
film "The Great Lillian Hall" at the Deutsches
Theater.
As
beloved Broadway star Lillian Hall (Jessica
Lange) pours her heart, soul, and time into
preparing for her next role, she finds herself
blindsided by confusion and forgetfulness. Battling
against all odds to make it to opening night while
holding on to her fading memories and identity, she
must navigate a tumultuous emotional journey:
balancing her desire for the spotlight and the
stark demands of the real world.
In
addition to Jessica Lange, "The Great Lillian Hall"
also stars Kathy Bates, Lily Rabe, Jesse Williams,
and Pierce Brosnan.
An
Extended FilmTalk with the Hollywood actress will
accompany the screening.
///
102-
YouTube TV Rising: Do Traditional Media Companies
Need a User-Generated
Strategy
-
By Adrian Penninton
YouTube comprises 10% of all
TV viewing in the US, according to Nielsen in its
latest monthly report on streaming, so why do
advertisers seem reluctant to buy ads on YouTube
streamed to connected TVs?
Because they still think of
Google's platform as a place for cat videos.
The statistic unveiled by
Nielsen is less remarkable than the claim that
YouTube's whopping share of TV viewing time has
gone under the radar of media buyers and
sellers.
YouTube comprises 10% of all
TV viewing in the US, according to Nielsen in its
latest monthly streaming report. Cr: Nielsen
It's the latest in "the
continued denialism in the media and ad communities
about YouTube's scale, and prominence in the eyes
of many users," says Mike Shields, writing on
Substack. "The Google-owned video platform is a CTV
juggernaut, like it or not."
Shields, a strategic
consultant and the host of industry podcast Next in
Marketing, takes aim at TV and brand marketers who
don't think of YouTube as "real TV," or the idea
that advertising only works well in highly produced
comedies and drama.
Most of YouTube is either
pirated from traditional TV -- or it's just dogs on
skateboards -- the perception goes.
Yet this is long out of
date, says Shields. Ignore the reality of what
YouTube is at your peril, he warns.
Michael Beach, CEO of marketing and analytics firm
Cross Screen Media, says YouTube inventory is
underbought. "If you look at its TV share, it
should at least be getting close to 10% of the TV
market, but at best it's maybe 4%."
Beach criticized media
buyers for having siloed structures, leading to
conflicting definitions of what even constitutes
"video."
A recent report by Accenture
called on the media industry to radically reinvent
itself in the wake of a seismic shift in
entertainment preferences. The report found that
nearly 60% of consumers regarded user-generated
content as equally entertaining as traditional
media.
"Traditional media companies
must reinvent themselves from the ground up,"
Accenture writes. "Legacy media companies need new
sources of revenue; they need to take on new roles
in the entertainment value chain. They need to
rethink the customers they serve and even the
industries where they chose to compete."
"Instead of knocking
platforms like YouTube as havens for UGC, do
traditional media companies need a user-generated
strategy?" poses Shields.
Amazon recently struck a
deal to produce a show with YouTube mega-star
MrBeast. "You might ask," as Shield does, "why
didn't CBS?"
On YouTube, viewers aren't
the problem. It's the perception of people who do
not watch YouTube that is.
Basically, YouTube is 10% of all TV viewing in
the US.
Note, that doesn't include
YouTube TV. This is just plain old YouTube-watching
on TV. And this isn't 10% of streaming - it's all
TV.
That feels big - as
evidenced by the reaction of many media industry
observers:
The media is still just barely covering how much
YouTube (classic, not YouTubeTV) is viewed on TVs
in the US, and how fast it's gaining share. I'd
wager YouTube viewing on TVs is close to that of
the top 3 broadcast networks combined.
"Last comparable numbers are from July, 2023.
Total day average viewership:
YouTube 5.1 million
ABC 2.0m
CBS 1.9m
NBC 1.6m
To be sure, those numbers
are total day. So we're not saying that more people
are watching YouTube than ABC during any given
hour. Still, this data and its trajectory are
pretty remarkable.
Also remarkable - the
continued denialism in the media and ad communities
about YouTube's scale, and prominence in the eyes
of many users.
Some call it the YouTube
Derangement Syndrome.
You still get this a lot --
YouTube isn't 'real TV.' Or the idea that
advertising only works well in highly-produced
comedies and drama. Most of YouTube is either
pirated from traditional TV - or it's just dogs on
skateboards.
Note, that doesn't include
YouTube TV. This is just plain old YouTube-watching
on TV. And this isn't 10% of streaming - it's all
TV.
Click
for more tvi Stroy-102-
YouTube
TV Rising: Do Traditional Media Companies Need a
User-Generated
Strategy
///

CEO Yves Padrines with the Best Managed Companies
Award
115-
Nemetschek Group Honored with Best Managed
Companies
Award
MUNICH, May 24, 2024 --
The Nemetschek Group, a leading global provider of
software solutions for the AEC/O and media
industries, is winner of the Best Managed Companies
Award 2024. Deloitte Private, UBS, and the
Frankfurter Allgemeine Zeitung together with the
Federation of German Industries (Bundesverband der
Deutschen Industrie, BDI) honored outstandingly
managed companies from the German SME sector in an
award ceremony in Frankfurt, Germany on 23 May
2024. The Nemetschek Group received the prestigious
award for the sixth time.
For more than six decades,
the Nemetschek Group has been a driver for
digitalization, efficiency and sustainability in
the construction and media industry.
About Best Managed Companies
The Best Managed Companies
program is a competition and seal of approval for
successful mid-sized companies. The vision: to
build a national and global ecosystem of
excellently managed mid-sized companies. A key
unique selling point of Best Managed Companies is
its internationality: Best Managed Companies was
launched by Deloitte in Canada in the 1990s and has
since been successfully introduced in more than 45
countries.
Click
for more tvi Stroy-115-
Nemetschek
Group Honored With
BMCAward
///
115- The
77th Cannes Film Festival, an annual destination
for
celebrities.

Merryl Streep accepting
the Honorary Palme
d'Or

Jane Fonda on the Red Carpet, Cannes
This year's Cannes Film Festival
jury is led by Gerwig, are Turkish screenwriter and
photographer Ebru Ceylan, U.S. actress Lily
Gladstone, French actress Eva Green, Lebanese
director and screenwriter Nadine Labaki, Spanish
director and screenwriter Bayona, Italian actor
Pierfrancisco Favino, and Japanese director are
tasked with deciding the winners of the various
awards.
Mead Anya Taylor-Joy, Heidi Klum, and Helena
Christensen were among the stars who arrived at the
Opening Ceremony and the screening of "Le Deuxieme
Acte" at the 77th Cannes Film Festival in Cannes,
on May 14, 2024.
The Opening Ceremony was highlighted by the
presentation of the Honorary Palme d'Or to Meryl
Streep, awarded in recognition of her illustrious
career and contributions to film.
The 77th Annual Cannes Film Festival runs from May
14 to May 25, 2024.
Click for More
Cannes
Festival
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The
77th Cannes Film Festival, an annual destination
for celebrities.-
///

Meet
the Stars: 100 Years of MGM Studios and
the
Golden
Age of Hollywood at the Hollywood Heritage
Museum
Hollywood, CA, (TVI
Magagazine) 4/26/24
The Hollywood Heritage Museum's Spring 2024 exhibit
"Meet The Stars:100 Years of MGM Studios and the
Golden Age of Hollywood" opened April 6.
celebrating Hollywood's Golden era and highlighting
Metro-Goldwyn-Mayer Studios 100th anniversary. The
exhibit culls from the private vintage collections
of over 20 motion picture memorabilia collectors to
exhibit artifacts of the Golden Age of Hollywood -
many items unseen by the public for
decades!
The Hollywood Heritage
Museum is a must-visit for cinema enthusiasts. It
is located in the oldest surviving motion picture
studio in Hollywood. Here, you can learn about the
history of the studio and how it played a crucial
role in the birth of Paramount Pictures Corporation
in 1916. The first feature length film was produced
here in 1912 by Jesse L. Lasky and Cecil B.
DeMille. This 1901 barn turned studio was
designated California State Historic Landmark No.
554 in 1956.
Exhibit highlights: Among
the over 20 screen-worn costumes, is a Judy Garland
blouse from MEET ME IN ST. LOUIS (1944),
memorabilia from the 1937 MGM Exhibitors
Convention, personal items from the career of child
star Cora Sue Collins, Lewis Stone's QUEEN
CHRISTINA costume, not seen for 91 years), the
once-thought-lost 1937 "Farewell to Earth" portrait
of Jean Harlow, commissioned posthumously by the
actress' mother, a 1932 MGM premiere guest registry
from GRAND HOTEL, signed by Clark Gable, Jean
Harlow, Louis B. Mayer and Cecil B. DeMille,
vintage Disney dolls and dolls bearing the
likenesses of Judy Garland, Shirley Temple, Carmen
Miranda and Deanna Durbin, The fur coat worn by
Best Actress Oscar winner Luise Rainer (THE GOOD
EARTH, 1936) at the Academy Awards, Jean Harlow's
lipstick blots saved by her makeup artist - and
much more representing over 30 early 20th century
motion picture stars!
Click
for more
Hollywood Heritage
Museum
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Meet
the Stars: 100 Years of MGM Studios and the Golden
Age of Hollywood at the Hollywood Heritage
Museum
///
114-
Sam Rubin, KTLA journalist and longtime
entertainment anchor, dies at
64-
Television
Int'l Magazine -
"KTLA
5 is profoundly saddened to report the death of Sam
Rubin. Sam was a giant in the local news industry
and the entertainment world, and a fixture of Los
Angeles morning television for decades. His laugh,
charm and caring personality touched all who knew
him. Sam was a loving husband and father: the roles
he cherished the most. Our thoughts are with Sam's
family during this difficult time."
"Sam
was a giant in the local news industry and the
entertainment world, and a fixture of Los Angeles
morning television for decades," KTLA said in an X
post. "His laugh, charm and caring personality
touched all who knew him. Sam was a loving husband
and father: the roles he cherished the most. Our
thoughts are with Sam's family during this
difficult
time."
Rubin died at his home of a
heart attack. His last appearance on KTLA was on
May 9. He did not appear Friday on KTLA's 7-9 a.m.
"Morning News" as usual. KTLA reported that Rubin's
colleagues said he "showed no outward signs of
illness" the day before.
Mr. Rubin's death was
announced by a KTLA anchor, Frank Buckley. A
tribute segment that aired on the station said the
cause was a heart attack.
The news of Rubin's death
hit Hollywood hard with an outpouring of sadness
and tributes from actors on both coasts.
Sam Rubin was born on Feb.
16, 1960, in San Diego. He attended Occidental
College in Los Angeles and earned a degree in
American studies and rhetoric.
After
working as a correspondent for several local
outlets covering entertainment news, Mr. Rubin
joined KTLA in 1991 and quickly made a name for
himself with his unexpected questions and easy
charm. He enjoyed rare longevity with a single
station throughout his
career.
Sam
Rubin won multiple Emmy Awards for his coverage,
and a lifetime achievement award from the Southern
California Broadcasters Association. He used his
celebrity acumen as co-author of two celebrity
biographies, one about former first lady Jacqueline
Onassis, and actress Mia Farrow.
In addition to his work as
an anchor, Rubin's television production company
SRE, Inc. has produced more than 200 hours of
broadcast and cable programming including "Live
From" red carpet shows and 120 episodes of talk
show "Hollywood Uncensored."
"Sam's generous spirit,
unfailing good humor and deep knowledge of
"Hollywood" made him a legend in the entertainment
business and a trusted friend to millions of
viewers .
Mr. Rubin is survived by his
wife, Leslie Gale Shuman, and four children.
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Sam Rubin, KTLA journalist and longtime
entertainment anchor,
dies
///
115-
LA Screenings is back at the Century Plaza, May 15
-
17
Los Angeles - May 2, 2024 -- The LA Screening
annually held in May in Los Angeles after the NY
Upfronts is being held this year at the New
Fairmont Century Plaza, in Century City. It
attracts over 1,000 top level television content
buyers from all over the world to screen their
content from independent companies to major
studios. This event takes place days before the
studios present their U.S. TV networks' upcoming
lineup.
LA
Screenings is back at the Century Plaza! set on the
backlot of the former 20th Century Fox Studios.
Fairmont Century Plaza has a long history as a
cultural epicenter originally deemed "The Hotel of
the Future," Century Plaza has always been home to
industry disruptors, beloved Hollywood stars,
American Presidents, cultural trend setters, and
those just looking to bask in the energy of it all.
Major moment in history have taken place in its
storied ballroom from the Emmys to the Grammys to
presidential state dinners. In fact, the Hotel was
known as the "Western White House" as it was
President Reagan's preferred hotel on the west
coast and has hosted numerous past presidents over
the years. Fairmont Century Plaza's place in
history remains unreplacable.
///
Courtesy of the SAG-AFTRA
Foundation
Meryl Streep reading
for the
SAG-AFTRA Foundation
Meryl Streep joins a group
of celebrities who are part of an initiative to get
kids reading.
109- Meryl
Streep Reads 'The Three Questions' for Children's
Literacy Program Storyline Online
Los Angeles - On
Friday, May 17, the SAG-AFTRA
Foundation
-- the actor's union
non-profit which aims to help its guild members --
announced that the Academy Award-winning
actress,
Meryl
Streep, had teamed up
with the charity's children's literacy
program Storyline
Online.
Her collaboration with the non-profit features a
new installment in Storyline Online's celebrity
book-reading program, in which she
reads "The
Three
Questions," written
and illustrated by Jon J. Muth.
The
children's book, adapted from a story by Leo
Tolstoy, is about a boy who asks the big questions
in life, like: "What is the best time to do
things?", "Who is the most important one?" and
"What is the right thing to do?"
Along
with Streep's reading, which is available on the
organization's YouTube channel, Storyline Online
provides teachers with activity guides (that follow
Common Core Standards) to accompany each book
reading. Readings by previous celebrity partners,
including Terry Crews, Seth Meyers, Kristen Bell
and more are also available on the platform.
"Aimed
at 2nd - 4th grade students, these activities
encourage children to engage
in critical thinking activities and explore the
themes of this book including knowledge, curiosity,
kindness and friendship," the press release
states.
SAG-AFTRA
Foundation president and Heist 88 star Courtney B.
Vance praised Streep's participation in the
project.
"We
are honored and thrilled to welcome one of the
greatest actors and storytellers of all time, Ms.
Meryl Streep, to our family of readers here at
Storyline Online," Vance said. "Meryl volunteered
to read for our children's literacy initiative
because of her commitment to education and
advancing literacy, and we could not have asked for
a more brilliant actor to bring this beautiful and
profound story to life."
"Meryl
Streep's reading of The Three
Questions is an exceptional addition to our
library, and we believe it will have a significant
impact on millions of children and adults alike,"
he added. "This story will not only inspire a love
of books and reading, but will also stir
souls."
Storyline
Online's previously featured celebrity
partners
include Chris Pine, Angela Bassett, Rami Malek,
Oprah Winfrey, Viola Davis, Michelle Yeoh, and Kyra
Sedgwick and dozens more
celebs have lent their voices to be paired with
creative illustrations for the literacy
program.
Storyline
Online's read-alouds are available
on storylineonline.net, or on the
non-profit's YouTube channel.
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Meryl
Streep Reads 'The Three Questions' for Children's
Literacy Program Storyline Onlinfor the SAG-AFTRA
Foundation
///



Photographic Images: The
PaleyFest LA - The Paley Center
101-
The Annual PaleyFest is headed back to the Dolby
Theatre in Hollywood
LOS ANGELES, February 2024
-- The Paley Center for Media announced the
schedule for the 41st annual William S. Paley
Television Festival, which will take place from
Friday, April 12 through Saturday, April 20, at the
DOLBY THEATRE in Hollywood.
The nation's premier
television festival celebrating creative
excellence, PaleyFest LA brings audiences together
with television's brightest stars from the most
acclaimed and buzzworthy TV shows, and features
screenings of special preview and premiere content
with never-before-seen TV footage.
The 2024 selections
encompass a collection of the best programs that
television has to offer featuring beloved shows
celebrating their farewell seasons and milestone
anniversaries, as well new shows certain to take
their place among television's most iconic series
and current fan favorites. This year's festival
will open with a conversation with the stars of the
award-winning The Morning Show (Apple TV+),
which will be followed by events honoring Loki
(Disney+), Curb Your Enthusiasm (HBO) and Young
Sheldon (CBS) both celebrating their farewell
seasons, the highly anticipated Avatar: The Last
Airbender (Netflix), Late Night with Seth Meyers
(NBC) celebrating its 10th anniversary, Family Guy
(FOX) celebrating its 25th anniversary with a live
table read, and The Late Show with Stephen Colbert
(CBS).
The 2024
lineup includes Curb Your Enthusiasm,
Loki, The Morning Show, Young Sheldon, Avatar: The
Last Airbender, Late Night with Seth Meyers, The
Late Show with Stephen Colbert and a 25th
anniversary celebration of Family Guy. As
you'd expect from that lineup of shows, the
assortment of celebrities is just as stacked,
including Jennifer Aniston, Reese Witherspoon,
Tom Hiddleston, Iain Armitage, Albert Kim, Seth
Meyers, Larry David, Cheryl Hines, Seth MacFarlane,
Alex Borstein, Mila Kunis and Stephen
Colbert.
PaleyFest LA supports the
Paley Center's many education initiatives including
education workshops serving 10,000 youth annually,
the PaleyImpact series featuring programs centered
on today's most pressing social issues and the role
of media in our society, and the continued
preservation of the Paley Archive, featuring more
than 160,000 historically significant television
and radio programs, as well as television
commercials.
About The Paley
Center for Media:
The Paley Center for Media
is a 501(c)(3) nonprofit organization that has
celebrated the cultural, creative, and social
significance of media and its impact on society for
almost 50 years and owns and operates the iconic
Paley Museum in NYC. Through its respected
programming, the Paley Center leads the discussion
about the cultural, creative, and social
significance of media, drawing upon its curatorial
expertise, an international collection, and close
relationships with the media community. The general
public can participate in Paley programs in both
New York and Los Angeles that explore and celebrate
the creativity, the innovations, the talent, and
the leaders who are shaping media.
The public can also access
the Paley Center's permanent media collection, The
Paley Archive, often referred to as a national
treasure, containing over 160,000 television and
radio programs and advertisements. Through the
global programs of its Media Council and
International Council, the Paley Center also serves
as a neutral setting where media professionals can
engage in discussion and debate about the evolving
media landscape. Previously known as The Museum of
Television & Radio, the Paley Center was
founded in 1975 by William S. Paley, a pioneering
innovator in the industry.
Citi Cardholders
and Paley Members receive presale access to
tickets. Additionally, the Paley Center Member
community receives the exclusive Members-Only
benefit of discounts on PaleyFest LA tickets, as
well as presale access to tickets that allows for
selection of the best seats in the house before
they sell out, plus year-round benefits for Paley
programs and events.
To become a Paley Member, please visit:
www.paleycenter.org/join-us.
For more information about The Paley Center for
Media, and to learn about the Paley Center's
acclaimed programming, please
visit
www.paleycenter.org
///
24th Beverly Hills Film
Festival®
The 24th Edition of The
Beverly Hills Film Festival® is only 16 days
out! The BHFF Film Schedule is NOW LIVE, Tickets
& Passes are limited. We've simplified access
for your convenience with our BHFF 2024 dropdown
menu. Social Media will also be a good source for
future updates. Below are quick access links.
Filmmaker Official
Selection- 2024 Film Schedule is finally
live Click
Here for
film listings.
At-a-Glance -- For a quick
glance of the entire film
schedule Click
Here.
Screenplay Writer(s)
Official Selection -
Click
Here to
check out our fabulous
writers.
Venues -- For a list of
festival venues, Click
Here.
Box Office -- Please
Click
Here for
availablity.
Film Screenings and Expert
Panels
Location- All
screenings and panels will be held at the TCL
Chinese 6 Theatres on the THIRD FLOOR.
Parking Garage: located at Hollywood and
Highland
Main Entrance: 6925 Hollywood Blvd
Side Entrance: 6801 Hollywood Blvd (recommended as
it is easiest to access the third floor)
Screenings- Films
will screen for four days beginning Wednesday, May
1st - 4th, 2024. We ask that you show solidarity
and support of your colleagues and by remaining for
the entire screening block. Please be mindful that
the films are screened as a block and DO NOT create
distractions or disrupt the screening.
Panels- Daily expert
panel discussions begin Thursday, May 2nd with the
final discussion taking place Saturday, May 4th.
Panel discussions will be held at the auditorium of
the TCL Chinese 6 Theaters at 12:00pm sharp. Each
pass holder can invite TWO guests to the expert
panel discussions. More information will be
released regarding panels in the coming weeks. Make
sure to take advantage of these events, don't miss
your chance to interact with industry
professionals.
Film Screening Tickets
& Passes- All pass purchases except Gala Awards
Ceremony can be picked-up in person at the
BHFF Welcome desk at the TCL Chinese Theatre any
time after 12:00 p.m. May 1st, 2024. Film screening
block tickets will only be available after 12:00
p.m. on their respective date. Tickets will be
listed by name of cardholder who purchased. PLEASE
HAVE THE FULL NAME OF THE CARDHOLDER WHO PURCHASED
THE TICKETS.
V.I.P. After Parties
Simply bring your passes to get into parties. No
exception will be made.
More details regarding dates and
all the fabulous venues can be found on our website
at www.beverlyhillsfilmfestival.com/venues
*VIP parties are highly exclusive, and dress-code
is enforced.
Wishing you safe travels whether
you're coming from near or far. We are sure you
will come with class and in style; see you all the
24th Beverly Hills Film Festival®!
Click
for More
BHFF
///
106-
ICLE Statement on the FCC's Net Neutrality
Rule
PORTLAND, Ore. (April
23, 2024) -- The International Center for Law &
Economics (ICLE) offers the following statement on
today's vote by the Federal Communications
Commission (FTC) to adopt a rule classifying
internet service providers (ISPs) under Title II of
the Communications Act.
The following quote can be
attributed to ICLE Senior Scholar Eric
Fruits:
Title II is much more than net
neutrality. It is the same type of expansive and
heavy-handed regulation that governs public
utilities. The FCC's rule is a sharp reversal from
decades of light-touch regulation that has fostered
America's leadership in broadband innovation and
investment. The industry would face the yoke of
onerous federal regulation and meddling that would
stifle and slow future investment and
experimentation.
For more on the topic, see
ICLE's issue
spotlight
laying out the history of
Title II and net neutrality, as well as our
comments
to the FCC on their notice
of proposed rulemaking (NPRM).
///
106-
Net Neutrality: Regulation for Ideology's
Sake
IPI President, Tom
Giovanetti
Well, that didn't take long.
After the Biden administration finally secured the
necessary commissioners to form an operating 3-2
Democrat majority, the Federal Communications
Commission (FCC) announced Wednesday that it will
hold a vote to again reclassify broadband networks
under Title II of the Communications Act of
1934.
A brief history. Activists
have been calling for federal regulation of the
internet since the 1990s, but the Clinton and Bush
administrations wisely took a light-touch approach,
understanding that regulation would impose
unintended consequences on this nascent
technology.
As the broadband revolution
began in the 2000s, the FCC chose to classify
broadband networks as Title I information services
rather than as Title II common carrier services.
The difference was significant, because under Title
II the FCC would have almost unlimited regulatory
power over broadband.
We've all seen how broadband
networks have thrived under a light-touch Title I
regulatory authority, with the growth of ecommerce,
streaming entertainment services, social media, and
the smartphone revolution.
But that innovation and
economic growth has not deterred activists who
simply believe in federal control for the sake of
federal control. And in 2015 the Obama FCC, absent
any compelling data, voted to dramatically change
course and reclassify broadband networks as Title
II common carriers.
The ominous threat of heavy
regulation had the consequence of discouraging
private investment in broadband networks, which the
FCC found to have declined by around $1 billion
between 2014 and 2015.
Over the 20+-year history,
broadband network were only classified as Title II
common carriers for a brief two years, from 2015
until 2017. The Trump administration's FCC returned
broadband services to their original Title I
classification.
Since then, broadband speeds
have increased, and real broadband prices adjusted
for inflation have fallen 12 percent since
2017. In fact, broadband prices have remained
mostly flat during a time when inflation has been
driving up the cost of almost every other consumer
service.
In other words, there is
evidence that Title II classification caused a
harmful drop in infrastructure investment, but not
a single piece of evidence of any benefit from
Title II, much less any evidence that consumers
have been harmed since that two-year experiment was
wisely reversed.
But now, here we go again.
For purely ideological reasons, and without data or
examples of harm, the Biden FCC is reasserting its
power to regulate broadband networks under Title
II.
Not only is such a move
unnecessary and in fact contrary to evidence, but
these major policy pendulum swings every time the
White House changes hands cause uncertainty for
broadband companies and investors, which prevents
the kind of long-term planning and financing
necessary for major infrastructure investments.
So, net neutrality is back.
But the Institute for Policy Innovation (IPI) will
be there pushing back against harmful regulation of
the internet, just as we have since the internet
was being called the "information
superhighway."
///
CineWaves
motiv will be gracing
the
Munich Film
Fest
The
international FILMFEST MÜNCHEN is giving its
awards a coordinated design that will be reflected
across the
festival
Starting this year, the
CineWaves will be the motif gracing the awards
presented at Munich's international film
festival.
"FILMFEST MÜNCHEN has
given itself a fresh iconography inspired by one of
Munich's most scenic locations: the incomparable
Isar River. The flow of the water is inspiring and
surprising. It constantly delivers something new.
It encourages interaction and refreshment,
especially in the summer," say festival director
Christoph Gröner and artistic co-director
Julia Weigl.
The design is based on
footage of flowing water which was intentionally
distorted by non-binary artist PPPANIK using a play
of colors and other effects, thus becoming a
cinematic statement in itself. We're drawn into a
summery, lush, blue-green colorscape that will
remind everyone in Munich of the Isar, the Eisbach,
and the English Garden.
During the festival period
from June 28 to July 7, all of Munich's cinematic
events will reflect this design, which will be
featured prominently at the opening at the Gasteig
HP8. On Saturday, June 29, FILMFEST MÜNCHEN
will hold its festive opening gala -- with a film
and thousands of guests who will already be making
waves on the first weekend of the festival.
Click
for more
///


Photographic Images: The
PaleyFest LA - The Paley Center
The
Annual PaleyFest is headed back to the Dolby
Theatre in Hollywood
LOS ANGELES, February 2024
-- The Paley Center for Media announced the
schedule for the 41st annual William S. Paley
Television Festival, which will take place from
Friday, April 12 through Saturday, April 20, at the
DOLBY THEATRE in Hollywood.
The nation's premier
television festival celebrating creative
excellence, PaleyFest LA brings audiences together
with television's brightest stars from the most
acclaimed and buzzworthy TV shows, and features
screenings of special preview and premiere content
with never-before-seen TV footage.
The 2024 selections
encompass a collection of the best programs that
television has to offer featuring beloved shows
celebrating their farewell seasons and milestone
anniversaries, as well new shows certain to take
their place among television's most iconic series
and current fan favorites. For more information
about The Paley Center for Media, and to learn
about the Paley Center's acclaimed programming,
please
visit
www.paleycenter.org
///
2nd annual
benefit for Pasadena
Playhouse
The PLAYHOUSE PARTY Raises Over
$675,000
PASADENA, CA (April 18,
2024) -- The PLAYHOUSE PARTY, the 2nd annual
benefit for Pasadena Playhouse, the official State
Theater of California and recipient of the 2023
Regional Theatre Tony Award, created by Pasadena
Playhouse Producing Artistic Director Danny Feldman
and the PLAYHOUSE PARTY Committee, was held on
Saturday, April 13, 2024. Co-chaired by
Elizabeth Hall, Y-Vonne Hutchinson, Anita
Lawler and Leigh Olivar, the event was created to
strengthen the community through connection and
celebration. The event was an enormous success,
raising over $675,000 for Pasadena Playhouse.
With El Molino Avenue
cordoned off for the occasion, the festivities in
Pasadena Playhouse's courtyard spilled into the
street. More than 300 guests adorned in shimmering
cocktail attire attended the one-of-a-kind evening,
which featured surprise pop up performances from
Rio Navaro, an accordionist from Pasadena Playhouse
Conservatory of Music who appeared in the Pasadena
Playhouse Holiday Spectacular and community partner
McKinley Middle School Drum Core.
The evening was presented in
three acts, starting with cocktails and a silent
auction, followed by dinner and a special
performance by Jasmine Amy Rogers and the new
Playhouse Players, and culminating with a "Late
Nite at the House Party" hosted by comedian Kate
Berlant, who also served as DJ for this
one-of-a-kind event, with Bar Chelou supplying
cocktails, mocktails, wine, food, and dessert.
Speakers and performers at
the event included Board of Trustee President Erin
Baker, Event co-chair and Board Member Y-Vonne
Hutchinson, Playhouse staff members Omar Avedanke
(Director, Creative & Content) and Bonne
McHeffey (Company Manager), Jenny Slattery
(Associate Producer), Danny Feldman (Producing
Artistic Director), Rich Caparella of KUSC, and
Jelly's Last Jam cast member Jasmine Amy Rogers,
who offered a sneak peek from the upcoming
Playhouse production of Jelly's Last Jam with
a dazzling rendition of "Play the Music for
Me."
There was also a silent
auction featuring curated experiences and artisanal
items donated by the community. Dinner was provided
by Heirloom LA, with additional food and beverages
provided by Heirloom LA and Bar Chelou. Additional
donations were provided from over 40 other
businesses and individuals.
Supporters for the
event included the following:
PRODUCERS: Jerry & Terri
Kohl
HOSTS: Ellen & Harvey Knell, Leigh
& Harry Olivar
ICONS: Erin & Jeremy Baker, Stephanie
& Leo Dencik and Stephen & Chantal
Bennett
INNOVATORS: Anonymous
|
ADVOCATES
Barajas Tavera Family, Greta & Peter
Mandell, Sheila Grether-Marion & Mark
Marion, Ken & Tracy McCormick, Sarah
& Eric Miller, Beth Price, Bingo &
Gino Roncelli, Ann & Steven Sunshine,
East West Bank
INFLUENCERS
Cristina Hernandez & Jeffrey
Bernstein, Anita & Vince Lawler, Susan
Shieldkret, U.S. Bank
|
Click
for more tvi
Stroy-101-
2ndAnnual Benefit for Pasadena
Playhouse
///
101-
SAG-AFTRA, Record Labels Reach Tentative Sound
Recordings
Agreement
Deal Includes
Groundbreaking A.I. Protections, SAG-AFTRA
Executive Committee Unanimously Approves the
Agreement, will go to Members for
Vote
LOS ANGELES (April 12, 2024)
-- SAG-AFTRA and leading record labels reached
a tentative multiyear agreement on a successor
contract to the SAG-AFTRA National Code of Fair
Practice for Sound Recordings.
Covering the period starting Jan. 1, 2021, and
ending Dec. 31, 2026, the agreement includes Warner
Music Group, Sony Music Entertainment, Universal
Music Group and Disney Music Group.
101-Music
Coalitions Respond to SAG-AFTRA
Sound Recordings Code
Tentative Agreement
Deal Includes
26.3% Compounded Wage Increase and Groundbreaking
A.I. Protections
Los Angeles (April 12, 2024) --
Today, SAG-AFTRA and the leading record labels --
Warner Music Group, Sony Music Entertainment,
Universal Music Group and Disney Music Group --
announced a tentative multiyear agreement on
a successor contract to the SAG-AFTRA National Code
of Fair Practice for Sound Recordings.
Music creator groups have lauded
the new SAG-AFTRA Sound Recordings Code:
"The music business has historically lagged behind
on technological developments. This time, with
A.I., MAC, BMAC and SONA joined forces with
SAG-AFTRA to ensure that artists are protected
upfront. This collective bargaining agreement with
our label partners is a great first step to make
sure artists have creative control and get paid,"
said Music Artists Coalition Founder Irving Azoff.
"Congratulations to Duncan, Jeff and the SAG-AFTRA
team."
Click for more tvi Stroy-101-
SAG-AFTRA,
Record Labels
Reach Tentative Sound Recordings
Agreement
lick
for more
Nominees,
tvi
Stroy-101-
76th
Emmy®Nominations
///
Last
total solar eclipse for the
next
20 years
109-
Last
total solar eclipse for the
next
20 years in
the contiguous United States.
On April 8,
2024, the contiguous United States will witness its
last total solar eclipse for
the next 20 years.
The moon's total eclipse
shadow will cross the Rio Grande into Texas at 1:25
p.m. Central time and trace an arc through 15
states all the way to Maine before crossing into
Canada. The lower 48 states won't see another total
solar eclipse until August 2044.
Click for more tvi
Stroy-109
Last
total solar eclipse for the next 20 years in the
contiguous United
States.
///
SAG-AFTRA
Members Ratify TV Animation
Agreements
LOS ANGELES (Mar. 22,
2024) -- In national voting completed
today, members of SAG-AFTRA ratified the 2023
Television Animation Agreement and the 2023 Basic
Cable Animation Agreement with the Alliance of
Motion Picture and Television Producers. Members
approved the new three-year contracts by a vote of
95.52% to 4.48%.
The contracts provide strong
protections around the use of artificial
intelligence and a pattern-busting 7% wage increase
that applies retroactively to July 1, 2023.
For a full list of
provisions achieved in the contracts, please see
the summary.
Negotiations between
SAG-AFTRA and the Alliance of Motion Picture and
Television Producers were delayed due to last
year's TV/Theatrical strike, and the previous
contract was extended. On Feb. 22, SAG-AFTRA
announced the tentative agreement with the
AMPTPT.
Click for more tvi Stroy-101-
SAG-AFTRA,
Members Ratify
TV Animation
Agreement
///
101-
The Octogenerian - ATAS a glittering
dream
-
By
Syd
Cassyd
Permission was given by Syd Cassyd to Josie Cory,
TVI for publishing.
Hollywood, CA -
The
glittering dreams of the world for a new culture
and perhaps world peace through television and
radio turned to ashes when Hitler used all media to
destroy the dreams and bodies of more than 30
million persons.
When in 1946
seven industryites in communications joined me in
founding the "first generation" of the Academy of
Television Arts and Sciences, we didn't foresee
that in 43 years we would get the recognition that
the "third generation" TV Academy has today,
We
weren't naïve, for since Jan. 6, 1884, the
first TV system had already been patented. For
those 62 years world leaders had already visualized
the impact of the moving image of television on
society. The problems in America was not when, but
who would control the new technology.
Because
there are three generations of the Academy, each of
the latter two calling themselves the "new"
Academy, undoubtedly when the foundation selects
people for the Hall of Fame, no one will be around
to know that back in 1946, he was a "founder."
As
Fred Sage, the fine actor in the "Wonder Years"
notes, each generation has their own heroes.
Click for more tvi
Stroy-101-
ATAS Founder Syd Cassyd 's
Dream
///
107- Syd Cassyd,
Remembered
Hollywood - (February
2024 ) Syd
Cassyd was the Founder of the Academy of Television
Arts and Sciences.
Cassyd worked for the Army
Signal Corps as a film editor under then-Col. Frank
Capra during World War II. After the war, Cassyd
moved to Hollywood, where he worked as an editor
for Box Office magazine, as well as a grip at
Paramount Pictures.
///
101- History
of the Television Academy - The Beginning: Syd
Cassyd's
Dream
The history of the
Academy of Television Arts & Sciences (ATAS)
dates to the earliest days of the television
industry itself. When Syd Cassyd, its founder,
first conceived of the organization, he envisioned
a serious forum where all aspects and concerns of
the fledgling medium could be discussed. Flash and
glamor were of no interest to Cassyd. Indeed, for
years he refused to even consider the notion of
handing out awards.
"He thought television was a
really wonderful tool for education," recalled his
daughter, Donna Cassyd. "He used to make us watch
shows like Omnibus, with Alistair Cook."
Fortunately for Cassyd and the
other founders of the Television Academy, the
organization eventually became both a place for
serious discussion as well as a place to celebrate
the industry's finest achievements with its annual
Emmy Awards ceremonies.
Click for more tvi
Stroy-101-
ATAS Founder Syd Cassyd 's Dream
Click
for More
History
of the Academy of Television Arts and Sciences
///
115-
NAB Show Get Ready to Walk the Show Floor at NAB,
April
14
The NAB Show Daily
brings First Look, a glimpse at the innovations in
technology and new products you will see at the
show, along with some exhibitor viewpoints and
events happening on the show floor. The show will
open its exhibit floor on April 14, Las
Vegas.
HUNT VALLEY, Md. &
ARLINGTON, Va. -- In an notable development that
could help more public broadcasters get on the air
with NextGen TV services, Sinclair Broadcast Group
and America's Public Television Stations (APTS)
have announced that in markets where Sinclair has
deployed a NextGen TV Broadcast Service (aka ATSC
3.0) and a public television station has not,
Sinclair will provide free carriage of a virtual
channel from that public television station.
Carriage of a
broadcast-enabled virtual channel involves
transmitting programming data within the NextGen
signal that allows over-the-air viewers with
NextGen TVs to see and select the channel in their
programming guide and access the channel seamlessly
over the Internet.
Under
this arrangement, Sinclair will provide hosting at
no cost to the public television station. The
public television stations will also have the
option to pass through programming in high dynamic
range (HDR), significantly enhancing the video
quality to the viewers. Technologies such as
Advanced HDR by Technicolor will allow content to
be visually enhanced on NextGen TVs that support
the improved picture format.
"America's
Public Television Stations partner with Sinclair to
offer more NextGen service to more public
television viewers," said Patrick Butler, president
and CEO of APTS. "We are proud to have helped
public television stations in almost 30 markets
make the transition to the NextGen TV broadcast
standard. This partnership with Sinclair will help
serve local communities while we work with other
public television stations to transition to NextGen
TV to advance their public service missions."
"We
are thrilled to continue our partnership with
America's Public Television Stations to help bring
the next generation of television to all viewers,"
said Rob Weisbord, Sinclair's chief operating
officer and president of Broadcast. "For public
television stations that face challenges in
launching NextGen service, we hope that this offer
will help get them in the advanced TV game and set
the stage for their eventual launch of this
spectacular service over the air."
Click
for
more
https://nab.org/


Cillian Murphy,
wins Best Actor for "Oppenheimer"
Oppenheimer Scores Seven Wins during the night,
including Best Picture, Actor,
Supporting Actor, Director, Original Score,
Cinematography, Editing
In a surprise, Emma Stone won
best actress for Poor Things, which also snapped up
three crafts wins, for best costume design,
production design, and makeup and hairstyling. She
beat out perceived frontrunner Lily Gladstone, who
has scooped up numerous awards for her role in
Killers of the Flower Moon.
Da'Vine Joy Randolph won best
supporting actress for The Holdovers.
Hayao Miyazaki and Toshio
Suzuki's "The Boy and the Heron" was named best
animated feature, while Jonathan Glazer's "The Zone
of Interest" won the Oscar for best international
feature. 20 Days in Mariupol won the award for best
documentary.
Billie Eilish and Finneas
O'Connell won the Oscar for best original song for
"What Was I Made For?" from Barbie.
Justine Triet and Arthur Harari
won best original screenplay for "Anatomy of a
Fall," while Cord Jefferson won best adapted
screenplay for "American Fiction."
Best Picture
"American Fiction"
"Anatomy of a Fall"
"Barbie"
"The Holdovers"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer" (Emma Thomas, Charles
Roven and Christopher Nolan, Producers -
WINNER
"Past Lives"
"Poor Things"
"The Zone of Interest"
Best
Actor
Bradley Cooper, "Maestro"
Colman Domingo, "Rustin"
Paul Giamatti, "The Holdovers"
Cillian Murphy, (Oppenheimer)
-WINNER
Jeffrey Wright, "American
Fiction"
Best
Actress
Annette Bening, "Nyad"
Lily Gladstone, "Killers of the Flower
Moon"
Sandra Hüller, "Anatomy of a
Fall"
Carey Mulligan, "Maestro"
Emma Stone, (Poor Things) -
WINNER
Best Supporting
Actor
Sterling K. Brown, "American Fiction"
Robert De Niro, "Killers of the Flower
Moon"
Robert Downey Jr., (Oppenheimer)
- WINNER
Ryan Gosling, "Barbie"
Mark Ruffalo, "Poor Things"
Best Supporting
Actress
Emily Blunt, "Oppenheimer"
Danielle Brooks, "The Color Purple"
America Ferrera, "Barbie"
Jodie Foster, "Nyad"
Da'Vine Joy Randolph, (The Holdovers) -
WINNER
Best Director
Jonathan Glazer, "The Zone of
Interest"
Yorgos Lanthimos, "Poor Things"
Christopher Nolan, (Oppenheimer)
-WINNER
Martin Scorsese, "Killers of the Flower
Moon"Justine Triet, "Anatomy of a
Fall"
Best International Feature
Film
"Io Capitano," Italy
"Perfect Days," Japan
"Society of the Snow," Spain
"The Teachers' Lounge," Germany
"The Zone of Interest," (United
Kingdom) - WINNER
Best Animated
Feature
"The Boy and the Heron" (Hayao Miyasaki
and Toshio Suzuki) - WINNER
"Elemental"
"Nimona"
"Robot Dreams"
"Spider-Man: Across the
Spider-Verse"
Best Adapted Screenplay
(Best Writing)
"American Fiction" - (Written by Cord
Jefferson) - WINNER
"Barbie"
"Oppenheimer"
"Poor Things"
"The Zone of Interest"
Best Original
Screenplay
(Best Writing)
"Anatomy of a Fall"
- (Written by Justine Triet and
Athur Harari - WINNER
"The Holdovers"
"Maestro"
"May December"
"Past Lives"
Best Visual
effects
"The Creator"
"Godzilla Minus One"(Takashi Yamazaki,
Kiyoko Shibuya, Masaki Takahashi and
Tatsuji Nojima) - WINNER
"Guardians of the Galaxy Vol. 3"
"Mission: Impossible - Dead Reckoning Part
One"
"Napoleon"
|
Best Original
Score
"American Fiction"
"Indiana Jones and the Dial of
Destiny"
"Killers of the Flower Moon"
"Oppenheimer" (Ludwig Gorannson) -
WINNER
"Poor Things"
Best Original
Song
"It Never Went Away" from "American
Symphony""I'm Just Ken" from "Barbie"
"What Was I Made For?" from Barie
(Music and Lyric by Billie Eilish and
Finneas) - WINNER
"The Fire Inside" from "Flamin' Hot"
"Wahzhazhe (A Song For My People)" from
"Killers of the Flower Moon"
Best Documentary Feature
Film
"20 Days in Mariupol" - Mstyslav
Chernov, Michelle Mizner and Raney
Aronson-Rath) - WINNER
"Bobi Wine: The People's President"
"The Eternal Memory"
"Four Daughters"
"To Kill a Tiger"
Best
Cinematography
"El Conde"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer" (Hoyte van Hoytema -
WINNER
"Poor Things"
Best Costume
Design
"Barbie"
"Killers of the Flower Moon"
"Napoleon"
"Oppenheimer"
"Poor Things" (Holly Waddington) -
WINNER
Best Animated Short
Film
"Letter to a Pig"
"Ninety-Five Senses"
"Our Uniform"
"Pachyderme"
"War Is Over! Inspired by the Music of
John & Yoko" - Dave Mullins and
Brad Booker, WINNER
Best Live-Action Short
Film
"The After"
"Invincible"
"Knight of Fortune"
"Red, White and Blue"
"The Wonderful Story of Henry Sugar" -
( Wes Anderson and Steven Rales) -
WINNER
Best Documentary Short
Film
"The ABCs of Book Banning"
"The Barber of Little Rock"
"Island in Between"
"The Last Repair Shop" (Ben Proudfoot
and Kris Bowers) - WINNER
"N?i Nai & Wài
Pó"
Best Film
Editing
"Anatomy of a Fall"
"The Holdovers"
"Killers of the Flower Moon"
"Oppenheimer"
(Jennifer
Lame) -
WINNER"
Poor Things"
Best
Sound
"The Creator"
"Maestro"
"Mission: Impossible - Dead Reckoning
Part One"
"Oppenheimer"
"The Zone of Interest" (Tarn Willers
and L Johnnie Burn) -
WINNER
Best Production
Design
"Barbie"
"Killers of the Flower Moon"
"Napoleon"
"Oppenheimer"
"Poor Things" - (Production Design:
James Price and Shona Heath; Set
Decoration: Zsuzaa Mihalek)
WINNER
Best Makeup and
Hairstyling
"Golda"
"Maestro"
"Oppenheimer"
"Poor Things" (Nadia Stacey, Mark
Coulier and Josh Weston) - WINNER
"Society of the Snow"
|
|
|
115-Oscars
No Shows, 1960 -
2016
Hollywood stars who snubbed
the Academy Awards
There have only been three
people that refused the awards, actors George C.
Scott and Marlon Brandon and screen writer Dudly
Nichols.
Not everyone in Hollywood enjoys the gala event.
Over the years, a handful of Hollywood A-listers
have refused to attend the ceremony, and some
who've sidestepped the show did so when they were
up for awards of their own.
From Katharine Hepburn to
Will Smith, here are Hollywood stars who snubbed
the Oscars.
2016 - Will Smith
and Jada Pinkett Smith called for a boycott of
the Academy Awards ceremony upon learning that the
nominations, for the second year in a row, featured
no actors of color. The actress and her superstar
husband, Will Smith, were soon joined in the
boycott by other Hollywood heavyweights including
Oscar-winning directors Spike Lee and Michael
Moore, while other stars -- including Oscar winners
George Clooney and Lupita Nyong'o -- spoke out in
support.
2003 - Peter O' Toole
- In 2003, Peter O' Toole became the first
actor to ever refuse an honorary Oscar. Maybe he
did so out of pride. The legendary "Lawrence of
Arabia" star, who'd been nominated eight times
throughout his nearly 50-year career and lost every
single time, wrote to the Academy, explaining, "I
am still in the game and might win the lovely
bugger outright. Would the Academy please defer the
honor until I am 80?"
The Academy responded by
telling him stars like Paul Newman and Henry Fonda
were given Honorary Oscars and went on to actually
win one shortly after. O'Toole was sold, and
happily showed up to accept his award.
2002 - Woody
Allen though he's been nominated several times
throughout his decades-long career, has never shown
up to receive an Academy Award, explaining, "I have
no regard for that kind of ceremony. I just don't
think they know what they're doing. When you see
who wins those things -- or who doesn't win them --
you can see how meaningless this Oscar thing
is."
Allen did make one
appearance on the Oscars stage. In 2002, just six
months after the September 11 attacks, the director
presented a montage of films made in his beloved
New York City.
1987 - Paul Newman
was nominated six times from 1961 until 1982,
and although he attended the ceremony many times,
he never took home an award.
Newman was nominated a
seventh time in 1987 for "The Color Of Money." All
bets were on him, but by that point, the actor was
over it, and decided ahead of time he wouldn't
attend the ceremony. "It's like chasing a beautiful
woman for 80 years. Finally, she relents and you
say, 'I'm terribly sorry. I'm tired,'" Newman
explained.
1981 - John Gielgud,
British actor, charmed audiences as the
unflappable, acid-tongued butler Hobson in 1981's
"Arthur," but the actor didn't bother showing up to
the ceremony to accept his award when his name was
called.
Gielgud, who throughout his
eight-decade career nabbed two Oscars, three Tonys,
an Emmy and a Grammy (among other honors) -- once
said of awards shows, "I really detest all the
mutual congratulation baloney and the invidious
comparisons which they evoke.""
1974 - Katharine
Hepburn holds a Hollywood record for being
nominated 12 times and winning four Oscars over her
long career, but she never attended the ceremony to
hear her name called. "As for me, prizes are
nothing," she once said. "My prize is my work."
Hepburn made exactly one appearance at the Academy
Awards in 1974 to present the Irving G. Thalberg
Memorial Award to producer and friend Lawrence
Weingarten. "I'm living proof that a person can
wait 41 years to be unselfish," she quipped.
1973 - Marlon Brando
caused a ruckus when he boycotted the ceremony in
1973 to call attention to Hollywood's
misrepresentation of Native Americans. Brando, who
won Best Actor honors that year for his performance
in "The Godfather," had Native American civil
rights activist Sacheen Littlefeather approach the
podium to decline his award and give a protest
speech on his behalf.
1970 - George C.
Scott was the first actor to refuse to accept
an Oscar. The legendary actor, who was nominated in
1970 for his gripping portrayal of Gen. George S.
Patton in "Patton," telegraphed the Academy months
before the ceremony to let them know he didn't want
the award. On the night of the ceremony, presenter
Goldie Hawn opened the envelope and cried, "Oh my
God! The winner is George C. Scott," but the actor,
true to his word, was home on his farm in upstate
New York.
Scott said of the Oscars,
"The ceremonies are a two-hour meat parade, a
public display with contrived suspense for economic
reasons." Oops!
1960 - Elizabeth
Taylor, screen legend, was a frequent Oscar
nominee, nabbing her first award for her role as a
high-class escort in 1960's "Butterfield 8." Six
years later, Taylor was poised to win again for her
riveting performance opposite husband Richard
Burton, who was also nominated, for "Who's Afraid
of Virginia Woolf?" However, Burton had already
lost four times at the Oscars and would almost
certainly lose again, so both husband and wife
boycotted the ceremony in protest -- though Taylor
made up an excuse about Burton being afraid to fly
back to the states from Paris. Taylor did win again
and never issued a statement thanking the
Academy.
///


101-
The 39th Los Angeles Marathon Runs its Course from
Dodger Stadium to the Avenue of the Stars, on March
17th
-
By
Gary Sunkin, TVI
This year,
the LA Marathon falls on Sunday, March 17, which
happens to coincide with St. Patrick's Day. The
forecast tells of sunny skies and afternoon highs
in the 70s.
Thousands of
runners and spectators across the world will be in
Southern California this weekend for the 39th Los
Angeles
Marathon.
The 39th
running of the 26.2-mile marathon on Sunday will
begin at Dodger Stadium.
and continue
through several Los Angeles neighborhoods before
the finish at Avenue of
Stars in
Century City. About 25,000 participants are
expected during race weekend, which features
several events including the LA Big 5K and LA Kids
run scheduled for Saturday, March 16 at Dodger
Stadium.
Runners
will cover locations like
Downtown Los Angeles, Hollywood, Little Tokyo,
Hollywood, and
more and
will pass iconic landmarks, including Rodeo Drive,
the Hollywood Walk of Fame, the Pantages Theater,
Capitol Records, and the Cathedral of Our Lady of
Angels.
Running participants will
not only accomplish their personal goals but also
support McCourt Foundation's mission to build a
healthier world.
The Los Angeles Marathon,
inspired by the success of the 1984 Olympics, was
first run in 1986. It is the most popular marathon
in the western half of the United States and is
also keen to boast that it is "one of the biggest
parties anywhere."
The Event has a maximum race
day time of six hours and 30 minutes runners are
expected to finish within the 6:30 hour
space.
Last Year's 2023
Medal.
Click
for more -
www.lamarathon.com
- www.mccourtfoundation.org/
Click
for More tviStory-
101-
39th Los Angeles
Marathon
///
115-
"Oppenheimer" leads pack for the 2024 Oscars
nominations
LOS ANGELES, (January
23, 2024) - The nominations for the 2024 Oscars
were announced today with "Oppenheimer" leading
with 13 nods.
Tuesday's announcement
brought a moment of surprise with no best director
nomination for Greta Gerwig for "Barbie"
- she and Noah Baumbach were nominated for the
movie's adapted screenplay - and no acting nod for
star Margot Robbie, who was also a
producer for the best picture nominee. ("To say
that I'm disappointed that they are not nominated
in their respective categories would be an
understatement," said Ryan Gosling, who was
nominated for his role as Ken.) Past Oscar
winner Leonardo DiCaprio, who starred in
"Killers of the Flower Moon," also did not receive
an acting nomination this year.
Meanwhile, DiCaprio's
co-star Lily Gladstone became the first Native
American to be nominated for best
actress. America Ferrera scored a best
supporting actress nomination for her performance
in "Barbie" and Justine Triet became
the eighth woman nominated for best
director for "Anatomy of a Fall."
THE
96TH ACADEMY AWARDS will be held on Sunday, March
10, 2024 at the Dolby Theatre at Ovation Hollywood,
honoring movies released in 2023.
Oscar
Nominations
|
|
©
|
96th
Academy Awards
|
®
|
96th
Academy Awards
|
®
|
|
Best picture
"American Fiction"
"Anatomy of a Fall"
"Barbie"
"The Holdovers"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer"
"Past Lives"
"Poor Things"
"The Zone of Interest"
|
|
Best actor
Bradley Cooper, "Maestro"
Colman Domingo, "Rustin"
Paul Giamatti, "The Holdovers"
Cillian Murphy, "Oppenheimer"
Jeffrey Wright, "American
Fiction"
Best actress
Annette Bening, "Nyad"
Lily
Gladstone,
"Killers of the
Flower Moon"
Sandra Hüller, "Anatomy of a
Fall"
Carey Mulligan, "Maestro"
Emma Stone, "Poor Things"
|
|
Click
for More
https://www.oscars.org/oscars/ceremonies/2024
101-
The Octogenerian - ATAS a glittering
dream
-
By
Syd
Cassyd
Permission was given by Syd Cassyd to Josie Cory,
TVI for publishing.
Hollywood, CA -
The
glittering dreams of the world for a new culture
and perhaps world peace through television and
radio turned to ashes when Hitler used all media to
destroy the dreams and bodies of more than 30
million persons.
When in 1946
seven industryites in communications joined me in
founding the "first generation" of the Academy of
Television Arts and Sciences, we didn't foresee
that in 43 years we would get the recognition that
the "third generation" TV Academy has today,
We
weren't naïve, for since Jan. 6, 1884, the
first TV system had already been patented. For
those 62 years world leaders had already visualized
the impact of the moving image of television on
society. The problems in America was not when, but
who would control the new technology.
Last
week when ABC's former chairman, Leonard Goldenson,
gave the Academy Foundation $1 million the "first
generation,' we founders, knew that we had arrived.
Elton Rule, former ABC president, is president of
the foundation. Delbert Mann, a Burnside Avenue
resident, is a member of the foundation.
From
1949, when ATAS brought forth the Emmy, the "third
generation" Academy, the present one, reorganized
in 1977, owned a little figure worth $1.5 million.
That's the price the network now pay to broadcast
the awards. But over the 43 years of ATAS history
there have been many problems. Though we in ATAS,
in 1949, did not copyright the Emmy, wed did
protect it.
At
lunch last week with Karl Malden and other film
Academy moguls, I heard their problem of
copyrights. Owners of the Oscars wanted to sell
them at auction. But a clause in the contract
provided that the Academy should have first choice
in buying back an unwanted Oscar.
We,
in the TV Academy, back in 1949, had that same
clause for our trophy. But when New York and
Hollywood were fighting over a personnel problem of
aid presidents, employees of the Academy, the
problem of copyright ownership of the Emmy was a
part of a $100 million suit.
Believe
me, if I had known of the million dollar goldmine
which TV brought to our little "first generation"
Academy, I would have hired some of those $100,000
attorneys, too. We could have protected the growth
of ATAS in a more dignified method. We wouldn't
have "three generations."
Watching
all these goings on over 43 years, I had a point of
view. If any power group in this huge organization
wanted me to take sides, they would have to ay. One
president wanted to know who owned the Emmy. Was
there any agreement, etc.? I told them if they
would pay me $2,000 for the history I would hire
someone to write it with me. Lionel Rolfe and Nigey
Lennon obliged. Printing costs were billed to
ATAS.
But
the slick attorneys slipped me a "mickey." That's a
good old New York talk for a pill. They demanded
that I leave my archives about the Academy to them,
when I died. Strangely enough because I was abut to
move, I donated all that material to ATAS/UCLA and
thy picked it up in three van loads. Everything
pertaining to NATAS.
Two
weeks ago, the new resident of ATAS wanted to know
what I did with the $2,000 and the Archives. In the
haste of takeover by the "third generation," no
once know that they had my donation already.
Because
there are three generations of the Academy, each of
the latter two calling themselves the "new"
Academy, undoubtedly when the foundation selects
people for the Hall of Fame, no one will be around
to know that back in 1946, her was a "founder."
As
Fred Sage, the fine actor in the "Wonder Years"
notes, each generation has their own heroes.
///
107- Syd Cassyd,
Remembered
Hollywood - (February
2024 ) Syd
Cassyd was the Founder of the Academy of Television
Arts and Sciences.
Cassyd worked for the Army
Signal Corps as a film editor under then-Col. Frank
Capra during World War II. After the war, Cassyd
moved to Hollywood, where he worked as an editor
for Box Office magazine, as well as a grip at
Paramount Pictures.
It was at Paramount that he
met and teamed up with Klaus Landsberg, known for,
among other things, pioneering live TV news
coverage. Cassyd and Landsberg worked on an
experimental Los Angeles television station that
would eventually become KTLA-TV Channel 5.
While
at KTLA, Cassyd felt that TV needed an organization
in which people could share their ideas about the
fledgling medium and talk about the future of the
industry. He founded the academy with seven people
who came to the first meeting. By the fifth
meeting, there were 250 members.
Syd
Cassyd founded the Academy of Television Arts &
Sciences in 1946, which has grown into one of the
most influential organizations in the entertainment
industry. In addition to sponsoring the annual Emmy
Awards, which recognize outstanding entertainment
and news achievement in television, the academy has
a variety of outreach and archival programs.
Cassyd
became the fourth president of the Academy in 1950
and over the years held various other positions. In
1991, the Academy's Board of Governors created the
Syd Cassyd Founder's Award in his honor and
presented the first to him.
In
1996, Cassyd received a star on the Hollywood Walk
of Fame.
Cassyd
died February 4, 2000, in Los Angeles, California.
He was 91.
///
101- History
of the Television Academy - The Beginning: Syd
Cassyd's
Dream
The history of the
Academy of Television Arts & Sciences (ATAS)
dates to the earliest days of the television
industry itself. When Syd Cassyd, its founder,
first conceived of the organization, he envisioned
a serious forum where all aspects and concerns of
the fledgling medium could be discussed. Flash and
glamor were of no interest to Cassyd. Indeed, for
years he refused to even consider the notion of
handing out awards.
"He thought television was a
really wonderful tool for education," recalled his
daughter, Donna Cassyd. "He used to make us watch
shows like Omnibus, with Alistair Cook."
Fortunately for Cassyd and the
other founders of the Television Academy, the
organization eventually became both a place for
serious discussion as well as a place to celebrate
the industry's finest achievements with its annual
Emmy Awards ceremonies.
Click
for More
History
of the Academy of Television Arts and Sciences
///
101-SAG-AFTRA
TV ANIMATION AGREEMENTS GO TO MEMBERS FOR
RATIFICATION
LOS ANGELES (Mar. 1,
2024) -- The SAG-AFTRA 2023 Television
Animation Agreements have been approved by the
SAG-AFTRA Executive Committee, and the agreements
will now be sent to members for ratification. The
three-year contracts benefited from gains made to
the TV/Theatrical Contract after the 118-day
strike, particularly in the area of artificial
intelligence protections.
"We were able to ride the wave
of our strike victory to secure a better deal for
members. That momentum paid off in terms of
substantial wage increases, more than $3 million in
back pay, two new holidays and the first SAG-AFTRA
animation voiceover contract with artificial
intelligence protections and gains," said SAG-AFTRA
National Executive Director & Chief Negotiator
Duncan Crabtree-Ireland.
"Thank you to Negotiating
Committee Co-Chairs Bob Bergen and David Jolliffe,
who secured a top-tier deal for members. Notably, I
appreciate that we have enshrined in the contract
what all members know: that a voice actor must be
human. This contract builds on what we were able to
achieve in live action to offer additional
protections and gains in artificial intelligence
that meet the specific needs of our dynamic
voiceover community. Now, more than ever, doing
voiceover work without a union contract is playing
with fire," said SAG-AFTRA President Fran
Drescher.
We built on the gains of the
TV/Theatrical agreement to secure improved
protections for Animation actors, without a strike.
Among the highlights of the contract
are:
Specific language
acknowledging that the term "voice actors" includes
only humans and that acknowledges the importance of
human voice acting.
Retroactivity with salary
increases: A pattern-busting 7% wage increase
applies retroactively to July 1, 2023. That's worth
over $3 million dollars in instant gains for the
members.
Substantial artificial
intelligence protections and gains for voice
actors:
? Removed the requirement that a
digital replica must exclusively sound like the
recognizable natural voice of an actor in order to
be protected.
? "Employment-based digital
replicas," need only be recognized and identifiable
via contracts and other regular business documents,
confirming that it was in fact the performer's
voice used to make the replica.
? "Independently created digital
replicas" need only sound like the "character
voice" from which the replica was
created.
? Confirmation that if the voice
actor's performance is digitally altered into a
foreign language, the voice actor shall be eligible
for residuals based on the distribution of the
foreign language version.
? When prompting a generative
artificial intelligence system with a performer
name or names, consent of those performers is
required. We have removed the requirement, which
exists in live action, that a "major facial
feature" be included in the prompt with no
substitute for that criterion.
? We have established regular,
mandatory artificial intelligence meetings with
producers, which will include discussion of methods
and systems to track the use of digital
replicas.
We were able to keep the
High Budget SVOD threshold for Animated projects at
its lower-than-live-action level, and we made the
same significant improvements to the formula that
were achieved in live action.
Further reducing the
producer's ability to "freely bargain" with voice
actors for compensation below union minimums on
certain made-for-new-media animated
programs.
Actors who perform
improvised lines in the nature of "omnies" will be
treated as principal performers with applicable
residuals, meaning all new TV/basic cable animation
productions moving forward are prohibited from
using this omni contract for looping.
Achieves Martin Luther
King Jr.'s birthday and Juneteenth as contractual
holidays with retroactive holiday pay for anyone
who worked on the recent MLK Day.
Upon request, the
producer must provide sheet music, if it is
available, for a voice actor required to
sing.
We are implementing a
system to improve a series of outstanding
compliance issues including late payment,
recoupment of overpaid residuals, providing voice
actors with executed copies of their contracts, and
informing voice actors and their representatives at
the time of an offer whether the animated program
qualifies for "high budget" terms, including
application of scale.
The Executive Committee, on
behalf of the SAG-AFTRA National Board, is
recommending a "yes" vote.
Members will now be asked to
ratify the contracts. Postcards were mailed
today to all eligible affected members. The
postcards contain instructions on how to vote
online or, for members who do not wish to vote
online, instructions on how to request a paper
ballot.
Prior to the voting deadline of
5 p.m. PDT, Friday, March 22, 2024, two online
informational meetings will take place on March 7
to familiarize members with the contract provisions
and answer questions. Visit
sagaftra.org/tvanimation for details.
SAG-AFTRA 2020 Television
Animation Agreements expired last year, but were
extended due to the TV/Theatrical/Streaming Strike,
with negotiations scheduled for February. The
agreements cover animated programs produced for
television, including network television, basic
cable and streaming platforms such as Hulu, Netflix
and Amazon
Prime.
Click
for more tvi Stroy-101-
SAG-AFTRA
approved Television Animation Agreements - going to
members for ratification (deadline March 22,
2024)
///
101-
SAG-AFTRA Statement On ON CBS Return Of Reporter's
Files
LOS ANGELES (Feb. 26, 2024) -
SAG-AFTRA is pleased to confirm
that earlier today a representative of our union
monitored the return of several boxes containing
Catherine Herridge's reporting materials from her
CBS News office in Washington D.C. Herridge is
currently reviewing the materials.
We welcome CBS News' reversal
which came after SAG-AFTRA's intervention and
widespread media coverage that underscored shared
concerns about press freedom and the First
Amendment.
The resolution of this
matter sends a strong message
of protection for basic First Amendment
principles. We further hope the public focus now
turns to SAG-AFTRA's continued efforts to support a
Press Shield law that provides additional federal
protections for journalists and their confidential
sources.
///
101-
PBS SoCal Rebrands KCET Broadcast Channel as 'PBS
SoCal Plus'
-
TVIMagazine
Los Angeles (Feburyary
2, 2024) - KCET and local Southern
California PBS stations are set to be
consolidated into one name: PBS SoCal.
The
broadcaster noted that KCET programming will not be
impacted.
Though the Los Angeles-based
public broadcaster KCET will still exist, it will
be referred to as "PBS SoCal Plus," so that both
PBS flagship broadcast stations will be under one
unified brand starting Feb.
6.
"PBS SoCal and KCET merged
in 2018, and since then, have grown into a strong
public media entity serving Southern California
that reflects the diversity of our region and
provides a full schedule of beloved and trusted PBS
programs," PBS SoCal president and CEO Andrew
Russell said in a statement. "While the broadcast
channel name may be changing, the programs that
viewers love on KCET -- Artbound, Lost LA, Father
Brown, Must See Movies and more -- will remain
available on the channel and across all of our
platforms."
Viewers' favorite programs
will also be available to stream on
website, pbssocal.org. Local viewers will
still be able to watch KCET (now "PBS SoCal Plus")
programming on 28.1 while PBS SoCal viewers will
continue on 50.1. Cable and satellite carriers will
host "PBS SoCal Plus" content on the same channels
previously carrying KCET, as well.
Audiences will now only see
the call letters of KCET during FCC-mandated
station identifier breaks.
///
101-
SAG-AFTRA and AMPTP Reach Tentative Agreement on
Animation
Contracts
LOS ANGELES (Feb. 21,
2024) -- SAG-AFTRA and the AMPTP have
reached a tentative agreement on successor
agreements to the 2020 Screen Actors Guild-American
Federation of Television and Radio Artists
Television Animation Agreement and the 2020 Screen
Actors Guild-American Federation of Television and
Radio Artists Basic Cable Agreement for Animated
Motion Pictures.
Full details of the
agreement will not be provided until after the
tentative agreement has been reviewed by SAG-AFTRA
leadership in the coming weeks. The tentative
agreement will be sent to the affected SAG-AFTRA
membership for ratification upon leadership
approval.
///
115-
America's Favorite Travel Show is
Back
The Los Angeles Travel and
Adventure Show is taking place on February 3-4,
2024, at the Los Angeles Convention Center.
Discover thousands of the
newest vacation options from the top destinations
from around the globe and meet the experts who are
on-hand to help you personalize and book your
trip.
Learn the latest travel
tips, trends and advice on 4 theaters located right
on the show floor, and get the chance to meet your
favorite travel celebrities including Rick Steves,
Phil Rosenthal and Pauline Frommer.
There will be access to over
ten-of-thousands of dollars in travel savings, trip
giveaways and exclusive show-only deals, all
included with your ticket.
Click
for
More
///
110-
Switzerland Boasts the World's Highest Percentage
of MAC
Users
By Edith Read
According
to Stocklytics.com,
Mac's popularity is highest in Switzerland, with
24% of households owning a Mac.
The site's financial
analyst, Edith Reads, comments: MAC products are
renowned for their exceptional performance,
state-of-the-art design and an unmatched user
experience. The discerning choice of the Swiss
underscores the enduring allure of innovation,
making Mac a hallmark of both sophistication and
functionality in the digital landscape.
While Macs boast superior
security and reliability compared to their
Windows-based counterparts, they still need to
cover ground in terms of sales. Dell, with its
primary market in the U.S., overshadowed the Macs
by recording an impressive revenue of
over $102.3 billion, while the Macs generated
nearly $30 billion, constituting about 8% of
Apple's total sales in 2023.
The full story and
statistics can be found
here: Switzerland
Boasts the World's Highest Percentage of MAC Users,
Dominating at
24%.
Click
for more tvi
Stroy-110-
Switzerland
Boasts the World's Highest Percentage of MAC
Users
///
Winners
of the 2024 Sundance Film
Festival
'In
The Summers', 'Dìdi', 'Daughters' Top
Winners List
|
|
©
|
Sundance
Awards 2024
|
®
|
Sundance
Awards 2024
|
®
|
|
U.S. Grand Jury Prize:
Dramatic
In the Summers
dir: Alessandra Lacorazza
U.S. Grand Jury
Prize: Documentary
Porcelain War
dir. Brendan Bellomo, Slava
Leontyev,
World Cinema Grand
Jury Prize: Dramatic
Sujo
dir. Astrid Rondero, Fernanda
Valadez
World Cinema Grand
Jury Prize: Documentary
A New Kind of Wilderness
dir. Silje Evensmo Jacobsen
Waldo Salt
Screenwriting
Award
A Real Pain
Writer: Jesse Eisenberg
NEXT Innovator Award
Little Death
dir. Jack Begert
|
|
Festival Favorite Award
Daughters
dir. Angela Patton, Natalie Rae
Audience Award: U.S.
Documentary
Daughters
dir. Angela Patton, Natalie Rae
Audience Award: U.S.
Dramatic
Didi
dir. Sean Wang
Audience Award:
World Cinema Documentary
Ibelin
dir. Director: Benjamin Ree
Audience Award:
World Cinema Dramatic
Girls Will Be Girls
dir. Shuchi Talati
Audience Award: NEXT
Kneecap
dir. Rich Peppiatt
|
|
Click
For More
Winners
///

Sundance 2024: Kristen Stewart,
Saoirse Ronan and Steven Yeun lead
lineup
115-
Sundance
Film Festival: the biggest films to look out for
from this year's
festival
After a big, banner year for
Sundance with acclaimed films such as Past Lives,
Passages, Fair Play and 20 Days in Mariupol all
premiering, all eyes are fixed on what will emerge
from this year's edition, taking place from January
18 - 28 in Utah.
With the festival's
Covid-era digital element retreating further into
the background and a new head honcho hoping to
bring back a more independent spirit, the 2024
lineup teases some provocative on-the-ground
question marks with fewer known properties and more
what ifs, an excitingly rather unknowable set of
films to open the new year with.
Here are some of the biggest potentials
Click
for more tvi
Stroy-115-
Sundance Film Festival 2024
Potentials
Click for
Suncance
///
106-
FCC to consider new outage-reporting rules,
soliciting comments on FirstNet, deployable
usage
-
By Donny
Jackson
Washington
DC (12th January
2024 -
FCC commissioners are
scheduled to consider new rules regarding the
Disaster Information Reporting System (DIRS) and
the Network Outage Reporting System (NORS), as well
as a proposal seeking comments whether FirstNet
should have reporting obligations and whether
deployable coverage should be reported.
Under the proposed new
rules, all cable, wireless, wireline and
interconnected voice-over-IP (VoIP) providers would
be required to report outages when the DIRS is
activated and must provide the FCC with a final
report within 24 hours of DIRS being deactivated.
The proposed rules also would suspend NORS
reporting obligations for providers subject to
DIRS, according to the FCC.
In
the further notice, the FCC seeks comments whether
FirstNet should be subject to NORS and/DIRS
reporting. FirstNet currently is not required to
file such outage reports, but its nationwide
contractor--AT&T--does have to fulfill these
obligations. The further notice also asks whether
commenters believe "mobile recovery assets"--for
example, deployable coverage solutions like cells
on wheels (COWs) and cells on light trucks
(COLTs)--should be noted in coverage assessments
for NORS and DIRS.
In
addition, the further notice proposes that DIRS
reporting obligations be expanded to include
broadcast, satellite and broadband providers.
FCC
Chairwoman Jessica Rosenworcel noted the proposed
rules and a further notice of proposed rulemaking
in a blog she released last week outlining the
preliminary agenda items for the Jan. 25 open
meeting.
"Fast
and reliable reporting of communications outages
during disasters can help emergency-management
personnel make smarter and faster decisions when
they matter most," according to Rosenworcel. "It
can also offer valuable lessons to prevent service
disruptions in the future.
"The
Commission will consider rules to transition the
current voluntary outage reporting structure to a
mandatory structure for certain communications
providers, as well as proposals to expand reporting
from other providers."
Adopted
in 2007, the DIRS reporting of commercial network
outages has proven to be a useful tool to help the
public gauge carriers' progress in restoring
terrestrial communications networks to "normal"
status after a disaster. However, many industry
observers have questioned whether the daily DIRS
maps may create an overly negative perception about
wireless coverage in a given geographic area,
because it does not reflect whether service
providers have provided connectivity through
deployable solutions like SatCOLTs in an area.
"We
tentatively conclude that, if information regarding
the location of mobile recovery assets were
required to be supplied in DIRS, the Commission
would obtain this information more efficiently and
uniformly across providers than is currently the
case, likely leading to better public safety
outcomes," according to the FCC's draft further
notice. "We seek comment on this conclusion. Should
we require such reporting? If so, which subject
providers should be required to provide such
information?
"If
reporting is adopted, we seek comment on what types
of mobile assets should be reported (including COWs
and COLTs) based on provider type, the level of
granularity for which location information should
be reported (e.g., on a zip code or street address
basis) and on whether this information should be
reported directly in existing DIRS forms or through
other means. Should information on the time of
deployment, coverage, or available power for such
assets be reported as well?"
A
potential wrinkle to the relevance of NORS and DIRS
reporting is the expected development of
satellite-direct-to-phone (Sat2Phone) technology
that leverages low-Earth-orbit (LEO) satellites as
cellular towers in space. If deployed as designed
in cooperation with a carrier&emdash;the business
model being pursued by companies like AST
SpaceMobile, Lynk and SpaceX&emdash;Sat2Phone could
provide seamless coverage to users outside a
terrestrial-network coverage footprint in virtually
all outdoor locations within the next several
years.
Commercial
wireless carriers have provided the FCC with
network-outage information for years, but the
requirement has not been extended to the FirstNet
Authority's nationwide public-safety broadband
network (NPSBN). The NPSBN is being built and
maintained by AT&T, which is subject to NORS
and DIRS requirements, which has allowed some
officials to make inferences about the health of
the terrestrial FirstNet system, according to the
language in the proposed further notice.
"FirstNet
is not currently subject to NORS or DIRS
outage-reporting obligations and has never
participated in NORS or DIRS on a voluntary basis,"
according to the further-notice draft.
"However,
its importance to the public-safety community and
the unique customer base it serves leads us to
consider whether outage reporting is necessary and
appropriate to provide a more complete picture of
the overall health and resiliency of an
increasingly important component of the nation's
communications infrastructure, particularly during
specific disasters during which FirstNet is
specifically designed to provide more robust
outcomes."
One
question noted in the further-notice draft is
whether the FCC has the authority to require such
network-outage reporting from the FirstNet
Authority, which was established by Congress in
2012 with statutory reporting requirements. This
law mandated that the FCC grant the FirstNet
Authority a license to the 20 MHz block of Band 14
spectrum in the 700 MHz band, but the FirstNet
Authority is housed within the National
Telecommunications and Information Administration
(NTIA) branch of the federal government.
"Do
the Commission's general Title III authorities,
coupled with section 6003(a) of the Public Safety
Spectrum Act, support our ability to seek
information beyond FirstNet's statutorily mandated
reports?" the further-notice draft asks. "What
other provisions might support such reporting? What
quantitative estimates of potential costs and
benefits of this integration are available? What
would be additional improvements to public safety
and other measures of welfare due to specifically
reporting by FirstNet? How would the magnitude of
these benefits compare to the benefits estimated in
the Second Report and Order?"
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FCC to consider new outage-reporting
rules
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soliciting
comments on FirstNet, deployable usage
///
115-
NATPE Global at the MiamiIntercontinental, Jan.
16-18
NATPE Global
is a Central and Eastern Europe's most established
market featuring the US studios. To be held at the
Miami at MiamiInterncontinental. With nearly 400
regional buyers in attendance.
///

115- CES
is right around the
corner
with
its focus on the latest trends and innovations in
technology
CES 2024 is unticipated to
unveil some wild innovations -- and mind-blowing TV
tech is expected to steal the spotlight. So the
question is, what can we expect from CES 2024 in
terms of TV innovation. The Show is to take place
Jan. 9-12, 2024 at the Las Vegas Convention
Center.
CES® is the most
influential tech event in the world -- the proving
ground for breakthrough technologies and global
innovators.
This is where the world's
biggest brands do business and meet new partners,
and the sharpest innovators hit the stage. Owned
and produced by the Consumer Technology Association
(CTA)®, CES features every aspect of the tech
sector.
CES will be back in Las
Vegas and the IMC will deliver the exclusive
platform for attendees and exhibitors looking to
experience the nut-and-bolts of IoT technology for
consumer products. The IoT Infrastructure
Pavilion at CES will showcase the latest
technologies that are the backbone of all connected
consumer technology. CES is simply the most
important IoT venue for large-volume consumer
markets in the world.
///
115-
The Most Captivating Tech at CES 2024 - AI
is in everything
A
cooking system that can bake a pizza in 2 seconds -
A low-maintenance electric motorcycle of the future
- The screen, reinvented. A device that can help
provide health-care providers a quick medical
diagnosis. They were just a few of the products
that attracted big crowds at CES.
Thousands of tech media
representatives poured into the Mandalay Bay
Convention Center on Sunday for the media preview
of CES, a four-day technology trade show expected
to draw more than 130,000 people to the city,
one-third of them from foreign countries.
CES Unveiled gave hundreds
of companies the opportunity to meet the press with
table-top presentations that were miniaturized
versions of the booths that companies displayed in
several locations around the valley.
Prior to the unveiling,
industry experts gave their views on technology
trends the world can look forward to this year --
many of them revolving around the pros and cons of
artificial intelligence.
You have about as much
chance of winning at the slot machines as finding a
company that does not boast of its AI prowess at
CES 2024. This is far from the first time
AI-powered products could be found amid the booths,
but this is truly the year that AI is dominating
the show.
What we're witnessing right
now is the integration of major breakthroughs in AI
that have occurred in the past year or so -- such
as OpenAI's ChatGPT -- into devices. "There's no
question that AI -- specifically generative AI --
is going to be a big driver of new products and
services.
Highlighted is Microsoft's
decision to change up the Windows keyboard for the
first time in nearly 30 years, adding a button that
provides a direct link to launch its AI Copilot, as
a key example. Another is Volkswagen adding
ChatGPT as a standard feature in its vehicles later
this year. "You can literally talk your car in a
Knight Rider kind of way."
Along with the AI products
we've experienced firsthand, companies are dropping
hints left, right and center at CES about what we
can expect to see from them in the year
ahead.
That supports everyone's
take that "we're just starting to see how this
foundational tech is going to change the way we
work, live and engage with the world."
Already curiousity is
stirred how this rapidly evolving technology will
have changed the game again by the time CES 2025
rolls around.
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The
Most Captivating Tech at CES 2024 - AI is in
everything
///
106-
Co-founded
by AFL-CIO and SAG-AFTRA Union Leaders Unite
During CES 2024 to Tackle Technology's
Impact on Future of
Work
LAS VEGAS -- The Labor
Innovation and Technology Summit -- co-founded by
the AFL-CIO, the AFL-CIO Technology Institute and
SAG-AFTRA and sponsored this year by AFGE, AFSCME,
the American Federation of Teachers (AFT), the Air
Line Pilots Association (ALPA), the Amalgamated
Transit Union (ATU), the Theatrical Stage Employees
(IATSE), National Nurses United (NNU), the
Transportation Trades Department (TTD), the
Transport Workers Union (TWU), the United
Association of Union Plumbers and Pipefitters (UA)
and UNITE HERE -- will take place on
Tuesday and Wednesday, Jan. 9-10,alongside CES
2024, focusing on how the tech innovation
revolution affects the American workforce.
The unions will bring
together notable labor and civil rights leaders,
including AFL-CIO President Elizabeth H. Shuler,
SAG-AFTRA National Executive Director & Chief
Negotiator Duncan Crabtree-Ireland, AFT President
Randi Weingarten, and President & CEO of
the Leadership Conference on Civil and Human Rights
Maya Wiley to address a critical gap in evolving
technology and workers' interests. The summit will
highlight the importance of including workers in
shaping the future of technology and
innovation.
The following panels will be
present at session and discussion: Worker Rights in
the Age of Tech; AI Goes to Hollywood 2024; Workers
Winning in the Age of Tech; Technology in the Face
of Worker and Civil Rights; AI and Democracy; When
Workers Fight, We Win!
Closing remarks with
SAG-AFTRA National Executive Director and Chief
Negotiator Duncan Crabtree-Ireland.
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AFL-CIO
and SAG-AFTRA Union Leaders Unite
During CES 2024 to Tackle Technology's
Impact on Future of
Work
///
///

Nominations
Announced for the 30th Annual Screen Actors Guild
Awards®
The SAG Awards®
Ceremony will Stream Live Globally Saturday, Feb.
24 Only on Netflix
LOS ANGELES (January 10,
2024) -- This morning, nominees for the 30th Annual
Screen Actors Guild Awards® honoring
outstanding individual, cast and ensemble
performances for the past year were announced by
Issa Rae (Barbie, American Fiction, Insecure) and
Kumail Nanjiani (Welcome to Chippendales, The Big
Sick) via Instagram Live. The nominees for
outstanding action performances by film and
television stunt ensembles were announced by SAG
Awards Committee Members Jason George and Woody
Schultz with an introduction by SAG-AFTRA President
Fran Drescher.
The 30th Annual Screen
Actors Guild Awards, produced by Silent House
Productions in partnership with SAG-AFTRA, will
stream live globally on Netflix Saturday, Feb. 24,
2024, at 8 p.m. ET / 5 p.m. PT from the Shrine
Auditorium & Expo Hall.
To replay today's
announcement, follow the SAG Awards® on
Instagram @sagawards. To view the complete list of
nominations and fast facts, please visit the SAG
Awards® Press Kit page:
https://sagawards.org/media/newsinfo/press-kit
As previously announced, the
legendary actor, singer, producer, writer, and
director Barbra Streisand will be honored with the
SAG Life Achievement Award for career achievements
and humanitarian accomplishments during the 30th
Annual Screen Actors Guild Awards
ceremony.
One of awards season's
premier events, the SAG Awards annually celebrates
the outstanding motion picture and television
performances from the previous calendar year (SAG
Awards Eligibility Period: January 1, 2023 -
December 31, 2023). Of the top industry honors
presented to actors, only the SAG Awards are
selected entirely by performers' peers in SAG-AFTRA
with 119,515 eligible voters.
Final voting opens on Wednesday, Jan. 17 and closes
at Noon PT on Friday, Feb. 23.
Click
https://www.sagawards.org
Click
for
List of Motion Picture
Nominees
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#115-30thAnnualScreenActorsGuildAwards
///
101-
SAG-AFTRA
and Replica Studios Introduce Groundbreaking AI
Voice Agreement at
CES
Australia and Los
Angeles -- January 9, 2024 -- Replica Studios
(Replica), an artificial intelligence (AI) voice
technology company, and The Screen Actors Guild -
American Federation of Television and Radio Artists
(SAG-AFTRA) announced today the introduction of a
groundbreaking AI voice agreement during an event
at CES.
This new agreement paves the
way for professional voice over artists to safely
explore new employment opportunities for their
digital voice replicas with industry-leading
protections tailored to AI technology, allowing AAA
video game studios and other companies working with
Replica to access top SAG-AFTRA talent.
The agreement between the
leading AI voice company and the world's largest
performers' union will enable Replica to engage
SAG-AFTRA members under a fair, ethical agreement
to safely create and license a digital replica of
their voice. Licensed voices can be used in video
game development and other interactive media
projects from pre-production to final release.
Approved by affected members
of the union's voiceover performer community, this
contract marks an important step towards the
ethical use of AI voices in creative projects by
game developers, and sets the basis for fair and
equitable employment of voice actors as they
explore the new revenue opportunities provided by
AI. In addition to establishing minimum terms and
conditions, the agreement ensures performer consent
and negotiation for uses of their digital voice
double and requires that performers have the
opportunity to opt out of its continued use in new
works.
"Artificial intelligence has
dominated the headlines, and for most performers,
the best protection against the unauthorized
digital simulation of their voice, likeness and/or
performance is a SAG-AFTRA contract. We are so
happy to partner with Replica Studios, because this
is a great example of AI being done right," said
SAG-AFTRA President Fran Drescher.
"Recent developments in AI
technology have underscored the importance of
protecting the rights of voice talent, particularly
as game studios explore more efficient ways to
create their games," said SAG-AFTRA National
Executive Director and Chief Negotiator Duncan
Crabtree-Ireland. "With this agreement, we have
achieved fully informed consent and fair
compensation when it comes to the use of our
members' voices and performances. We are proud to
work with Replica in leading the way to make it
easy for these companies to access SAG-AFTRA's
world-renowned talent in an ethical manner that
ensures consent and fair compensation for their
contributions. This agreement also paves the way
for other companies to follow their lead."
"Replica partnered with
SAG-AFTRA to introduce an ethical approach to the
emerging use of generative AI. We are excited by
the new opportunities this opens up for
world-leading AAA studios who can now access the
benefits of Replica's AI voice technology while
knowing that talent is recognized and compensated
fairly for the use of their likeness," said Shreyas
Nivas, CEO of Replica Studios. "Our voice actor
agreements ensure that game developers using our
platform are only accessing licensed talent who
have given permission for their voice to be used as
a training data set, as opposed to the wild west of
AI platforms using unethical data-scraping methods
to replicate and synthesize voices without
permission."
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SAG-AFTRA-Replica- Introduce AI Voice Agreement at
CES 2024
///
115-
Golden Globe: Oppenheimer scores 5 wins
See
the full list of Winners at 2024 Golden Globe
Awards
As the industry comes out
from under the cloud of two overlapping strikes
lasting six months and the long tail of COVID-19,
while bracing for a meager 2024 release calendar,
the business of movies could certainly use the
cheerleading that a healthy awards season is
supposed to provide.
Ratings for the Globes, this
year, were up.
The
show drew an average of 9.4 million viewers, a 50%
jump from last year's telecast on NBC, no doubt
benefiting from an NFL game as a lead-in, in
addition to having plenty of celebrities in
attendance and popular movies in contention. In the
pre-pandemic year of 2019, the Globes had more than
twice that many viewers, reaching about 19
million.
Full
list of 2024 Golden Globe nominees and Winners-
(bold)
Best Picture,
Drama
"Openheimer" (Universal Pictures) -
Winner
"Killers of the Flower Moon" (Apple
Original Films/Paramount Pictures)
"Maestro" (Netflix)
"Past Lives" (A24)
"The Zone of Interest" (A24)
"Anatomy of a Fall" (Neon)
Best Picture,
Musical or Comedy
"Poor Things" (Searchlight Pictures) -
Winner
"Barbie" (Warner Bros.)
"American Fiction" (MGM)
"The Holdovers" (Focus
Features)
"May December" (Netflix)
"Air" (Amazon MGM Studios)
|
Best Actress in a TV
Series, Musical or Comedy
Ayo Edebiri -- "The Bear" -
Winner
Natasha Lyonne -- "Poker Face"
Quinta Brunson -- "Abbott
Elementary"
Rachel Brosnahan -- "The Marvelous
Mrs. Maisel"
Selena Gomez -- "Only Murders in the
Building"
Elle Fanning -- "The Great"
Best Actor in a TV
Series, Musical or Comedy
Jeremy Allen White -- "The Bear" -
Winner
Bill Hader -- "Barry"
Steve Martin -- "Only Murders in the
Building"
Jason Segel -- "Shrinking"
Jason Sudeikis -- "Ted Lasso"
|
|
|
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List of Golden Globe Winners at 2024 Golden Globe
Awards
///
115-
Golden Globe Nominations: 'Barbie', 'Oppenheimer'
Top Movie List; 'Succession' Leads
TV
The 81st Golden Globe Awards
will honor the best in film and American television
of 2023. The ceremony will be held on January 7,
2024, from The Beverly Hilton in Beverly Hills,
California, produced by Dick Clark Productions,
Ricky Kirshner, and Glenn Weiss; the latter will
also serve as director.
Feminist "Barbie," played by Greta Gerwig that
traces its origins to toy store shelves, dominated
nominations for the 2024 Golden Globe Awards. With
10 nods it makes the movie the second
most-nominated (Cabaret) in the 81-year history of
the show.
"Barbie" was followed
closely by "Oppenheimer," Christopher Nolan's look
at J. Robert Oppenheimer and the development of the
atomic bomb, which tallied eight nominations.
"Oppenheimer" was released on the same weekend as
"Barbie," a rare confluence of blockbusters that
inspired memes and, later, Halloween
costumes, while boosting the box office.
Unlike the Oscars, the
Globes honor the best of both film and television
and steer clear of recognizing excellence in most
below-the-line crafts like editing or
cinematography. They also distinguish between film
genres, recognizing the best comedies and musicals
separately from the best dramas. Thus,
"Oppenheimer" will compete for the top drama prize
alongside "Killers of the Flower Moon," "Maestro,"
"Anatomy of a Fall," "The Zone of Interest" and
"Past Lives." For its part, "Barbie" will vie for
best comedy or musical with "Air," "American
Fiction," "Poor Things," "May December" and "The
Holdovers."
Click
for more
tviStory-115-
Golden
Globe 2023: 'Barbie', 'Oppenheimer' Top Movie List;
'Succession' Leads
TV
///
115-
81st Golden Globe Broadcast
will honor the best in
film and American television of
2023.
The
2024 Golden Globe Awards ceremony takes place
Sunday, Jan. 7, from 8-11 p.m. ET (5-8 p.m. PT),
and will be broadcast live on CBS as part
of a new deal between the Golden Globes and the
network. The ceremony will also be available to
stream on Paramount+ and the CBS app. Paramount
Global is the parent company of CBS. The Official
Golden Globe 2024 afterparty will be hosted by
Billboard.
The Golden Globes come to
CBS after its longstanding relationship with NBC
ended, and as the award show works to rebuild its
credibility under new leadership following a widely
publicized scandal and boycotts over allegations of
racism and ethical lapses within the Hollywood
Foreign Press Association, which organized the
Globes and voted for years to determine its
nominees and winners. CBS is hosting the Golden
Globes live in 2024, CBS
Entertainment announced in a statement on
Friday, Nov. 17.
CBS will air the three-hour
award show extravaganza live on the network on
Sunday, Jan. 7, starting at 5 p.m. Pacific Time (8
p.m. Eastern Time) following an NFL football
doubleheader. The show will stream on Paramount+
and the CBS app as part of a "new deal between the
Network and the Golden Globes."
"Live entertainment and
sports have been, and will always be, a hallmark of
CBS, and the Globes adds an exciting new dimension
to our first quarter schedule this year," George
Cheeks, president and chief executive officer of
CBS, said in a statement.
This is the first time in more than 40 years that
the Golden Globes will air on CBS, following the
end of a long-time partnership with NBC. Scandals
and boycotts had knocked the award show off
television in 2022, when a Los Angeles Times
investigation found that the Hollywood Foreign
Press Association, which then organized the awards,
had no Black members.
Many stars and studios
boycotted the show, long known for its boozy
dinner-party atmosphere, as other allegations of
ethical improprieties surfaced in the then
Hollywood Foreign Press Association-owned award
ceremony.
The Golden Globes returned
to NBC for the 2023 broadcast in a one-year deal --
a make-or-break moment after the HFPA sold the
award show to Todd Boehly's Eldridge Industries,
dissolving the nonprofit and its membership,
earlier in the year.
The firm, which owns Dick
Clark Productions, which produces the Globes, and
the Beverly Hilton, the award show's longtime home,
turned the show into a for-profit
venture.
Started in 1944 as an
informal ceremony honoring actors, the Golden Globe
Awards are now viewed in 185 countries around the
world.
CBS is part of Paramount
Global, which also owns CBS News.
Click
for
more
Click
for more
tviStory-115-
81st Golden
Globe Broadcast
will honor the best in
film and American television of
2023
THEY
TOLD HIM TO BE
QUIET
- by Adria Manary Adams
When the government tells you to be
quiet, alarm signals should go off in your brain.
Only a chosen few know the full extent of its
power, and my uncle, Elwin Laurence Peterson,
regrettably found out the hard way.
During World War II, he worked
at the Washington D.C. Navy Yard in the optics and
machine shop. While there, he received several
awards for his contributions to the war effort. One
concern that he became acutely aware of, was the
difficulty that all facets of the military were
experiencing in communications. Methods of
transmitting vital information to and from ships,
submarines, airplanes and troops on the ground had
become increasingly problematic since the Germans
were intercepting and/or scrambling our signals. In
exploring the situation, Elwin realized that
varying the frequencies on which the messages were
sent would disable the enemy from capturing our
communications. Since frequency variation was a
prominent component of a television system that he
had conceived of in the late 1920's, and patented
in 1928, he suggested that the government use this
significant piece of his "Transmitting System and
Apparatus," patent number 1,747,791.
He
absolutely believed that this method would provide
clear, secured and unencumbered communication in
military operations, thus saving many American
soldiers.
After explaining how FM would
benefit the Navy to the manager of his department,
his
suggestion made its way up the ranks. In
handwritten notes written by my uncle in 1945, he
states:
"I was interviewed several times
by various officers and engineers. At one of these
interviews, a man who worked for Edwin Armstrong
was in attendance. He had been called in because of
his claim that Armstrong (now a Major in the Signal
Corps), had been working on variations of
wavelengths since 1931. At that point I informed
the officers that I was well aware of his efforts,
because I had demonstrated my version to Mr.
Armstrong back in
Elwin Laurence Peterson
1929 and again in 1930, when
Bell Telephone and the Postal Telegraph Company had
requested his opinion of my invention."
What Mr. Peterson did not
mention in this meeting was that after seeing these
demonstrations, Edwin Armstrong later used what he
saw to further his efforts in transmission
technology, which eventually helped him to become
who many refer to as the "Father of Radio". If
Armstrong was to be given this title, then Elwin
Peterson should have been credited for being the
"Grandfather of Radio". (The Armstrong patent was
filed in 1933. Peterson's patent was submitted in
1928, five years earlier, and finalized in 1930,
three years before Mr. Armstrong's.)
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110--THEY
TOLD HIM TO BE
QUIET
///
Norman
Lear, TV Legend and creator of 'All in the Family'
dies at
101
LOS ANGELES (December 6,
2023) -- SAG-AFTRA today honors the
legacy of iconic writer-producer and SAG-AFTRA
member Norman Lear, a television institution, who
died Tuesday at age 101.
SAG-AFTRA President Fran
Drescher said, "I grew up watching Norman Lear
sitcoms that made me think and question so much
about the way we look and feel about a myriad of
topics that were never a part of comedy. He took
real issues and made them a part of sitcom
families, and he showed life as it was. Not
white-washed, not oppressed, but real, for young
people, for women, for people of color, for people
with and without money.
Norman Lear and
Fran Drescher at the Hollywood Museum's LGBTQ+ Real
to Reel Awards, June 9, 2022.
Photo by William Kidston/Courtesy of the Hollywood
Museum
The first time I worked for
him, the first day of the reading of the script, I
was late and I was so nervous. I walked into the
room, everybody was sitting around the table, and I
said, 'I'm so sorry that I'm late,' and Norman
said, 'That's ok, anyone that can look that good at
this hour of the morning deserves to be
late,' and I never forgot his generosity and
his brilliant need to elevate people and to think
differently with a greater capacity for
understanding each other. I saw him as recently as
one year ago when I was being honored at the
Hollywood Museum and he was presenting. We sat
together and talked about so many things. I
marveled at how sharp his mind still was even at a
few months shy of 100 years old. He was a great
man, a great producer, and a great American who
will be greatly missed but long remembered."
Lear joined AFTRA in 1953
and SAG in 1991.
///
115- 15th
Edition of Languages & The
Media
After a hugely successful
conference in 2022, with a record breaking number
of particpants, we are delighted to announce
that the 15th edition of Languages & The Media,
the International Conference and Exhibition on
Language Transfer in Audiovisual Media, will take
place from November 13 - 15, in Budapest,
Hungary.
For its 15th edition,
Languages & The Media is discovering new
frontiers by moving to Budapest. Embark on this
journey with us! After so many years in Berlin, we
are very excited about this change of location and
hope you'll be joining us in this new
adventure!
The conference will be held
under the overriding theme "New Frontiers in Media
Localization" and you can find out more about our
overall theme and our sub-themes here and submit to
the call here.
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115-
15th
Edition of Languages & The
Media
///
SAG-AFTRA Statement to Members Regarding End of
Historic TV/Theatrical/Streaming
Strike
LOS ANGELES, Nov.
9 -- SAG-AFTRA President Fran Drescher
and SAG-AFTRA National Executive Director and Chief
Negotiator sent the following message to members
today:
We did it! Our historic
TV/Theatrical/Streaming strike is over as of 12:01
AM this morning. After 118 days on strike, we are
set to change the future of our industry with a
transformative contract that includes gains for
every category of SAG-AFTRA member who works this
contract.
This revolutionary agreement
achieves major breakthroughs in addressing
compensation via residuals and protections from
generative artificial intelligence technology while
reaffirming the role human performers play in the
production of film, television, and streaming
entertainment.
Tomorrow, the National Board
will meet to review the tentative agreement and
vote on whether or not to send it to you, the
membership, for a ratification
vote.
Although full details will not
be shared in advance of tomorrow's meeting, we
wanted to share just a few key deal
points:
More than one billion
dollars in new wages and benefit plan funding;
A streaming participation bonus;
Minimum compensation increases that break
the so-called "industry pattern;"
For the first time, consent and compensation
guardrails on the use of AI;
Raised Pension & Health caps that will
channel more value into our funds; and
Critical protections for diverse
communities.
We're proud of the phenomenal
efforts of our TV/Theatrical Negotiating Committee,
and send our sincerest thanks to you -- the members
-- who made these gains possible by granting a
strike authorization prior to negotiations, and
remaining resolved throughout the 118 days of our
strike. Your solidarity helped us achieve the
necessary leverage to secure these unprecedented
gains.
We're also grateful to our union
siblings who stood by our side -- literally
and figuratively -- from the very beginning. We
truly could not have succeeded without your
unwavering support.
Effective immediately, all
SAG-AFTRA members should fulfill their contractual
obligations and return to work. Members and
influencers may resume services relating to
publicity and the promotion of motion pictures
produced under the CBA and Television Agreement,
without consequence or conflict with the
union.
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