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First
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115-
The
International Burbank Film Festival runs
Sept 25-29th at the AMC
theaters
BURBANK, Sept 12, 2024 -
The Burbank International Film Festival
(BIFF) is an annual film festival held
since 2009 in Burbank, California, United
States. It was founded by Val Tonione, and
awards are distributed to filmmakers that
have focused on social and environmental
issues.
Burbank, California
is the Media Capital of the World, and
it's headquarters to more than a thousand
entertainment and media companies,
including Warner Bros., The Walt Disney
Company, Cartoon Network Studios and
Nickelodeon. The Burbank International
Film Festival continues its primary
mission of fostering a diverse creative
spirit and promoting up-and-coming artists
in the center of the entertainment
industry. Burbank possesses a rich history
of movie making magic where you can dine
in the same restaurant booth where Michael
Mann shot "Heat" or stay in the same Hotel
room where "True Romance" was filmed.
Burbank provides a
unique film festival experience, because
filmmakers showcase their movies in the
exact same AMC 16 Theaters where Robert
Pattinson attended the premiere of
"Batman" and Austin Butler/Baz Lurhman
surprised audiences with their appearance
at a screening of "Elvis":
BIFF's schedule of
films comprises cinema of every genre, so
there's something for everyone to enjoy.
BIFF also continues to introduce new
Awards categories to honor the talented
craftspeople behind the scenes. The
four-day festival includes 130+ film
screenings; Q&A's featuring
celebrities and industry professionals;
fabulous red carpet receptions; audience
awards; and informative panels.
BIFF culminates
with the closing night at the star-studded
Gala Dinner and Awards Ceremony which is
the highlight of the Festival. A beautiful
12" tall custom-designed crystal-based
BIFF Award is presented to the winner in
each category
Click
for
More
BIFF
///
15th
Edition of Languages & The Media
Conference
2024
to be hosted in Budapest,
Hungary
The 15th year
edition will focus on the overarching
theme of "New Frontiers in Media
Localization", addressing the evolving
challenges and innovations in the field.
It will take place Nov. 13-15, 2024.
The first day,
Wednesday, November 13, will be dedicated
to pre-conference workshops, offering
hands-on seminars to learn about Gen AI
solutions, collaborative translation, the
important role of access coordinators or
quality assessment in dubbing. Places are
limited, so secure your seat early! You
will find more information here.
The conference will
officially open on Thursday, November 14
with a keynote from Adam Salkeld,
co-founder of Digital Learning Associates
and award-winning producer, followed by a
plenary panel featuring leading industry
experts.
Over the next two
days, attendees will have access to 30
presentation sessions and panel
discussions with over 100 speakers,
addressing burning topics such as
challenges and opportunities presented by
AI driven-technologies, targets and
achievements in access services and
inclusion, trends in training, the future
of work for dubbing and subtitling
professionals, certification and many
more.
Besides the lively
participants' reception sponsored by
Pixelogic, and the networking session
hosted by ESIST on November 14, this year
there is another wonderful opportunity to
connect with other participants -- the
conference dinner on the river Danube, on
Friday, November 15. to celebrate the
closing of the conference.
Click
for more
///
76th
EMMY Awards Complete Winners'
List
Outstanding
comedy series
WINNER: "Hacks"
"Abbott Elementary"
"The Bear"
"Curb Your Enthusiasm"
"Only Murders in the
Building"
"Palm Royale"
"Reservation Dogs"
"What We Do in the
Shadows"
Outstanding
drama series
WINNER: "Sh?gun"
"The Crown"
"Fallout"
"The Gilded Age"
"The Morning Show"
"Mr. & Mrs. Smith"
"Slow Horses"
"3 Body Problem"
Outstanding
lead actress in a drama
series
WINNER: Anna Sawai,
"Sh?gun"
Jennifer Aniston, "The Morning
Show"
Carrie Coon, "The Gilded
Age"
Maya Erskine, "Mr. & Mrs.
Smith"
Imelda Staunton, "The
Crown"
Reese Witherspoon, "The
Morning Show"
Outstanding
lead actor in a drama
series
WINNER: Hiroyuki Sanada,
"Sh?gun"
Idris Elba, "Hijack"
Donald Glover, "Mr. & Mrs.
Smith"
Walton Goggins, "Fallout"
Gary Oldman, "Slow Horses"
Dominic West, "The Crown"
Outstanding
limited or anthology
series
WINNER: "Baby
Reindeer"
"Fargo"
"Lessons in Chemistry"
"Ripley"
"True Detective: Night
Country"
Outstanding
lead actress in a limited
anthology series or
movie
WINNER: Jodie Foster, "True
Detective: Night
Country"
Brie Larson, "Lessons in
Chemistry"
Juno Temple, "Fargo"
Sofia Vergara, "Griselda"
Naomi Watts, "Feud: Capote vs.
the Swans"
Outstanding
lead actor in a limited anthology
series or movie
WINNER: Richard Gadd, "Baby
Reindeer"
Matt Bomer, "Fellow
Travelers"
Jon Hamm, "Fargo"
Tom Hollander, "Feud: Capote
vs. the Swans"
Andrew Scott, "Ripley"
Best
directing for a
drama
WINNER: Frederick E.O.
Toye, "Sh?gun"
Stephen Daldry, "The
Crown"
Mimi Leder, "The Morning
Show"
Hiro Murai, "Mr. & Mrs.
Smith" "First Date"
Saul Metzstein, "Slow
Horses"
Salli Richardson-Whitfield,
"Winning Time: The Rise of the
Lakers Dynasty"
Governors
award
WINNER: Greg
Berlanti
Best
directing for a comedy
series
WINNER: Christopher Storer,
"The Bear"
Randall Einhorn, "Abbott
Elementary"
Ramy Youssef, "The Bear"
Guy Ritchie, "The
Gentlemen"
Lucia Aniello, "Hacks"
Mary Lou Belli, "The Ms. Pat
Show"
Best
writing for a limited series or
TV movies
WINNER: Richard Gadd, "Baby
Reindeer"
Charlie Brooker, "Black
Mirror"
Noah Hawley, "Fargo"
Ron Nyswaner, "Fellow
Travelers"
Steven Zaillian, "Ripley"
Issa López, "True
Detective: Night Country"
Best
writing for a drama
series
WINNER: Will Smith, "Slow
Horses"
Peter Morgan and Meriel
Sheibani-Clare, "The Crown"
Graham Wagner and Geneva
Robertson-Dworet, "Fallout"
Francesca Sloane and Donald
Glover, "Mr. and Mrs. Smith"
Rachel Kondo, Justin Marks,
"Sh?gun"
Rachel Kondo, Caillin Puente,
"Sh?gun"
Supporting
actor in a limited or
anthology series
WINNER: Lamorne Morris,
"Fargo"
Jonathan Bailey, "Fellow
Travelers"
Robert Downey Jr., "The
Sympathizer"
Tom Goodman-Hill, "Baby
Reindeer"
John Hawkes, "True Detective:
Night Country"
Lewis Pullman, "Lessons In
Chemistry"
Treat Williams, "Feud: Capote
vs. The Swans"
Best talk
series
WINNER: "The Daily
Show"
"Jimmy Kimmel Live!"
"Late Night with Seth
Meyers"
"The Late Show with Stephen
Colbert"
|
Writing in
a comedy series
WINNER: Lucia Aniello, Paul
W. Downs, Jen Statsky,
"Hacks"
Quinta Brunson, Abbott
Elementary"
Joanna Calo, Christopher
Storer, "The Bear"
Meredith Scardino, Sam Means,
"Girls5eva"
Chris Kelly, Sarah Schneider,
"The Other Two"
Directing
limited series or TV
movie
WINNER: Steven Zaillian,
"Ripley"
Weronika Tofilska, "Baby
Reindeer"
Noah Hawley, "Fargo"
Gus Van Sant, "Feud: Capote
vs. the Swans"
Millicent Shelton, "Lessons in
Chemistry"
Issa López, "True
Detective: Night Country"
Outstanding
writing for a variety
special
WINNER: Alex Edelman, "Alex
Edelman: Just For Us"
Jacqueline Novak, "Jacqueline
Novak: Get On Your Knees"
John Early, "John Early: Now
More Than Ever"
Mike Birbiglia, "Mike
Birbiglia: The Old Man And The
Pool"
"The Oscars"
Best
scripted variety
series
WINNER: "Last Week
Tonight with John Oliver"
"Saturday Night Live"
Supporting
actress in a limited or
anthology series
WINNER: Jessica Gunning,
"Baby Reindeer"
Dakota Fanning, "Ripley"
Lily Gladstone, "Under The
Bridge"
Aja Naomi King, "Lessons In
Chemistry"
Diane Lane, "Feud: Capote vs.
The Swans"
Nava Mau, "Baby Reindeer"
Kali Reis, "True Detective:
Night Country"
Follow live updates here
Outstanding
reality competition
program
WINNER: "The
Traitors"
"The Amazing Race"
"RuPaul's Drag Race"
"Top Chef"
"The Voice"
Outstanding
lead actress in a comedy
series
WINNER: Jean Smart,
"Hacks"
Quinta Brunson, "Abbott
Elementary"
Ayo Edebiri, "The Bear"
Selena Gomez, "Only Murders in
the Building"
Maya Rudolph, "Loot"
Kristen Wiig, "Palm
Royale"
Supporting
actress in a drama
series
WINNER: Elizabeth Debicki,
"The Crown Netflix"
Christine Baranski, "The
Gilded Age"
Nicole Beharie, "The Morning
Show"
Greta Lee, "The Morning
Show"
Lesley Manville, "The
Crown"
Karen Pittman, "The Morning
Show"
Holland Taylor, "The Morning
Show"
Supporting
actress in a comedy
series
WINNER: Liza
Colón-Zayas, "The
Bear"
Carol Burnett, "Palm
Royale"
Hannah Einbinder, "Hacks"
Janelle James, "Abbott
Elementary"
Sheryl Lee Ralph, "Abbott
Elementary"
Meryl Streep, "Only Murders In
The Building"
Outstanding
lead actor in a comedy
series
WINNER: Jeremy Allen White,
"The Bear"
Matt Berry, "What We Do in the
Shadows"
Larry David, "Curb Your
Enthusiasm"
Steve Martin, "Only Murders in
the Building"
Martin Short, "Only Murders in
the Building"
D'Pharaoh Woon-A-Tai,
"Reservation Dogs"
Supporting
actor in a drama
series
WINNER: Billy Crudup, "The
Morning Show"
Tadanobu Asano, "Sh?gun"
Mark Duplass, "The Morning
Show"
Jon Hamm, "The Morning
Show"
Takehiro Hira, "Sh?gun"
Jack Lowden, "Slow Horses"
Jonathan Pryce, "The
Crown"
Supporting
actor in a comedy
series
WINNER: Ebon Moss-Bachrach,
"The Bear"
Lionel Boyce, "The Bear"
Paul W. Downs, "Hacks"
Paul Rudd, "Only Murders In
The Building"
Tyler James Williams, "Abbott
Elementary"
Bowen Yang, "Saturday Night
Live"
|
For
more
please visit Emmys.com
Or TelevisionAcademy.com.
Click
for
More
EMMY
Winners
///
106-
Introduction of NO FAKES Act in
House
LOS ANGELES
(Sept. 12) -- The SAG-AFTRA-supported
NO FAKES -- Nurture Originals, Foster Art
and Keep Entertainment Safe -- Act was
officially introduced today in the U.S.
House of Representatives, following its
introduction in the Senate on July 31.
The bill
establishes a federal right in voice and
likeness to protect against unauthorized
use of digital replicas in audiovisual
works and sound recordings, effectively
balancing that right with strong First
Amendment protections for content
creators.
The House bill is
sponsored by Reps. Maria Salazar,
Madeleine Dean, Nathaniel Moran, Joe
Morelle, Adam Schiff and Rob
Wittman.
SAG-AFTRA National
Executive Director & Chief Negotiator
Duncan Crabtree-Ireland said, "SAG-AFTRA
applauds Representatives Maria Salazar,
Madeleine Dean, Nathaniel Moran, Joe
Morelle, Adam Schiff and Rob Wittman for
introducing the NO FAKES Act in the House.
It is critical and urgent for Congress to
establish nationwide protections in law
against the unauthorized creation and use
of digital replicas. A.I. technology can
now clone us all and make us appear to do,
say or perform things we never did, said
or performed. The dangers for careers,
reputations and lives are real, and this
bill provides much needed
recourse.
"With identical
bills now before both the House and
Senate, and with robust bipartisan
support, Congress must act expeditiously
to safeguard everyone in this age of
rapidly advancing technological
innovation," added Crabtree-Ireland.
The NO FAKES Act is
supported by the entire entertainment and
media industry landscape, from studios,
record labels, broadcasting companies and
technology companies to unions, workers
and artist advocacy groups. It is a
milestone achievement to bring all these
groups together for the same urgent
goal.
///
Getty Images: Angelina
Jolie on the red carpet at the premiere of
Pablo Larrian's "Maria"
115-
'Maria,' Creates Oscar Buzz for Angelina
Jolie
A-list movie stars,
top-tier auteur filmmakers and a battalion
of Hollywood publicists descended on the
Italian island of Lido this week for the
81st edition of the Venice Film Festival,
one of the most prestigious celebrations
of movie culture in the world -- and the
unofficial start of the Oscar season.
Among this year's
A-list talent includes Angelina Jolie, her
ex Brad Pitt, Cate Blanchett, George
Clooney, Michael Keaton, Jenna Ortega,
Joaquin Phoenix, Lady Gaga, Tilda Swinton,
Julianne Moore, Daniel Craig, Angelina
Jolie, Kevin Costner, Sigourney Weaver,
Nicole Kidman, Isabelle Huppert, Winona
Ryder, Monica Bellucci, Willem Dafoe and
many more.
The Festival got
underway Thursday, August 27th to be held
through September 9, 2024, at Venice Lido
in Italy.
On opening night
Angelina Jolie was the toast of Italy. The
actress wept during an eight-minute
standing ovation at the Sala Grande
Theatre at the world premiere of
"Maria," Pablo Larraín's
biographical drama about the Greek opera
singer Maria Callas.
Callas was an
American-born Greek soprano singer and one
of the most famous singers of the 20th
century. She receiived her opera training
in Greece when she was 13 and later moved
to Italy to persue her career. Through the
years she dealt with near sigtedness that
left her nearly blind and multiple
scandals in her professional and personal
live. She had an intense rivalry with
Itlian opera singer Renata Tebaldi, and is
known for her affair with Aristotle
Onassis (who later married Jacqueline
Kenndy Onassis.)
'Maria'
is sure to be an Oscar contender, putting
Jolie in the best actress race for the
first time in 15 years. She was nominated
in 2009, for her her work in Clint
Eastwood's "The Changeling," and won an
Oscar for best supporting actress in 2000
for "Girl, Interrupted."
Maria reunites
Larraín and writer Steven Knight,
whose last project "Spencer" bowed in
Venice in 2021, and tells the "tumultuous,
beautiful, and tragic story of the life of
the world's greatest opera singer, relived
and re-imagined during her final days in
1970s Paris."
Netflix will
release "Maria" later this year.
Besides Maria,
Joker, and Queer, are among Venice Film
Festival's best movies this year.
As "Joker" was the
best movie of 2019, one need not be pushed
to consider "Joker 2" a must-see movie
again.
'Joker: Folie
à Deux," Todd Phillips's comic-book
sequel starring Joaquin Phoenix and Lady
Gaga, will compete for the Golden Lion at
this year's Venice Festival.
About
Established in
1932, the Venice Film Festival is held
annually from late August to early
September on the Lido island in Venice,
welcoming cinema enthusiasts from all
backgrounds. Visitors can enjoy the scenic
Lido, an 11-kilometre-long barrier island
renowned as a fancy tourist
destination.
As a haven for
celebrities during the Venice Film
Festival, Hotel Cipriani has been a
celebrity haven for decades.
Films can be
submitted from the La Biennale di Venezia
official website. After completing a
submission form, there is a fee of ¤
40 for features and ¤ 80 for
shorts.
General Admission
tickets are your basic entry pass to the
Venice Film Festival. These tickets
typically allow access to a variety of
screenings and events.
All the debut
feature films in the various competitive
sections in the Venice Film Festival,
whether in Official Selection or
Independent and Parallel Sections, are
eligible for this award. The winner will
be awarded a prize of US$100,000, which to
be divided equally between the director
and the producer.
Like other
festivals, Venice reserves a number of
spots for interesting movies that are
shown out of competition. This year,
besides "Beetlejuice Beetlejuice", there
is "Wolfs" directed by Jon Watts,
"Finalement" by French veteran Claude
Lelouch and "Broken Rage" by Japanese
master Takeshi Kitano.
"Finalement" an
upcoming French comedy drama film will
premiere at the 81st Venice International
Film Festival on 3 September 2024 before
receiving a theatrical release in France
on 13 November 2024.
Venice has banned
tour guides from using megaphones and
limited their groups to 25 people. The new
rules on tour groups sizes came into force
on Thursday but include exceptions for
children under two, school groups and
educational trips. They also apply on the
Venetian islands of Murano, Burano and
Torcello
Click
for
More
Angelina Jolie
at Venice Film
Festival
///
Torronto
International Film Festival taking
place
September 5
-15
The Toronto
International Film Festival is one of the
most prestigious and largest publicly
attended film festivals in the world,
founded in 1976 and taking place each
September. It is also a permanent
destination for film culture operating out
of the TIFF Lightbox cultural centre,
located in Downtown Toronto.
Awards &
Prizes
The following awards and prizes will be
awarded at the 2024 Festival. This list
includes awards and prizes granted or
determined by independent organizations
and/or juries. Awards and prizes are
subject to change:
People's Choice Award -- All feature films
or series in Official Selection are
eligible to win this award
People's Choice Midnight Madness Award --
All films selected for the Midnight
Madness programme are eligible to win this
award
People's Choice Documentary Award -- All
feature-length documentary films are
eligible to win this award
Platform Award -- An award of $20,000 CAD
given to the best film in the Platform
programme, selected by an in-person
international jury
The Prize of the International Federation
of Film Critics (FIPRESCI Prize) dedicated
to emerging filmmakers
Network for the Promotion of Asia Pacific
Cinema (NETPAC) Award
Short Cuts Award for Best Canadian Film
Short Cuts Award for Best International
Film
Best Canadian Feature Film Award
TIFF continues to celebrate the unique
craft and storytelling within Canadian
cinema with the Best Canadian Feature Film
Award. All Canadian feature films in
Official Selection -- excluding first or
second features -- will be considered for
the award. The winning filmmaker will
receive a $10,000 CAD cash prize.
Best
Canadian Discovery Award - The Best
Canadian Discovery Award celebrates works
of emerging filmmakers who contribute to
enriching the Canadian film landscape. All
first or second feature films in Official
Selection by Canadian filmmakers are
eligible for this award. The winner will
receive a cash prize of $10,000 CAD.
Click
for
More
Torronto Film
Festival
TIFF
///
Getty Images: Alain
Delon
Romy Schneider, Alain Delon pictured in
1963
Alain
Delon Dies at
88
President
Emmanuel Macron posted on X, formerly
Twitter:
Monsieur
Klein ou Rocco, le Guépard ou le
Samouraï, Alain Delon a
incarné des rôles
légendaires, et fait rêver le
monde. Prêtant son visage
inoubliable pour bouleverser nos
vies.
Mélancolique,
populaire, secret, il était plus
qu'une star: un monument
français.
(Mr.
Klein or Rocco, the Leopard or the
Samurai, Alain Delon played legendary
roles and made the world dream. Lending
his unforgettable face to shake up our
lives.
Melanchcolic,
popular, secretive, he was more than a
star: a French moment)
PARIS
-- (August 18) -- French actor Alain Delon
has died. "He passed away peacefully in
his home in Douchy, surrounded by his
three children and his family." He was
88.
Delon had been in
poor health since suffering a stroke in
2019, rarely leaving his estate in Douchy,
in France's Val de Loire region and had
become a virtual recluse. More recently,
the breakdown of his family had been
making headlines in France.
French President
Emmanuel Macron was among those paying
tribute to Delon on Sunday, saying the
actor "played legendary roles and made the
world dream".
Brigitte Bardot led
tributes in France saying Delon's death
left a "huge void that nothing and no-one
will be able to fill."
The actor was a
star of the golden era of French cinema,
known for his tough-guy persona on screen
in hits including "The Samurai" and
"Borsalino."
He stole the hearts
of fans whatever role he was playing, from
a murderer to a charismatic conman. His
colourful personal life regularly made the
front pages as he charmed and seduced his
way around Europe at the height of his
fame.
Delon became a star
in France and was idolised by men and
women in Japan, but never made it as big
in Hollywood despite performing with
American cinema giants, including Burt
Lancaster when the Frenchman played
apprentice-hitman Scorpio in the eponymous
1973 film.
In total, made
almost 90 films
during
his
career.
From the 1990s, his
film appearances grew rare, but he
remained a fixture in the celebrity
columns.
Delon shot to fame
in two films by Italian director Luchino
Visconti, "Rocco and His Brothers" in 1960
and "The Leopard" in 1963.
He starred
alongside Jean Gabin in Henri Verneuil's
1963 film "Melodie en Sous-Sol" ("Any
Number Can Win") and was a major hit in
Jean-Pierre Melville's 1967 "Le Samourai"
("The Godson"). The role of a
philosophical contract killer involved
minimal dialogue and frequent solo scenes,
and Delon shone.
Born just outside
Paris on November 8, 1935, Delon was put
in foster care aged four after his parents
divorced..
He ran away from
home at least once and was expelled
several times from boarding schools before
joining the Marines at 17 and serving in
then French-ruled Indochina. There too he
got into trouble over a stolen jeep..
Back in France in
the mid-50s, he worked as a porter at
Paris wholesale food market, Les Halles,
and spent time in the red-light Pigalle
district before migrating to the cafes of
the bohemian St. Germain des Pres
area..
There he met French
actor Jean-Claude Brialy, who took him to
the Cannes Film Festival, where he
attracted the attention of an American
talent scout who arranged a screen
test..
He made his film debut in 1957 in "Quand
la femme s'en mele" ("Send a Woman When
the Devil Fails").
Delon was outspoken
off-stage and courted controversy -
notably when he said he regretted the
abolition of the death penalty and spoke
disparagingly of gay marriage, which was
legalised in France in 2013.
He publicly
defended the far-right National Front and
telephoned its founder Jean-Marie Le Pen,
an old friend, to congratulate him when
the party did well in local elections in
2014.
Delon's lovers
included Schneider and German
model-turned-singer Nico, with whom he had
a son. In 1964, he married Nathalie
Barthelemy and fathered a second son
before ending the marriage and embarking
on a 15-year relationship with Mireille
Darc. He had two more children with Dutch
model Rosalie van Breemen.
Delon told Paris
Match in an interview in 2018 he was fed
up with modern life and had a chapel and
tomb ready for him on the grounds of his
home near Geneva, and for his Belgian
shepherd dog, called Loubo.
Delon's last major
public appearance was to receive an
honorary Palme d'Or at the Cannes film
festival in May 2019.
At the event, he
made an emotional speech in which he
appeared to bid farewell to cinema.
In recent years,
Delon was the centre of a family feud over
his care, which made headlines in French
media. The actor had three children - two
sons and a daughter - by two different
women, and a third son unacknowledged and
now dead.
In April 2024 a
judge placed Delon under "reinforced
curatorship", meaning he no longer had
full freedom to manage his assets. He was
already under legal protection over
concerns over his health and
well-being.
Click
for
More
Alain Delon passed away at
88
///
Phil
Donahue dies at
88
Talk
show host Phil Donahue has died at the age
of 88, his family has confirmed.
He
died at his home on Sunday after a long
illness and surrounded by family,
according to a statement issued to NBC's
Today
show.
Donahue,
who created and hosted The Phil Donahue
Show, was considered the "king of daytime
talk."
Over
his career, Donahue interviewed well-known
figures including Muhammad Ali, Nelson
Mandela, Sammy Davis Jr, Sir Elton John,
Whoopi Goldberg, Dolly Parton, Michael J
Fox and Robin
Williams.
Donahue is
considered a trailblazer in the daytime
television landscape.
His
TV show was the first to include many
elements familiar to viewers today,
including participation from the studio
audience, typically during a full hour
with a single guest.
He
hosted more than 6,000 editions of his
talk show between 1967 and 1996.
Born
in Cleveland in 1935, Donahue began his
media career in the late 1950s in talk
radio and television, launching his
eponymous talk show in 1967.
In
1974, the show relocated from Ohio to
Chicago and changed its name to simply
Donahue. The show got into its groove soon
after, once Donahue began involving the
studio audience in discussions and the
program more widely.
Donahue
married his second wife, actress Marlo
Thomas, ( "That Girl" star of the 1960s)
in 1980 after the two first met three
years earlier when she was a guest on his
talk show.
For
its last decade on air, the show was
hosted from New York City. The final
episode was broadcast in September
1996.
Donahue
was credited with changing the face of
daytime television and challenging
assumptions about what female audiences in
particular wanted from talk show.
Phil Donahue, Marlo Thomas
Donahue
was credited with changing the face of
daytime television and challenging
assumptions about what female audiences in
particular wanted from talk shows.
"If
there had been no Phil Donahue show, there
would be no Oprah Winfrey Show," Winfrey
wrote in the September 2002 issue of O,
the Oprah Magazine.
"He
was the first to acknowledge that women
are interested in more than mascara tips
and cake recipes - that we're intelligent,
we're concerned about the world around us
and we want the best possible lives for
ourselves."
Donahue's
eagerness to explore controversial social
issues of the day emerged, when he
featured atheist Madalyn Murray O'Hair as
his first guest. He would later air shows
on feminism, homosexuality, consumer
protection and civil rights, among
hundreds of other topics.
Donahue
himself once said: "I honestly believe we
have spoken more thoughtfully, more
honestly, more often to more issues about
which women care than any other show."
He
won 20 Emmy Awards across his career, 10
of which were for outstanding host and 10
for the talk show itself.
Earlier
this year in May, he was awarded the medal
of freedom, the highest civilian honour in
the US, by President Joe Biden.
Donahue
is survived by Thomas and five children
from his first
marriage.
Click
for
More
Phil Donahue has passed away at
88
///
115-
Valley Film Festival Concluded 25th
Edition with 70 film
screenings
Los Angeles, CA
&endash; August 15, 2024: The 24th
annual Valley Film Festival has
concluded, screening over 70 films and
hosting daily professional development
panels across eight days. Juried "Ten
Degrees Hotter" awards, along with
Audience awards were announced at a
ceremony hosted at Hennessey Studios in
the NoHo Arts District.
The "Ten Degrees
Hotter" awards went to The Ghost
Trap for Best U.S. Narrative
feature, Ciurè for Best
International Narrative Feature,
and American Pot Story:
Oaksterdam for Best Documentary
Feature. Short film honors went
to Broad Daylight, Best
Narrative Short, and Speaking with
the Ancestors for Best Documentary
Short, with an Honorable Mention to the
documentary An Unlikely Mermaid.
Best
Music Video was awarded to Butterfly
Effect from the artist Tough
Front.
Short
film Audience Award winners were given to
"1 in the Chamber," "Dion & Denver,"
"Palmdale," "Quayle," and "Squish."
The Valley Film
Festival is an all-volunteer non-profit
arts organization that supports local and
international voices that advance
storytelling. Now in its 25th year, VFF is
the first and longest running film
festival in Los Angeles' San Fernando
Valley, and screens short films along with
narrative and documentary feature films
from around the world. In addition to film
screenings, The Valley Film Festival
mentors' filmmakers through every stage of
their careers, via our Focus
On: series of educational panels and
professional development seminars.
valleyfilmfest.org
///
115-
The American Film Market, a first in Las
Vegas
The World's
Leading Sales & Production Companies
Will be at AFM in Las Vegas
AFM 2024 a first Las Vegas event is taking
place November 5-10 at the Palms Casino
Resort.
Currently, sales and production companies,
along with international trade
organizations, national umbrella stands
and film commissions from 25 countries,
have secured exhibit spaces in The Palms,
AFM's designated hub, with more confirming
each day.
Click
for
participants
already confirmed for AFM this
year
Click
for
American
Film
Market
///
101-
SAG-AFTRA and Narrativ
Announce New Agreement
-
Deal Allows Member to Safely
License Digital Voice Replicas for Audio
Ads
LOS ANGELES
(Aug. 14, 2024) -- SAG-AFTRA members who
wish to license their digital voice
replica for use in digital audio
advertising now have the option to work
with Narrativ -- an online marketplace
where brands can create audio ads using
artificial intelligence. SAG-AFTRA, the
union representing 160,000 media artists,
and Narrativ negotiated and reached an
agreement concerning the union's informed
consent and compensation requirements,
along with other crucial A.I.
guardrails.
A
New Era in Ethical A.I. Use
By working
together, SAG-AFTRA and Narrativ are
ensuring that the rights and interests of
talent are prioritized and protected. This
collaboration not only offers a novel
revenue model for individuals in the
digital age but also equips advertisers
with the tools needed for more efficient,
impactful, and customizable ad
campaigns.
Visit
narrativ.ai
to learn more.
Click for
more
tvi
Story-101-
SAG-AFTRA
and Narrativ License Digital Voice
Replicas for Audio Ads
Agreement
///
US Gymnastic Team - Getty
Images
Simon Biles - Getty
Images
Simone
Biles wins gold again, claiming the Paris
Olympics all-around gymnastics
title
TVI
Magazine - August 1, 2024
PARIS --
Smone Biles continued her golden run at
the Paris Olympics. Biles won the
gymnastics individual all-around
competition, holding off a formidable push
by U.S. teammate Suni Lee (bronze) and
Brazil's Rebeca Andrade (silver). Biles
has now won the most medals by a U.S.
gymnast after winning gold in the team
all-around competition earlier this
week.
Click
for
more
tvi
Story-101-
Simone Biles Wins Gold - is Number 1
Again
///
SAG-AFTRA
Applauds the Introduction of the NO FAKES
Act
LOS ANGELES
-- (July 31 ) -- Today, the
SAG-AFTRA-supported Nurture Originals,
Foster Art, and Keep Entertainment Safe
(NO FAKES) Act was officially introduced
in the Senate. If passed, the bill --
sponsored by Sens. Marsha Blackburn, Chris
Coons, Amy Klobuchar and Thom Tillis
&emdash; would establish a federal right
in voice and likeness to protect against
unauthorized use of digital replicas in
audiovisual works and sound
recordings.
The
NO FAKES Act is supported by the entire
entertainment industry landscape, from
studios and major record labels to unions
and artist advocacy groups. It is a
milestone achievement to bring all these
groups together for the same urgent
goal.
Click
for
more
tvi Story-101- SAG-AFTRA
Applauds the Introduction of the NO FAKES
Act
///
115-
THE AMERICAN FILM CONVENTION is aiming to
launch a "new film market" and
entertainment industry convention as it
marches throug summer.
Los Angeles,
CA (July 16, 2024) -- The American Film
Convention (AFC) has secured numerous
developments for its eponymous film
industry event to take place October
15-17, 2024 at Magic Box in Downtown Los
Angeles.
CEO and founder
Mitesh Patel, a grassroots independent
filmmaker and producer, says the event
will incorporate a "market strategies, new
technologies, breaking down barriers,
auction, conference, product and service
showcase, distribution, workshop, talks
and addresses, pitch fest, networking
event, and filmed and live
entertainment."
Click
for
American
Film
Convention
Click
for
more
tvi Story-115- THE AMERICAN FILM
CONVENTION
///
Symposium & Expo on Artificial
Intelligence for the Built World to take
place September 10-12,
Munich
Munich,
Germany -- (July 30, 2024) -- The Georg
Nemetschek Institute announced the AI
Symposium & Expo on Artificial
Intelligence for the Built World September
10-12, 2024, in Munich.
This unique
conference hosted by the Technical
University of Munich (TUM) and TUM Venture
Labs will bring together leading academic
researchers, industry professionals, and
innovative startups to discuss the
opportunities and challenges presented by
AI in the built environment.
The symposium and
expo is taking place at the High-Tech
Campus Garching, a major science and
research hub near Munich, Germany. It is
part of the Technical University of Munich
(TUM) and is one of the largest and most
important campuses for science,
technology, engineering, and
entrepreneurship in Germany.
The main theme will
be the presentation of AI applications in
the context of the current and future
needs of the construction industry, with a
particular focus on how AI can improve
project efficiency, decision-making, and
safety in practice.
Attendees will
explore what works and what doesn't,
fostering a comprehensive dialogue about
the potential solutions and innovations in
this rapidly growing field.
Keynote speakers
come from the academic as well as the
industry side, amongst them Marc Nuzet,
Chief Strategy Officer and Chief Division
Officer at the Nemetschek Group.
The symposium
starts with a welcome and keynote on
September 10, 9:00 am, free of charge. For
the full conference, tickets are
required.
For more
information and to register, visit the
Event
Website.
Click
for
more
tvi
Story-115-
Symposium & Expo on
AI
///
WINNERS
OF THE 76th LOS ANGELES AREA EMMY®
AWARDS
LOS ANGELES
-- ( July 27, 2024) -- The 76th Los
Angeles Area Emmy® Awards were
presented tonight from the Four Seasons
Hotel Beverly Wilshire in Beverly
Hills, hosted by award-winning
journalist Michaela Pereira.
The Los Angeles
Area Emmy Awards honor locally produced
programs in the categories of crime and
social issues, culture and history, the
arts, human interest, sports, the
environment, and live and breaking news
coverage.
This year's awards
ceremony, produced by Bob Bain and Bob
Bain Productions, honored locally produced
programs in the categories of Live and
Breaking News Coverage, Crime and Social
Issues, Culture and History, the Arts,
Health and Science, Human Interest, Music,
Sports, and the Environment.
KCET topped the
list of Los Angeles TV stations with the
most wins,10, at the 76th local Emmy
Awards handed out by the Television
Academy Saturday. It was followed by KVEA
and Spectrum News 1 with 4 each, ABC7 and
CBS2/KCAL9 with 3 and KTLA5 and Spectrum
SportsNet with two.
The main newscast
awards last year went to KVEA, this year
the three prizes split the honors:
Spectrum News 1's "Your Morning on
Spectrum News 1" won the morning (4 a.m.
to 11 a.m.) newscasts; KCAL won daytime
(11 a.m. to 7 p.m.) and KVEA landed the
Emmy for evening newscast.
One
of KTLA5's two Emmys went to veteran
entertainment anchor Sam Rubin who died
earlier this year of a heart attack. He
was the receipient given posthumously of
the 76th Los Angeles Area Emmy Governors
Award, recognizing his legacy of more than
three decades of entertainment news
reporting for KTLA.
A complete list of
this year's Los Angeles Area Emmy Award
winners, as compiled by the independent
accounting firm of Ernst & Young LLP,
is attached.
Christie Lyn Lugo
Leigh and Stephanie Hampton are the Los
Angeles Area Governors.
The Los Angeles
Area Emmys were made possible by
Television Academy partners FIJI Water,
Franciacorta, Johnnie Walker Blue Label,
Justin Vineyards & Winery, People, The
Ritz-Carlton and United Airlines.
Click
for
more
Emmys
winners
///
SAG-AFTRA
Members Who Work on Video Games Go on
Strike
A.I.
Protections Remain the Sticking Point
LOS ANGELES
(July 25, 2024) -- SAG-AFTRA National
Executive Director & Chief Negotiator
Duncan Crabtree-Ireland, acting under the
authority delegated by the SAG-AFTRA
National Board, and with the unanimous
advice and counsel of the Interactive
Media Agreement Negotiating Committee,
called a strike of the Interactive Media
Agreement, effective July 26 at 12:01
a.m. Today's vote to strike comes after
more than a year and a half of
negotiations without a deal.
The convenience bargaining group with whom
SAG-AFTRA is negotiating includes
Activision Productions Inc., Blindlight
LLC, Disney Character Voices Inc.,
Electronic Arts Productions Inc., Formosa
Interactive LLC, Insomniac Games Inc.,
Llama Productions LLC, Take 2 Productions
Inc., VoiceWorks Productions Inc., and WB
Games Inc.
Any game looking to employ SAG-AFTRA
talent to perform covered work must sign
on to the new Tiered-Budget Independent
Interactive Media Agreement, the Interim
Interactive Media Agreement or the Interim
Interactive Localization Agreement. These
agreements offer critical A.I. protections
for members.
Negotiations began in October 2022 and on
Sept. 24, 2023, SAG-AFTRA members approved
a video game strike authorization with a
98.32% yes vote. Although agreements
have been reached on many issues important
to SAG-AFTRA members, the employers refuse
to plainly affirm, in clear and
enforceable language, that they will
protect all performers covered by this
contract in their A.I. language.
"We're not going to consent to a contract
that allows companies to abuse A.I. to the
detriment of our members. Enough is
enough. When these companies get serious
about offering an agreement our members
can live -- and work -- with, we will be
here, ready to negotiate," stated
SAG-AFTRA President Fran Drescher.
"The video game industry generates
billions of dollars in profit annually.
The driving force behind that success is
the creative people who design and create
those games. That includes the SAG-AFTRA
members who bring memorable and beloved
game characters to life, and they deserve
and demand the same fundamental
protections as performers in film,
television, streaming, and music: fair
compensation and the right of informed
consent for the A.I. use of their faces,
voices, and bodies. Frankly, it's stunning
that these video game studios haven't
learned anything from the lessons of last
year - that our members can and will stand
up and demand fair and equitable treatment
with respect to A.I., and the public
supports us in that," said
Crabtree-Ireland.
"Eighteen months of negotiations have
shown us that our employers are not
interested in fair, reasonable A.I.
protections, but rather flagrant
exploitation. We refuse this paradigm
&endash; we will not leave any of our
members behind, nor will we wait for
sufficient protection any longer. We look
forward to collaborating with teams on our
Interim and Independent contracts, which
provide A.I. transparency, consent and
compensation to all performers, and to
continuing to negotiate in good faith with
this bargaining group.
Click
for
more
Nominees,
tvi
Stroy-101-
#101-SAG-AFTRA Members who work on Vide o
Games Go On Strike
http://smart90.com/101-s90/#101-SAG-AFTRA
VideoGamesWorkersStrike
Artwork - Designed by
Digital Hollywood, Inc.
21st
Century AI at Hollywood Digital's Virtual
Event: The Future of Entertainment, Media
& Technology, Monday, July 22nd,
2024
While AI has been
front and center in the entertainment and
media industries for more than a decade,
enabling on the one hand predictive and
qualitative analytics and then serving as
the backbone of major creative innovation
in feature film, advertising, and the
cloud on the other. But now, with the
establishment of "Generative AI," that
process of innovation and disruption is
unfolding at an accelerated and
unprecedented rate. In this roundtable, we
bring together executives from major
entertainment and technology organizations
who are at the forefront of that
innovation transformation. We thank them
for their time and very much look forward
to their commentary.
Television Academy Emerging Media Peer
Group Members
AI and Hollywood Production,
Advertising, Virtual Production &
Analytics
AI and Video and the 21st Century
Artist
Virtual Humans and Robotics: The
Summit on Synthetic Intelligence
AI and Music: The Challenge of
Artists vs. Technology - Musicians -
Science - Creativity
AI - Deep Fakes, Bias Threats,
Bias, Creative Rights & Regulation
AI Fashion, The Artist
Speakers:
Phil Wiser, Executive Vice President
and Chief Technology Officer, Paramount
Global
Samira Panah
Bakhtiar, General Manager, Media & Entertainment, Games
and Sports, Amazon Web
Services (AWS)
Eliot Sakhartov, Business and
Technology Strategist, Media and
Entertainment, Microsoft
Michael Kaplan, Global Bus.
Development. Generative AI, Media &
Entertainment (M&E),
NVIDIA
Seth Hallen,
President, Hollywood Professional
Association (HPA), Moderator
Read
More
///
EXCLUSIVE
76TH EMMY AWARDS AND GOVERNORS GALA
TICKETS UP FOR
BID
Emmy Season Auction
to Benefit Television Academy Foundation
Launches in Celebration of Television
Excellence and Philanthropy
(LOS ANGELES - ( July 22, 2024) -- As
excitement builds for the upcoming 76th
Emmy Awards, the Television Academy
Foundation announced the launch of its
annual Emmy Season Auction, a unique
opportunity for television enthusiasts to
win VIP experiences during the festivities
while contributing to the nonprofit's
educational programs.
The auction
features exclusive access to star-studded
events, such as orchestra seat tickets to
the 76th Emmy Awards and tickets to the
Governors Gala on Sept. 15 in Los Angeles,
tickets to the Emmy's Performer Nominees
Celebration on Sept. 13, and tickets to
the 76th Creative Arts Emmy Awards and
Governors Gala on Sept. 7.
The
auction is hosted online on Charitybuzz,
https://charitybuzz.com/support/televisionacademy,
providing accessibility to bidders
worldwide. Bidding concludes Tuesday, July
30 at 3 p.m. EDT.
Fantastic
chances for winners and their guests to
join in the excitement and rub elbows with
television's hottest stars during
TV's biggest night
honoring nominees
at the 76th Emmy® Awards and exclusive
invitations to official
after-parties
///
Nominations
for the 76th Emmy® Awards were
announced today from the historic El
Capitan Theatre in Hollywood, recognizing
remarkable programs, extraordinary
performances and impactful storytelling
across multiple
platforms.
(LOS ANGELES --
July 17, 2024) -- The live ceremony was
hosted by Emmy winners Tony Hale and
Sheryl Lee Ralph along with Television
Academy Chair Cris Abrego.
The nearly 22,000
voting members of the Academy nominated an
abundance of inspiring talent and a robust
selection of diverse program offerings. In
a year marked by significant challenges
and changes in the television landscape,
the nominations recognize the excellent
work of performers, producers, writers,
directors, craftspeople, and professionals
above and below the line on television
programs from the 2023 &endash; 2024
eligibility year.
"Television
delivers stories that connect us, uplift
us, challenge us and always entertain
us. Today, I am honored to celebrate
the outstanding work of our
extraordinarily talented and hardworking
creative community," said Television
Academy Chair Cris Abrego. "This morning's
Emmy nominations are a testament to their
contributions and highlight the incredible
programming that has risen to the top of
an exceptional year in TV."
The Bear set a new
record for nominations in a single year in
the Comedy category with 23 (previously
held by 30 Rock with 22 nominations in
2009), and Sh?gun lead this year's Drama
category with 25 nominations.
As
previously announced, Emmy Award winners
Jesse Collins and Dionne Harmon along with
Emmy-nominated Jeannae Rouzan-Clay of
Jesse Collins Entertainment are set to
return as executive producers of the 76th
Emmy Awards. This marks their second
consecutive year as producers of
television's biggest
night.
The
76th Emmy Awards will broadcast live
on ABC on Sunday, September 15,
(8:00-11:00 PM EDT/5:00-8:00 PM
PDT) from the Peacock Theater at L.A.
LIVE and stream the next day on Hulu. The
76th Creative Arts Emmy Awards take place
at the Peacock Theater over two
consecutive nights on Saturday, September
7, and Sunday, September 8, with an edited
presentation to air on Saturday, September
14, at 8:00 PM EDT/PDT on FXX.
Click
for
more
Nominees,
tvi
Stroy-101-
76th
Emmy®Nominations
///
PLAYED:
The Games of the 1936 Berlin
Olympics
'36
Summer Olympics Were More Than Just Games:
New Book Sounds Real-World
Alarms
WINTHROP, Mass.
-- As the 2024 Paris Olympics quickly
approach, a new book co-authored by
Richard Kaufman and Glenn Allen, PLAYED:
The Games of the 1936 Berlin Olympics,
harkens to a different era with some
startlingly similar realities with
worldwide impacts. Historical figures and
events play a role as the writers unravel
a gripping story that could serve as a
warning signal for world leaders in 2024
and beyond.
Sportswriters will
say that their job is often mockingly
referred to as the "toy department" of
news, as if fun and games are unimportant.
A newly released book, PLAYED: The Games
of the 1936 Berlin Olympics, illustrates
just how significant and historic the
sporting world can be.
Co-authors Richard
Kaufman and Glenn Allen take readers into
a time and place when the world felt like
it was teetering on the brink of war, Nazi
Germany was rattling its sabers, and one
of the most memorable of all Olympic Games
was taking place in Berlin.
PLAYED blends
politics, sports, espionage and courage,
all in a real-world setting where the most
popular hero was American sprinter and
long jumper Jesse Owens, who won four gold
medals. That stuck a needle in Adolf
Hitler's attempt to use the games to prove
his theory of Aryan racial
superiority.
PLAYED feels real
because it is based on real events, real
outcomes and real people, including
American Olympic Committee President Avery
Brundage, Franklin Delano Roosevelt,
Charlie Chaplin, Joseph Goebbels and Eva
Braun.
The authors say the
most important message of their story is
that history must not repeat itself ... a
poignant thought in this, the year of the
2024 Paris Olympics, where Russian and
Belarusian athletes are banned from
participating in team sports due to the
war in Ukraine.
Dr. Thomas Law gave
PLAYED five stars and wrote in his review,
"To those of us who are history buffs,
this is a must-read, especially if you are
enthralled with the events leading up to
the Second World War, xenophobia, lust for
power and their current implications
Although the book presents itself
as 'a novel,' the people and events are
real. This makes the dialogue (the
fictional parts, I presume) come alive and
seem likely to have happened."
About the
Authors
Richard Kaufman and Glenn Allen have been
writing together for over 25 years. They
have numerous projects in development,
including scripted feature films, a
docuseries and television series, and they
have co-written and produced two a
ward-winning independent films, all under
the banner of their company, Green
Bandana.
PLAYED: The Games of the 1936 Berlin
Olympics - Available from Amazon.com
For more information, please visit
www.greenbandana.org
Click
for
more
tvi Story-113-PLAYED: The Games of the
1936 Berlin Olympics -Were They More Than
Just Games? New Book Sounds Real-World
Alarms
///
Judge
Grants SAG-AFTRA Dismissal Motion for
Return to Work Agreement
Lawsuits
LOS ANGELES
(July 18, 2024) -- Yesterday, a federal
court judge dismissed 40 lawsuits filed
against SAG-AFTRA over the Return to Work
Agreement, which allowed entertainment
workers to be among the first industries
to safely return to work during the height
of the COVID-19 pandemic.
In her order, Judge
Josephine L. Staton, U.S. district judge
for the Central District of California,
dismissed the complaints, finding that
even if all allegations in the complaints
could be proven, they failed to state a
legal claim against the union. The
dismissal was ordered "with prejudice,"
meaning that the claims cannot be
refiled.
"We are pleased
with the federal district court's order to
permanently dismiss these cases," said
SAG-AFTRA National Executive Director
& Chief Negotiator Duncan
Crabtree-Ireland. "We look forward to
continuing to expand our members' work
opportunities and acknowledge the hard
work and dedication of those who helped
make sets safe enough to return the
industry to work during the unprecedented
challenge presented by the COVID-19
pandemic."
SAG-AFTRA
was represented by Lisa Demidovich of Bush
Gottlieb, ALC.
///
115-
THE AMERICAN FILM CONVENTION is aiming to
launch a "new film market" and
entertainment industry convention as it
marches throug
summer.
Los Angeles, CA
(July 16, 2024) -- The American Film
Convention (AFC) has secured numerous
developments for its eponymous film
industry event to take place October
15-17, 2024 at Magic Box in Downtown Los
Angeles.
CEO and founder
Mitesh Patel, a grassroots independent
filmmaker and producer, says the event
will incorporate a "market strategies, new
technologies, breaking down barriers,
auction, conference, product and service
showcase, distribution, workshop, talks
and addresses, pitch fest, networking
event, and filmed and live
entertainment."
Magic Box's website
says, "Our unique venue can accommodate
large scale trade shows and conferences,
fashion shows, galas, receptions, holiday
parties, to
intimate screening parties." AFC
organizers tell us they plan to "build out
screening facilities" for the event.
Several of the
participants have already had their
events/speaking roles assigned. For
example, Sturgess of BooksOffice will host
a dedicated pitch event at AFC, where
authors will pitch their literary
properties to producers. BooksOffice is a
new platform for finding unrepresented but
published authors who have stories that
could make the journey from book to
screen.
"The event offers
more than 100,000 square feet of
exhibition space and has room for 400
exhibitors and participants. We expect the
convention to draw about 5,000 delegates
in its first year," they said.
AFC has opened the
submission portal for films to be
considered for auction and exhibition in
the halls as well as the delegates' online
streaming room. Filmmakers, buyers and
sellers will have the option of booking
slots onsite, offsite or making their
projects available online for both premium
convention delegates and buyers.
AFC will auction 70
hours of rare, mostly unseen and highly
sought-after O.J. Simpson tapes, along
with three of Norman Pardo's completed
films: OJ: What a Life, Wendy Williams:
Keeping it Real and OJ: Off the Chain.
Filmed during Pardo's relationship with
Simpson from December 1999 to O.J.'s
incarceration for robbery in 2008, Pardo's
website claims,
"The original tapes
Norman shot of the disgraced running back
and his team also contain a bevy of other
celebrities, like Wendy Williams, Bernard
Hopkins, and more, and have been digitized
for editing. This is an exclusive
collection of OJ's most embarrassing
moments, his unfiltered thoughts about
life, women, drugs and kinky sex."
Arizona-based Brett Higgins will serve as
auctioneer for the Pardo collection and
the rest of the film auction.
Patel's production
credits include low-budget features Woman
In The Maze, Bite The Dust and Instant
Karma. He also founded and serves as CEO
of the Chandler International Film
Festival in Arizona.
"We created The
American Film Convention as an innovative
entity that's poised to vault to the
forefront of the global film industry and
return that focus to the entertainment
epicenter of the world, Los Angeles,
California," Patel claimed.
"AFC is dedicated
to expanding the way industry
professionals engage, collaborate, and
innovate within the filmed entertainment
realm. We're committed to creating some
fresh and innovative programs and present
a more all-inclusive forum. AFC intends to
supplement rather than supplant the
current industry gathering landscape and
offerings."
Development
executive and producer Jenean Atwood
Baynes of the Eco Channel will supervise
the Actor's Nest, a unique AFC program
where actors and their representatives
will present themselves and their clients
to delegates any way they choose.
Baynes works as an
independent producer on Lifestyle with Roy
Ice and is the Festival Director for the
Omni Cultural TV Fest. She has also worked
at Warner Bros. and Sony Studios as well
as for major industry entities such as NAB
and NATPE. A twice-published author,
Jenean has written and performed standup
comedy at The Ice House, The Comedy Store
and The Hollywood Improv. "I am delighted
to be part of the American Film Convention
team, where innovation meets inspiration
and the future of filmmaking and content
creation takes center stage," she shares.
"Together, we're
shaping a new
narrative for the
global film industry, one that redefines
creativity, collaboration and
excellence."
Click
for
More
American Film
Convention
Click
for
more
tvi Story-115- THE AMERICAN FILM
CONVENTION
///
Paramount
and Skydance merger signals end of a
Redstone family reign in Hollywood and the
rise of new power
NEW
YORK -- Oracle founder Larry Ellison's
son, David Ellison, announced he had
reached terms to acquire a controlling
stake in Paramount. The entertainment
giant Paramount will merge with Skydance,
closing out a decades-long run by the
Redstone family in Hollywood and injecting
needed cash into a legacy studio that has
struggled to adapt to a shifting
entertainment industry landscape.
It also signals the rise of a new power
player, David Ellison, the founder of
Skydance and son of billionaire Larry
Ellison, the founder of the software
company Oracle.
Shari Redstone's National Amusements has
owned more than three-quarters of
Paramount's Class A voting shares through
the estate of her late father, Sumner
Redstone. She had battled to maintain
control of the company that owns CBS,
which is behind blockbuster films such as
"The Godfather." and "Top Gun."
As one of Hollywood's first studios,
112-year-old Paramount Pictures is the
crown jewel of the company. That's
certainly how Sumner Redstone, Shari's
late father, saw it.
The on-again, off-again merger arrives at
tumultuous time for Paramount, which has
struggled to find its footing for years
and its cable business.
Skydance, based in Santa Monica,
California, has helped produce some major
Paramount hits in recent years, including
Tom Cruise films like "Top Gun: Maverick"
and installments of the "Mission
Impossible."
Skydance was founded in 2010 by David
Ellison and it quickly formed a production
partnership with Paramount that same year.
If the deal is approved, Ellison will
become chairman and chief executive
officer of what's being called New
Paramount.
The new combined company is valued at
around $28 billion. In connection with the
proposed transaction, which is expected to
close in September 2025 pending regulatory
approval, a consortium led by the Ellison
family and RedBird Capital will be
investing $8 billion.
Ellison stressed that the company needs to
transition into a "tech hybrid" to stay
competitive in today's evolving media
landscape. He added that it was
"essential" for New Paramount to chart a
similar course going
forward.
The foray into the streaming business has
been a costly one for Paramount. The
company was late to join the so-called
streaming wars, lagging behind competitors
Netflix and even Disney, and then spent
heavily on the
service.
That includes plans to "rebuild" the
Paramount+ streaming service, Ellison
noted -- pointing to the company's aims to
transition to more cloud-based production
and continue the use of generative
artificial intelligence to boost
efficiency.
Ellison laid out a
plan for tech upgrades to the Paramount+
service, including improved ad technology
and a better algorithmic recommendation
engine that could help reduce subscriber
churn and increase users' time on the
platform.
The new combined
company is valued at around $28 billion.
In connection with the proposed
transaction, which is expected to close in
September 2025 pending regulatory
approval.
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Paramount and Skydance
Merger
///
Award-winners
of the 41st Munich International Film
Festival!
"Our
juries have truly embraced an affirmation
of the diversity of global cinema.
Meticulous in their artistry, socially
relevant, and forward-thinking in their
cinematic approach, our winning films show
what cinema today can be. Our first
Audience Day, which beckons audiences to
theaters at reduced admission prices,
offers another chance to discover all of
these films here at the Munich
International Film Festival," say festival
director Christoph Gröner and
artistic co-director Julia
Weigl.
CineCoPro
Award
"To a Land Unknown"
by Mahdi Fleifel and with it the film's
German co-producer, François
Morisset of Salaud Morisset, was honored
with the CineCoPro Award.
The winning film
was selected by a three-member jury of
international renown: Baran bo Odar
(director and screenwriter), Leonie
Benesch (actress), and Sol Bondy
(producer).
Honorable mention was given to "The
Village Next to Paradise" by Mo Harawe and
thus to the film's German co-producer,
Nicole Gerhards of NiKo Film.
After a five-year break, the Munich
International Film Festival brought back
the 100,000-euro CineCoPro Award. Ten
international co-productions involving
German co-producers competed for this
exceptional award in the CineCoPro
competition. The prize money is provided
by the FFF Bayern and is distributed to
the German co-producers of the winning
film for their next co-production. The
award was presented by Minister of State
Dr. Florian Herrmann.
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more
tvi Stroy-115- Award-winners of the 41st
Munich Film Festival
2024
///
Award-winners
of the 41st Munich International Film
Festival!
"Our
juries have truly embraced an affirmation
of the diversity of global cinema.
Meticulous in their artistry, socially
relevant, and forward-thinking in their
cinematic approach, our winning films show
what cinema today can be. Our first
Audience Day, which beckons audiences to
theaters at reduced admission prices,
offers another chance to discover all of
these films here at the Munich
International Film Festival," say festival
director Christoph Gröner and
artistic co-director Julia
Weigl.
CineCoPro
Award
"To a Land Unknown"
by Mahdi Fleifel and with it the film's
German co-producer, François
Morisset of Salaud Morisset, was honored
with the CineCoPro Award.
The winning film
was selected by a three-member jury of
international renown: Baran bo Odar
(director and screenwriter), Leonie
Benesch (actress), and Sol Bondy
(producer).
Honorable mention was given to "The
Village Next to Paradise" by Mo Harawe and
thus to the film's German co-producer,
Nicole Gerhards of NiKo Film.
After a five-year break, the Munich
International Film Festival brought back
the 100,000-euro CineCoPro Award. Ten
international co-productions involving
German co-producers competed for this
exceptional award in the CineCoPro
competition. The prize money is provided
by the FFF Bayern and is distributed to
the German co-producers of the winning
film for their next co-production. The
award was presented by Minister of State
Dr. Florian Herrmann.
CineMasters
Award
The film
"Explanation for Everything" by
Gábor Reisz earned the CineMasters
Award for best international film, which
was presented to producer Júlia
Berkes of Proton Cinema LLC. Marie-Lou
Sellem (actress, Germany), Moritz Peters
(Director of Marketing & Acquisitions,
Plaion Pictures, Germany), and Rajendra
Roy (Chief Curator of Film, Museum of
Modern Art, New York) comprised this
year's independent jury for the
CineMasters competition. Fourteen films
were in the running this year for the
CineMasters Award, worth 50,000 euros and
sponsored by ARRI, for the best
international film.
CineVision
Award
The CineVision
Award for the best international film by
an emerging director went to "Simón
de la Montaña" by Federico Luis.
The independent jury that honors the best
directorial achievement was comprised of
Bob Byington (director and screenwriter,
USA), Maksym Nakonechnyi (director,
Ukraine), and Sarah Blaßkiewitz
(director and screenwriter, Germany).
Fourteen talented international directors
competed for this award for the best
international film by an up-and-coming
director. The award, which is sponsored by
MPLC Deutschland GmbH (Motion Picture
Licensing Company), is worth 15,000
euros.
CineRebels
Award
The CineRebels
Award, presented this year for the third
time, went to "Viêt and Nam" by Minh
Quy Truong.
Honorable mention was given to "Fragments
of Ice" by Maria Stoianova.
This year's jury consisted of Mia Bays
(Director of the Filmmaking Fund at the
British Film Institute, UK), Nicolas
Wackerbarth (filmmaker and author,
Germany), and Dale Dickey (actress, USA).
The CineRebels Award is an exciting new
platform for films that dare to take risks
and break the mold of established
filmmaking. Fourteen productions competed
for this award, which is now worth 15,000
euros. The festival's main partner, AUDI,
sponsors this award for best directorial
achievement.
CineKindl
Award
"Lars Is LOL" by
Eirik Sæter Stordahl won the
CineKindl Award for best children's
film.
Since 2022, the
film production company megaherz has
presented the CineKindl Award to the best
film in the CineKindl section at the
Munich International Film Festival. This
award for outstanding directorial work was
presented this year by a jury comprised of
Barbara Kronenberg (director and
screenwriter, Germany), Philipp Budweg
(producer, Germany), and Jytte-Merle
Böhrnsen (actress, stage director,
and screenwriter, Germany). This award has
a value of 2,500 euros.
Young Jury
Award
The Young Jury
Award, presented this year for the first
time, went to "Hoard" by Luna Carmoon.
Honorable mention went to "Sisterqueens"
by Clara Stella Hüneke.
The jury was comprised of Lorenzo Germeno
(actor), Virgina Olivia Obiakor (actress),
Johannes Rockstuhl (screenwriting student
at HFF Munich), Maryna Shymko (student),
and Tarik Uslu (student).
Audience
Awards
The festival's
Audience Awards were also presented
alongside the others. The Audience Awards,
supported by media partners Bayerischer
Rundfunk and Süddeutsche Zeitung,
went to "Führer and Seducer" by
Joachim A. Lang in the national category
and "Samia" by Yasemin ?amdereli, in
collaboration with Deka Mohamed Osman in
the international category.
The CineKindl Audience Award went to
"Dìdi" by Sean Wang.
FIPRESCI
Prize
Since 2015, the
International Film Critics Association
(FIPRESCI) has presented an award in the
New German Cinema section at the Munich
International Film Festival.
This year it went to "Sad Jokes" by Fabian
Stumm.
The FIPRESCI critics' jury consisted of
Jason Gorber (journalist and film critic),
Paola Casella (journalist and film
critic), and Rudolf Worschech (journalist
and film critic).
German
Cinema New Talent Award
On Friday, July 5,
2024, up-and-coming German talent was also
honored with the coveted German Cinema New
Talent Award. The jury &emdash; which
consisted of Mariko Minoguchi (director
and screenwriter), Denis Moschitto (actor
and director), and Florian Koerner von
Gustorf (film producer) &emdash; honored
Fabian Stumm as best director for his film
"Sad Jokes". Semih Korhan Güner
clinched the award for best production for
the drama "Smell of Burnt Milk". Aaron
Arens and Lukas Loose took the award for
best screenplay and a slot in the Bavaria
Fiction mentoring program for "Places in
the Sun". Atika Jumaih Bashiru received
the award for best acting performance for
her role in the film "O Chale".
Bernd
Burgemeister TV Production
Awards
Previously, on
Sunday, June 30, 2024, the two prestigious
Bernd Burgemeister TV Production Awards
for outstanding achievement in production
were presented. The three-member jury,
chaired by producer Dagmar Rosenbauer and
including Jan Kruse (Bavaria Fiction) and
Martin Richter (Rat Pack Filmproduktion),
honored producers Maren Knieling and Lars
Jessen (Florida Film GmbH) for the comedy
"Micha Thinks Big" starring Charly
Hübner as best TV movie. The award
for best series or miniseries went to
producers Katrin Haase, Oliver Arnold (U5
Filmproduktion GmbH & Co. KG), and
Lasse Scharpen (Studio Zentral) for the
vampire-themed series "Love
Sucks".
Fritz
Gerlich Prize
This year's Fritz
Gerlich Prize was awarded by Tellux Next
to "Tatami" by Zar Amir and Guy
Nattiv.
One Future
Prize
This year's One
Future Prize, awarded by the Interfilm
Academy, went to the documentary "Petra
Kelly &endash; Act Now!" by Doris Metz.
The 2024 One Future Honorary Award was
presented posthumously to Petra Kelly for
her life's work and her tireless
engagement with sociopolitical issues.
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Munich Film Festival
2024
///
101-
SAG-AFTRA Awards George Heller Memorial
Gold Card to Union
Officers
LOS ANGELES
(June 22, 2024) -- Today SAG-AFTRA
announced Sheila Ivy Traister, Michele
Proude, Janice Pendarvis and Stacey Travis
as recipients of the George Heller
Memorial Award gold cards in recognition
for their outstanding contributions to
SAG-AFTRA and its members.
The George Heller
Memorial Award is presented every two
years at SAG-AFTRA's national convention
and bestowed based on contributions and
years of service to SAG-AFTRA or its
predecessor unions. Honorees are selected
by the National Honors and Tributes
Committee members from around the country.
This year's recipients are:
SAG-AFTRA Former
National Board Member Sheila Ivy
Traister
A tireless union
advocate, Traister has dedicated more than
44 years of cumulative service to the
labor movement, having served on the
SAG-AFTRA National Board, as president of
the Colorado Local and as a current member
of five national committees. Traister puts
particular focus on committees that help
promote inclusiveness of her industry and
the labor movement and expand equal
opportunity in the industry, including for
performers who are Asian American and
Pacific Islander, and performers with
disabilities. She also devotes her time to
conducting workshops and lectures for film
students, educating them about SAG-AFTRA
and the benefits of union membership.
SAG-AFTRA National
Vice President, Mid-Sized Locals Michele
Proude Compassionate, articulate, and
determined, Proude has served on local and
national committees and as New England
Local president. She was first elected by
her fellow SAG-AFTRA convention delegates
as the national vice president of the
mid-sized locals in 2019, and was elected
to her third term in 2023. As a leader,
she's known for being open and
communicative and she cultivates an
environment where people can disagree and
debate respectfully. As an accomplished
performer, she is an invaluable resource
for her knowledge of SAG-AFTRA's
constitution, union governance, and her
ability to find solutions and get things
done. Proude has managed to balance a very
full home life, a busy career and union
service, and is devoted to making
SAG-AFTRA the very best that it can
be.
SAG-AFTRA National
Vice President, Recording Artists/Singers
Janice Pendarvis
A singer and voice
actor who has spent years fighting for
singers legislatively and within the
union, Pendarvis' priority has always been
creating more union work for SAG-AFTRA
members -- especially those working in the
recording industry. Currently serving her
second term as SAG-AFTRA's national vice
president, recording artists/singers, her
legacy in union service is almost as
impressive as her career; she began as a
songwriter and a singer working with
artists such as Sting, David Bowie, Steely
Dan, Peter Tosh and the Rolling Stones.
Currently, she's an associate professor of
voice at Berklee College of Music,
assisting the next generation of musicians
in the pursuit of their dreams.
Former SAG-AFTRA
National Board Member Stacey Travis
For over three
decades, Travis has been dedicated to
union service. She was first elected to
the SAG Board in 2008, and her
extraordinary leadership accomplishments
include revolutionizing SAG-AFTRA's low
budget contracts and fighting fiercely for
over a decade to remove ages and
birthdates from IMDb. She also devotes her
time and energy to ensuring that our
members are educated about contract
changes and opportunities, and helps to
drive SAG-AFTRA's legislative agenda in
California and Washington, D.C. Whether
she's tracking state and national actions,
researching vital legislation or educating
members, Travis is always working to help
members and strengthen
SAG-AFTRA.
About George
Heller
Established in 1956, the gold card award
was created in memory of George Heller, a
stage performer and a legend in the
union's history who co-founded AFRA, the
American Federation of Radio Artists in
1937. Heller became AFRA national
executive secretary in 1946, departing in
1949 to head Television Authority to
organize and negotiate TV contracts for
actors. When AFTRA and TVA merged in 1952,
as AFTRA, Heller became its national
executive secretary. Heller was also the
driving force behind negotiating and
achieving the AFTRA Pension and Health
Plan -- an entertainment industry first --
shortly before his premature death in 1955
at age 49.
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SAG-AFTRA
Awards
George Heller Memorial Gold Card to Union
Officers
///
115- NATPE BUDAPEST 2024 - First keynotes
announced
Natpe
Budapest will take place June 24 - 27 at
the Intercontinental Hotel in
Budapest.
KEYNOTE:
AI & TECHNOLOGY: REDEFINING
ENTERTAINMENT IN A CONNECTED WORLD
Producer, Tech Entrepreneur and
Journalist Elif Dagdeviren will lead a
thought-provoking presentation that puts
AI center stage as a powerful tool for
molding the business. This keynote will
focus on the intersection of technology
and entertainment today, and how it will
evolve in the future.
CEO-level
executives from leading broadcasters
across Central and Eastern Europe will
lead insightful discussion around the
trends, challenges, and innovations
shaping the region's media landscape with
a particular focus on the health of Linear
TV & investment in local
content.
Featuring:
Moderators
Stewart Clarke, SVP, Content,
International, Deadline
Ralf Bartoleit CEO, bTV Media Group
Stella Litou
CEO, CME Adria; CEO, Pro Plus; President
of the Management Board, RTL Croatia
Pavel Stantchev, CEO, TV2 Media Group
Hungary, Planet TV Group Slovenia
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NATPE
BUDAPEST 2024- First keynotes
announced
///
115-
Cinematic gems to be presented at Munich
41st
FILMFEST
MÜNCHEN.
The Munich
International Film Festival is the
number-one platform for German filmmaking.
Its 41st edition will see the premieres of
150 films from 53 countries, with the
usual large number of guests attending.
Both the general public and the film
industry will find much to discover here.
The complete festival schedule, which
includes German co-productions involving
Canada, Argentina, Somalia, and India, is
now online, as are all of the events and
talks, which feature lots of big names in
filmmaking.
The Munich
International Film Festival will be held
from June 28 to July 7, 2024. Its opening
gala will be held at the Gasteig HP8 on
Saturday, June 29. The festival center
will once again be at the Amerikahaus in
the museum district.
The awards for the
competition sections will be announced on
July 6, 2024 at the festival center
Amerikahaus.
The works competing
for the new CineWaves award trophies in
the international and national
competitions will be screened at twelve
venues. This year also sees the return,
after a four-year break, of the
competition for Germany's most valuable
co-production prize, the 100,000-euro
CineCoPro Award.
The
150 feature-length fiction and
documentary films address themes that
cover the entire spectrum of human and
societal experience. Some 40 % of the
films are directed by women. All of the
films are being screened in Germany for
the first time. 62 productions are even
celebrating their international, world, or
European premiere in Munich.
As this is the
first festival at which we've teamed up to
set the creative tone, it's naturally very
special to us. We're taking the festival
back to its roots by presenting genuine
finds alongside star-studded cinema, but
are doing this in new, grand, and great
locations. The return of the CineCoPro
Competition makes the festival more
complete, and CineYou, our laboratory for
young audiences, finally gives us an
avenue for making young people from Munich
an active part of the festival. We and our
fantastic team are looking forward to 10
days of unparalleled interactions,
unforgettable experiences with cinema, and
inspiring, open-minded discussions," say
Christoph Gröner, festival director,
and Julia Weigl, artistic co-director.
Plenty of cinematic
gems that we're able to present come to us
straight from the Cannes and Tribeca film
festivals. In "The Substance", Demi Moore
returns to the big screen in a
breathtaking female body horror film by
Coralie Fargeat. Also fresh from Cannes is
"Rumours", an absurdist satire starring
Cate Blanchett, Charles Dance, and Alicia
Vikander. Fourteen films in total are from
the Croisette. "Samia", an Italian-German
co-production, offers the perspective of a
young sportswoman who confronts injustice
in Mogadishu. In "Motel Destino", another
film involving Germany in its
co-production, Karim Aïnouz turns
desire, intoxication, and violence into a
colorful spectacle. From Brazil, there is
the horror drama "Continent", which is
celebrating its world premiere at the
Munich International Film Festival (more
information on the international world
premieres here). "Xoftex" will be
presented in a joint world premiere with
the Karlovy Vary Festival.
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Cinematic
gems to be presented at Munich 41st
FILMFEST
MÜNCHEN.
///
115- Michaela Pereira Returns to Host July
27th Emmys
Ceremony
LOS ANGELES -
June 4, 2024 -- The Television Academy
today announced 124 nominations in 33
categories for the 76th Los Angeles Area
Emmy® Awards, to be presented Saturday
evening, July 27, 2024, at the Four
Seasons Hotel Beverly Wilshire in Beverly
Hills, hosted by award-winning journalist
Michaela Pereira.
The Los Angeles
Area Emmy Awards honor locally produced
programs in the categories of Crime and
Social Issues, Culture and History, the
Arts, Human Interest, Sports, the
Environment, and Live and Breaking News
Coverage.
A
complete list
of today's
nominations,
tabulated by the Academy's accounting firm
Ernst & Young LLP, is attached. The
nominations are listed alphabetically by
program within each category.
Host
Michaela Pereira has more than three
decades of experience in the television
industry and has made her mark on Los
Angeles area news as the anchor for both
the KTLA Morning News and KTTV's Good Day
LA. Additionally, she has been on the
national stage as a co-host of the CNN
morning show New Day, and hosted her own
daily show, MichaeLA, on HLN. She is
currently hosting her own national weekly
podcast, "The Michaela! of it All," which
is the leadup to her national talk
show.
Christie
Lyn Lugo Leigh and Stephanie Hampton are
the Los Angeles Area Governors.
Click here
for
the complete list of Emmys nominees
////
115-
CINEKINDL -- A VARIETY OF FILMS ABOUT THE
WORLD OF YOUNG
PEOPLE
MUNICH,
June 7, 2024 -- The
41st edition of the Munich International
Film Festival will give young audiences in
particular a lot to look forward to.
Programming director Tobi Krell aka
Checker Tobi and co-curator Tobi Obermeier
will once again present a thoughtfully
compiled selection of films for the young
and young-at-heart aged 5 and up. The
former KINDERFILMFEST MÜNCHEN, a
standalone competition section at the
festival, will for the first time be held
using its new name,
CineKindl.
On the morning of
June 29, 2024, the CineKindl section will
officially be inaugurated by programming
director Tobi Krell. The CineKindl
trailer, shot by a group of young people
under the guidance of director Axel
Ranisch, will be shown on the big screen
for the first time. The highlight at the
opening of this section will be the world
premiere of the documentary
"Sisterqueens". In her graduation film
from the Baden-Württemberg Film
Academy, director Clara Stella Hüneke
gets up close and personal with a
Berlin-based initiative that promotes
feminist rap by and for girls. The film
follows three young female protagonists
for several years as they find their voice
and begin to give artistic expression to
their political demands.
Click
for list of all the
films
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CINEKINDL at the Munich Film Festival
///
CineWaves
motiv will be gracing
the
Munich
Film
Fest
The
international FILMFEST MÜNCHEN is
giving its awards a coordinated design
that will be reflected across the
festival
Starting this year,
the CineWaves will be the motif gracing
the awards presented at Munich's
international film festival.
"FILMFEST
MÜNCHEN has given itself a fresh
iconography inspired by one of Munich's
most scenic locations: the incomparable
Isar River. The flow of the water is
inspiring and surprising. It constantly
delivers something new. It encourages
interaction and refreshment, especially in
the summer," say festival director
Christoph Gröner and artistic
co-director Julia Weigl.
The design is based
on footage of flowing water which was
intentionally distorted by non-binary
artist PPPANIK using a play of colors and
other effects, thus becoming a cinematic
statement in itself. We're drawn into a
summery, lush, blue-green colorscape that
will remind everyone in Munich of the
Isar, the Eisbach, and the English
Garden.
During the festival
period from June 28 to July 7, all of
Munich's cinematic events will reflect
this design, which will be featured
prominently at the opening at the Gasteig
HP8.
Click
for
more
115-
41st Munich International Film Festival
and its
jury
This year, the
Munich International Film Festival will
once again be joined by international and
national juries. The juries are made up of
an diverse selection of industry
representatives with a variety of
perspectives and expertise who will judge
the unique films from the festival's
competition
sections.
After a four-year
break, the Munich International Film
Festival brings back the 100,000-euro
CineCoPro Award. Ten international
co-productions involving German
co-producers will vie for this exceptional
award in the CineCoPro Competition. The
winning film will be chosen by a
three-member independent jury of
international renown: Baran bo Odar
(director and screenwriter), who
established himself as an international
filmmaker after the success of hit series
"Dark", Leonie Benesch (actress), winner
of the German Film Award for Best Leading
Role for the Oscar-nominated film "Das
Lehrerzimmer", and Sol Bondy (executive
producer), known not least for Ali
Abbasi's Cannes competition title "Holy
Spider"
(2022).
The audience sits
not only in the movie theater, but on the
jury as well. For the Audience Award,
festival attendees vote online to
determine their favorite of all the films
screened at the festival. Since 2024 the
award has been sponsored by BR and the
Süddeutsche
Zeitung.
The awards for the
competition sections will be announced on
July 6, 2024 at the festival center
Amerikahaus.
The Munich
International Film Festival will be held
from June 28 to July 7, 2024. Its opening
gala will be held at the Gasteig HP8 on
Saturday, June 29. The festival center
will once again be at the Amerikahaus in
the museum district.
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41st Munich Film Festival 2024 - Jury
///
KATE WINSLET
CINEMERIT AWARD WINNER 2024
115-
Kate Winslet honored for outstanding
artistic
achievement
The Munich
International Film Festival will this year
again have the privilege of presenting two
CineMerit Awards. Alongside Jessica Lange,
multiple award-winning actress Kate
Winslet will be honored for her
achievements in the service of film.
Winslet will personally introduce the
European premiere of her film "Lee," which
she stars in and produced about
photographer Lee Miller. It also
stars Marion
Cotillard,
Andrea Riseborough, Andy Samberg, Josh
O'Connor, and Alexander Skarsgår.
The film will be released to cinemas
across Germany on September 26, 2024.
Since
1997, the Munich International Film
Festival has been honoring outstanding
personalities in international filmmaking
with the CineMerit Award for their
achievements in the art of film. This
event will include an Extended Film Talk
with Kate Winslet.
Kate Winslet
portrays a woman who was far ahead of her
time and who left behind an extensive
artistic and intellectual legacy. Winslet
began developing the project in 2016 with
Lee Miller's son, Antony Penrose. Struck
by the defining decade of Lee's life which
she spent as a war correspondent on the
front line in Europe during World War II,
Kate, alongside Antony Lee, immersed
herself in Lee's personal archival
material to in order to discover the
experiences that drove Lee to use her
voice as a witness to war.
Click
for more tvi
Stroy-115-
Kate
Winslet, CineMerit Award Winner
2024
///
115-
An Evening with Jessica Lange -
International premiere of "The Great
Lilian Hall" and CineMerit Award, June 30,
2024.
As part of this
year's Munich International Film Festival,
Oscar-, Tony- and Emmy-winning actress
Jessica Lange will not only present a
selection of her own photographic works at
Deutsches Theatermuseum, but will also
celebrate the international premiere of
her new film "The Great Lillian Hall" at
the Deutsches Theater.
As
beloved Broadway star Lillian Hall
(Jessica Lange) pours her heart,
soul, and time into preparing for her next
role, she finds herself blindsided by
confusion and forgetfulness. Battling
against all odds to make it to opening
night while holding on to her fading
memories and identity, she must navigate a
tumultuous emotional journey: balancing
her desire for the spotlight and the stark
demands of the real world.
In
addition to Jessica Lange, "The Great
Lillian Hall" also stars Kathy Bates, Lily
Rabe, Jesse Williams, and Pierce
Brosnan.
An
Extended FilmTalk with the Hollywood
actress will accompany the screening.
///
102-
YouTube TV Rising: Do Traditional Media
Companies Need a User-Generated
Strategy
-
By Adrian
Penninton
YouTube comprises
10% of all TV viewing in the US, according
to Nielsen in its latest monthly report on
streaming, so why do advertisers seem
reluctant to buy ads on YouTube streamed
to connected TVs?
Because they still
think of Google's platform as a place for
cat videos.
The statistic
unveiled by Nielsen is less remarkable
than the claim that YouTube's whopping
share of TV viewing time has gone under
the radar of media buyers and sellers.
YouTube comprises
10% of all TV viewing in the US, according
to Nielsen in its latest monthly streaming
report. Cr: Nielsen
It's the latest in
"the continued denialism in the media and
ad communities about YouTube's scale, and
prominence in the eyes of many users,"
says Mike Shields, writing on Substack.
"The Google-owned video platform is a CTV
juggernaut, like it or not."
Shields, a
strategic consultant and the host of
industry podcast Next in Marketing, takes
aim at TV and brand marketers who don't
think of YouTube as "real TV," or the idea
that advertising only works well in highly
produced comedies and drama.
Most of YouTube is
either pirated from traditional TV -- or
it's just dogs on skateboards -- the
perception goes.
Yet this is long
out of date, says Shields. Ignore the
reality of what YouTube is at your peril,
he warns.
Michael Beach, CEO of marketing and
analytics firm Cross Screen Media, says
YouTube inventory is underbought. "If you
look at its TV share, it should at least
be getting close to 10% of the TV market,
but at best it's maybe 4%."
Beach criticized
media buyers for having siloed structures,
leading to conflicting definitions of what
even constitutes "video."
A recent report by
Accenture called on the media industry to
radically reinvent itself in the wake of a
seismic shift in entertainment
preferences. The report found that nearly
60% of consumers regarded user-generated
content as equally entertaining as
traditional media.
"Traditional media
companies must reinvent themselves from
the ground up," Accenture writes. "Legacy
media companies need new sources of
revenue; they need to take on new roles in
the entertainment value chain. They need
to rethink the customers they serve and
even the industries where they chose to
compete."
"Instead of
knocking platforms like YouTube as havens
for UGC, do traditional media companies
need a user-generated strategy?" poses
Shields.
Amazon recently
struck a deal to produce a show with
YouTube mega-star MrBeast. "You might
ask," as Shield does, "why didn't
CBS?"
On YouTube, viewers
aren't the problem. It's the perception of
people who do not watch YouTube that
is.
Basically, YouTube is 10% of all TV
viewing in the US.
Note, that doesn't
include YouTube TV. This is just plain old
YouTube-watching on TV. And this isn't 10%
of streaming - it's all TV.
That feels big - as
evidenced by the reaction of many media
industry observers:
The media is still just barely covering
how much YouTube (classic, not YouTubeTV)
is viewed on TVs in the US, and how fast
it's gaining share. I'd wager YouTube
viewing on TVs is close to that of the top
3 broadcast networks combined.
"Last comparable numbers are from July,
2023.
Total day average viewership:
YouTube 5.1 million
ABC 2.0m
CBS 1.9m
NBC 1.6m
To be sure, those
numbers are total day. So we're not saying
that more people are watching YouTube than
ABC during any given hour. Still, this
data and its trajectory are pretty
remarkable.
Also remarkable -
the continued denialism in the media and
ad communities about YouTube's scale, and
prominence in the eyes of many users.
Some call it the
YouTube Derangement Syndrome.
You still get this
a lot -- YouTube isn't 'real TV.' Or the
idea that advertising only works well in
highly-produced comedies and drama. Most
of YouTube is either pirated from
traditional TV - or it's just dogs on
skateboards.
Note, that doesn't
include YouTube TV. This is just plain old
YouTube-watching on TV. And this isn't 10%
of streaming - it's all TV.
Click
for more tvi Stroy-102-
YouTube
TV Rising: Do Traditional Media Companies
Need a User-Generated
Strategy
///
CEO Yves Padrines with the Best Managed
Companies Award
115-
Nemetschek Group Honored with Best Managed
Companies
Award
MUNICH, May 24,
2024 -- The Nemetschek Group, a leading
global provider of software solutions for
the AEC/O and media industries, is winner
of the Best Managed Companies Award 2024.
Deloitte Private, UBS, and the Frankfurter
Allgemeine Zeitung together with the
Federation of German Industries
(Bundesverband der Deutschen Industrie,
BDI) honored outstandingly managed
companies from the German SME sector in an
award ceremony in Frankfurt, Germany on 23
May 2024. The Nemetschek Group received
the prestigious award for the sixth
time.
For more than six
decades, the Nemetschek Group has been a
driver for digitalization, efficiency and
sustainability in the construction and
media industry.
About Best Managed Companies
The Best Managed
Companies program is a competition and
seal of approval for successful mid-sized
companies. The vision: to build a national
and global ecosystem of excellently
managed mid-sized companies. A key unique
selling point of Best Managed Companies is
its internationality: Best Managed
Companies was launched by Deloitte in
Canada in the 1990s and has since been
successfully introduced in more than 45
countries.
Click
for more tvi Stroy-115-
Nemetschek
Group Honored With
BMCAward
///
115- The
77th Cannes Film Festival, an annual
destination for
celebrities.
Merryl Streep accepting
the Honorary Palme
d'Or
Jane Fonda on the Red Carpet, Cannes
This year's
Cannes Film Festival jury is led by
Gerwig, are Turkish screenwriter and
photographer Ebru Ceylan, U.S. actress
Lily Gladstone, French actress Eva Green,
Lebanese director and screenwriter Nadine
Labaki, Spanish director and screenwriter
Bayona, Italian actor Pierfrancisco
Favino, and Japanese director are tasked
with deciding the winners of the various
awards.
Mead Anya Taylor-Joy, Heidi Klum, and
Helena Christensen were among the stars
who arrived at the Opening Ceremony and
the screening of "Le Deuxieme Acte" at the
77th Cannes Film Festival in Cannes, on
May 14, 2024.
The Opening Ceremony was highlighted by
the presentation of the Honorary Palme
d'Or to Meryl Streep, awarded in
recognition of her illustrious career and
contributions to film.
The 77th Annual Cannes Film Festival runs
from May 14 to May 25, 2024.
Click for
More
Cannes
Festival
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The
77th Cannes Film Festival, an annual
destination for
celebrities.-
///
Meet
the Stars: 100 Years of MGM Studios and
the
Golden
Age of Hollywood at the Hollywood Heritage
Museum
Hollywood, CA,
(TVI Magagazine) 4/26/24
The Hollywood Heritage Museum's Spring
2024 exhibit "Meet The Stars:100 Years of
MGM Studios and the Golden Age of
Hollywood" opened April 6. celebrating
Hollywood's Golden era and highlighting
Metro-Goldwyn-Mayer Studios 100th
anniversary. The exhibit culls from the
private vintage collections of over 20
motion picture memorabilia collectors to
exhibit artifacts of the Golden Age of
Hollywood - many items unseen by the
public for decades!
The Hollywood
Heritage Museum is a must-visit for cinema
enthusiasts. It is located in the oldest
surviving motion picture studio in
Hollywood. Here, you can learn about the
history of the studio and how it played a
crucial role in the birth of Paramount
Pictures Corporation in 1916. The first
feature length film was produced here in
1912 by Jesse L. Lasky and Cecil B.
DeMille. This 1901 barn turned studio was
designated California State Historic
Landmark No. 554 in 1956.
Exhibit highlights:
Among the over 20 screen-worn costumes, is
a Judy Garland blouse from MEET ME IN ST.
LOUIS (1944), memorabilia from the 1937
MGM Exhibitors Convention, personal items
from the career of child star Cora Sue
Collins, Lewis Stone's QUEEN
CHRISTINA costume, not seen for 91 years),
the once-thought-lost 1937 "Farewell to
Earth" portrait of Jean Harlow,
commissioned posthumously by the actress'
mother, a 1932 MGM premiere guest registry
from GRAND HOTEL, signed by Clark Gable,
Jean Harlow, Louis B. Mayer and Cecil B.
DeMille, vintage Disney dolls and dolls
bearing the likenesses of Judy Garland,
Shirley Temple, Carmen Miranda and Deanna
Durbin, The fur coat worn by Best Actress
Oscar winner Luise Rainer (THE GOOD EARTH,
1936) at the Academy Awards, Jean Harlow's
lipstick blots saved by her makeup artist
- and much more representing over 30 early
20th century motion picture stars!
Click
for
more
Hollywood Heritage
Museum
Click for more tvi Stroy-115-
Meet
the Stars: 100 Years of MGM Studios and
the Golden Age of Hollywood at the
Hollywood Heritage
Museum
///
114-
Sam Rubin, KTLA journalist and longtime
entertainment anchor, dies at
64-
Television
Int'l Magazine -
"KTLA
5 is profoundly saddened to report the
death of Sam Rubin. Sam was a giant in the
local news industry and the entertainment
world, and a fixture of Los Angeles
morning television for decades. His laugh,
charm and caring personality touched all
who knew him. Sam was a loving husband and
father: the roles he cherished the most.
Our thoughts are with Sam's family during
this difficult time."
"Sam
was a giant in the local news industry and
the entertainment world, and a fixture of
Los Angeles morning television for
decades," KTLA said in an X post. "His
laugh, charm and caring personality
touched all who knew him. Sam was a loving
husband and father: the roles he cherished
the most. Our thoughts are with Sam's
family during this difficult
time."
Rubin died at his
home of a heart attack. His last
appearance on KTLA was on May 9. He did
not appear Friday on KTLA's 7-9 a.m.
"Morning News" as usual. KTLA reported
that Rubin's colleagues said he "showed no
outward signs of illness" the day
before.
Mr. Rubin's death
was announced by a KTLA anchor, Frank
Buckley. A tribute segment that aired on
the station said the cause was a heart
attack.
The news of Rubin's
death hit Hollywood hard with an
outpouring of sadness and tributes from
actors on both coasts.
Sam Rubin was born
on Feb. 16, 1960, in San Diego. He
attended Occidental College in Los Angeles
and earned a degree in American studies
and rhetoric.
After
working as a correspondent for several
local outlets covering entertainment news,
Mr. Rubin joined KTLA in 1991 and quickly
made a name for himself with his
unexpected questions and easy charm. He
enjoyed rare longevity with a single
station throughout his
career.
Sam Rubin won
multiple Emmy Awards for his coverage, and
a lifetime achievement award from the
Southern California Broadcasters
Association. He used his celebrity acumen
as co-author of two celebrity biographies,
one about former first lady Jacqueline
Onassis, and actress Mia Farrow.
In addition to his
work as an anchor, Rubin's television
production company SRE, Inc. has produced
more than 200 hours of broadcast and cable
programming including "Live From" red
carpet shows and 120 episodes of talk show
"Hollywood Uncensored."
"Sam's generous
spirit, unfailing good humor and deep
knowledge of "Hollywood" made him a legend
in the entertainment business and a
trusted friend to millions of viewers
.
Mr. Rubin is
survived by his wife, Leslie Gale Shuman,
and four children.
Click
for more tvi
Stroy-114-
Sam Rubin, KTLA journalist and longtime
entertainment anchor,
dies
///
115-
LA Screenings is back at the Century
Plaza, May 15 -
17
Los Angeles - May 2, 2024 -- The LA
Screening annually held in May in Los
Angeles after the NY Upfronts is being
held this year at the New Fairmont Century
Plaza, in Century City. It attracts over
1,000 top level television content buyers
from all over the world to screen their
content from independent companies to
major studios. This event takes place days
before the studios present their U.S. TV
networks' upcoming lineup.
LA
Screenings is back at the Century Plaza!
set on the backlot of the former 20th
Century Fox Studios. Fairmont Century
Plaza has a long history as a cultural
epicenter originally deemed "The Hotel of
the Future," Century Plaza has always been
home to industry disruptors, beloved
Hollywood stars, American Presidents,
cultural trend setters, and those just
looking to bask in the energy of it all.
Major moment in history have taken place
in its storied ballroom from the Emmys to
the Grammys to presidential state dinners.
In fact, the Hotel was known as the
"Western White House" as it was President
Reagan's preferred hotel on the west coast
and has hosted numerous past presidents
over the years. Fairmont Century Plaza's
place in history remains unreplacable.
///
Courtesy of the
SAG-AFTRA Foundation
Meryl Streep reading
for
the SAG-AFTRA Foundation
Meryl Streep joins
a group of celebrities who are part of an
initiative to get kids reading.
109- Meryl
Streep Reads 'The Three Questions' for
Children's Literacy Program Storyline
Online
Los Angeles
- On Friday, May 17,
the SAG-AFTRA
Foundation
-- the actor's
union non-profit which aims to help its
guild members -- announced that the
Academy Award-winning
actress,
Meryl
Streep, had
teamed up with the charity's children's
literacy program Storyline
Online.
Her collaboration with the non-profit
features a new installment in Storyline
Online's celebrity book-reading program,
in which she
reads "The
Three
Questions," written
and illustrated by Jon J. Muth.
The
children's book, adapted from a story by
Leo Tolstoy, is about a boy who asks the
big questions in life, like: "What is the
best time to do things?", "Who is the most
important one?" and "What is the right
thing to do?"
Along
with Streep's reading, which is available
on the organization's YouTube channel,
Storyline Online provides teachers with
activity guides (that follow Common Core
Standards) to accompany each book reading.
Readings by previous celebrity partners,
including Terry Crews, Seth Meyers,
Kristen Bell and more are also available
on the platform.
"Aimed
at 2nd - 4th grade students, these
activities encourage
children to engage
in critical thinking activities and
explore the themes of this book including
knowledge, curiosity, kindness and
friendship," the press release states.
SAG-AFTRA
Foundation president and Heist 88 star
Courtney B. Vance praised Streep's
participation in the project.
"We
are honored and thrilled to welcome one of
the greatest actors and storytellers of
all time, Ms. Meryl Streep, to our family
of readers here at Storyline Online,"
Vance said. "Meryl volunteered to read for
our children's literacy initiative because
of her commitment to education and
advancing literacy, and we could not have
asked for a more brilliant actor to bring
this beautiful and profound story to
life."
"Meryl
Streep's reading of The Three
Questions is an exceptional addition
to our library, and we believe it will
have a significant impact on millions of
children and adults alike," he added.
"This story will not only inspire a love
of books and reading, but will also stir
souls."
Storyline
Online's previously featured celebrity
partners
include Chris Pine, Angela Bassett, Rami
Malek, Oprah Winfrey, Viola Davis,
Michelle Yeoh, and Kyra Sedgwick
and dozens more
celebs have lent their voices to be paired
with creative illustrations for the
literacy program.
Storyline
Online's read-alouds are available
on storylineonline.net, or on the
non-profit's YouTube channel.
Click
for more tvi
Stroy-109-
Meryl
Streep Reads 'The Three Questions' for
Children's Literacy Program Storyline
Onlinfor the SAG-AFTRA
Foundation
///
Photographic Images:
The PaleyFest LA - The Paley
Center
101-
The Annual PaleyFest is headed back to the
Dolby Theatre in
Hollywood
LOS ANGELES,
February 2024 -- The Paley Center for
Media announced the schedule for the 41st
annual William S. Paley Television
Festival, which will take place from
Friday, April 12 through Saturday, April
20, at the DOLBY THEATRE in Hollywood.
The nation's
premier television festival celebrating
creative excellence, PaleyFest LA brings
audiences together with television's
brightest stars from the most acclaimed
and buzzworthy TV shows, and features
screenings of special preview and premiere
content with never-before-seen TV
footage.
The 2024 selections
encompass a collection of the best
programs that television has to offer
featuring beloved shows celebrating their
farewell seasons and milestone
anniversaries, as well new shows certain
to take their place among television's
most iconic series and current fan
favorites. This year's festival will open
with a conversation with the stars of the
award-winning The Morning Show (Apple
TV+), which will be followed by events
honoring Loki (Disney+), Curb Your
Enthusiasm (HBO) and Young Sheldon (CBS)
both celebrating their farewell seasons,
the highly anticipated Avatar: The Last
Airbender (Netflix), Late Night with Seth
Meyers (NBC) celebrating its 10th
anniversary, Family Guy (FOX) celebrating
its 25th anniversary with a live table
read, and The Late Show with Stephen
Colbert (CBS).
The
2024 lineup includes Curb Your
Enthusiasm, Loki, The Morning Show, Young
Sheldon, Avatar: The Last Airbender, Late
Night with Seth Meyers, The Late Show with
Stephen Colbert and a 25th anniversary
celebration of Family Guy. As you'd
expect from that lineup of shows, the
assortment of celebrities is just as
stacked, including Jennifer Aniston,
Reese Witherspoon, Tom Hiddleston, Iain
Armitage, Albert Kim, Seth Meyers, Larry
David, Cheryl Hines, Seth MacFarlane, Alex
Borstein, Mila Kunis and Stephen
Colbert.
PaleyFest LA
supports the Paley Center's many education
initiatives including education workshops
serving 10,000 youth annually, the
PaleyImpact series featuring programs
centered on today's most pressing social
issues and the role of media in our
society, and the continued preservation of
the Paley Archive, featuring more than
160,000 historically significant
television and radio programs, as well as
television
commercials.
About The
Paley Center for Media:
The Paley Center
for Media is a 501(c)(3) nonprofit
organization that has celebrated the
cultural, creative, and social
significance of media and its impact on
society for almost 50 years and owns and
operates the iconic Paley Museum in NYC.
Through its respected programming, the
Paley Center leads the discussion about
the cultural, creative, and social
significance of media, drawing upon its
curatorial expertise, an international
collection, and close relationships with
the media community. The general public
can participate in Paley programs in both
New York and Los Angeles that explore and
celebrate the creativity, the innovations,
the talent, and the leaders who are
shaping media.
The public can also
access the Paley Center's permanent media
collection, The Paley Archive, often
referred to as a national treasure,
containing over 160,000 television and
radio programs and advertisements. Through
the global programs of its Media Council
and International Council, the Paley
Center also serves as a neutral setting
where media professionals can engage in
discussion and debate about the evolving
media landscape. Previously known as The
Museum of Television & Radio, the
Paley Center was founded in 1975 by
William S. Paley, a pioneering innovator
in the industry.
Citi Cardholders
and Paley Members receive presale
access to tickets. Additionally, the Paley
Center Member community receives the
exclusive Members-Only benefit of
discounts on PaleyFest LA tickets, as well
as presale access to tickets that allows
for selection of the best seats in the
house before they sell out, plus
year-round benefits for Paley programs and
events.
To become a Paley Member, please visit:
www.paleycenter.org/join-us.
For more information about The Paley
Center for Media, and to learn about the
Paley Center's acclaimed programming,
please
visit
www.paleycenter.org
///
24th Beverly Hills Film
Festival®
The 24th Edition of
The Beverly Hills Film Festival® is
only 16 days out! The BHFF Film Schedule
is NOW LIVE, Tickets & Passes are
limited. We've simplified access for your
convenience with our BHFF 2024 dropdown
menu. Social Media will also be a good
source for future updates. Below are quick
access links.
Filmmaker Official
Selection- 2024 Film Schedule is
finally live Click
Here for
film listings.
At-a-Glance -- For
a quick glance of the entire film
schedule Click
Here.
Screenplay
Writer(s) Official Selection -
Click
Here
to
check out our fabulous
writers.
Venues -- For a
list of festival venues, Click
Here.
Box Office --
Please Click
Here for
availablity.
Film
Screenings and Expert Panels
Location- All
screenings and panels will be held at the
TCL Chinese 6 Theatres on the THIRD
FLOOR.
Parking Garage: located at Hollywood and
Highland
Main Entrance: 6925 Hollywood Blvd
Side Entrance: 6801 Hollywood Blvd
(recommended as it is easiest to access
the third floor)
Screenings- Films will screen for
four days beginning Wednesday, May 1st -
4th, 2024. We ask that you show solidarity
and support of your colleagues and by
remaining for the entire screening block.
Please be mindful that the films are
screened as a block and DO NOT create
distractions or disrupt the
screening.
Panels- Daily expert panel discussions
begin Thursday, May 2nd with the final
discussion taking place Saturday, May 4th.
Panel discussions will be held at the
auditorium of the TCL Chinese 6 Theaters
at 12:00pm sharp. Each pass holder can
invite TWO guests to the expert panel
discussions. More information will be
released regarding panels in the coming
weeks. Make sure to take advantage of
these events, don't miss your chance to
interact with industry
professionals.
Film
Screening Tickets & Passes- All pass
purchases except Gala Awards Ceremony can
be picked-up in person at the BHFF
Welcome desk at the TCL Chinese Theatre
any time after 12:00 p.m. May 1st, 2024.
Film screening block tickets will only be
available after 12:00 p.m. on their
respective date. Tickets will be listed by
name of cardholder who purchased. PLEASE
HAVE THE FULL NAME OF THE CARDHOLDER WHO
PURCHASED THE TICKETS.
V.I.P. After Parties
Simply bring your passes to get into
parties. No exception will be
made.
More details
regarding dates and all the fabulous
venues can be found on our website at
www.beverlyhillsfilmfestival.com/venues
*VIP parties are highly exclusive, and
dress-code is enforced.
Wishing you
safe travels whether you're coming from
near or far. We are sure you will come
with class and in style; see you all the
24th Beverly Hills Film
Festival®!
Click
for More
BHFF
///
106-
ICLE Statement on the FCC's Net Neutrality
Rule
PORTLAND, Ore.
(April 23, 2024) -- The International
Center for Law & Economics (ICLE)
offers the following statement on today's
vote by the Federal Communications
Commission (FTC) to adopt a rule
classifying internet service providers
(ISPs) under Title II of the
Communications Act.
The
following quote can be attributed to ICLE
Senior Scholar Eric Fruits:
Title II is
much more than net neutrality. It is the
same type of expansive and heavy-handed
regulation that governs public utilities.
The FCC's rule is a sharp reversal from
decades of light-touch regulation that has
fostered America's leadership in broadband
innovation and investment. The industry
would face the yoke of onerous federal
regulation and meddling that would stifle
and slow future investment and
experimentation.
For more on
the topic, see ICLE's issue
spotlight
laying out the
history of Title II and net neutrality, as
well as our comments
to the FCC on their
notice of proposed rulemaking (NPRM).
///
106-
Net Neutrality: Regulation for Ideology's
Sake
IPI
President, Tom Giovanetti
Well, that didn't
take long. After the Biden administration
finally secured the necessary
commissioners to form an operating 3-2
Democrat majority, the Federal
Communications Commission (FCC) announced
Wednesday that it will hold a vote to
again reclassify broadband networks under
Title II of the Communications Act of
1934.
A brief history.
Activists have been calling for federal
regulation of the internet since the
1990s, but the Clinton and Bush
administrations wisely took a light-touch
approach, understanding that regulation
would impose unintended consequences on
this nascent technology.
As the broadband
revolution began in the 2000s, the FCC
chose to classify broadband networks as
Title I information services rather than
as Title II common carrier services. The
difference was significant, because under
Title II the FCC would have almost
unlimited regulatory power over
broadband.
We've all seen how
broadband networks have thrived under a
light-touch Title I regulatory authority,
with the growth of ecommerce, streaming
entertainment services, social media, and
the smartphone revolution.
But that innovation
and economic growth has not deterred
activists who simply believe in federal
control for the sake of federal control.
And in 2015 the Obama FCC, absent any
compelling data, voted to dramatically
change course and reclassify broadband
networks as Title II common carriers.
The ominous threat
of heavy regulation had the consequence of
discouraging private investment in
broadband networks, which the FCC found to
have declined by around $1 billion between
2014 and 2015.
Over the 20+-year
history, broadband network were only
classified as Title II common carriers for
a brief two years, from 2015 until 2017.
The Trump administration's FCC returned
broadband services to their original Title
I classification.
Since then,
broadband speeds have increased, and real
broadband prices adjusted for inflation
have fallen 12 percent since 2017.
In fact, broadband prices have remained
mostly flat during a time when inflation
has been driving up the cost of almost
every other consumer service.
In other words,
there is evidence that Title II
classification caused a harmful drop in
infrastructure investment, but not a
single piece of evidence of any benefit
from Title II, much less any evidence that
consumers have been harmed since that
two-year experiment was wisely
reversed.
But now, here we go
again. For purely ideological reasons, and
without data or examples of harm, the
Biden FCC is reasserting its power to
regulate broadband networks under Title
II.
Not only is such a
move unnecessary and in fact contrary to
evidence, but these major policy pendulum
swings every time the White House changes
hands cause uncertainty for broadband
companies and investors, which prevents
the kind of long-term planning and
financing necessary for major
infrastructure investments.
So, net neutrality
is back. But the Institute for Policy
Innovation (IPI) will be there pushing
back against harmful regulation of the
internet, just as we have since the
internet was being called the "information
superhighway."
///
CineWaves
motiv will be gracing
the
Munich
Film
Fest
The
international FILMFEST MÜNCHEN is
giving its awards a coordinated design
that will be reflected across the
festival
Starting this year,
the CineWaves will be the motif gracing
the awards presented at Munich's
international film festival.
"FILMFEST
MÜNCHEN has given itself a fresh
iconography inspired by one of Munich's
most scenic locations: the incomparable
Isar River. The flow of the water is
inspiring and surprising. It constantly
delivers something new. It encourages
interaction and refreshment, especially in
the summer," say festival director
Christoph Gröner and artistic
co-director Julia Weigl.
The design is based
on footage of flowing water which was
intentionally distorted by non-binary
artist PPPANIK using a play of colors and
other effects, thus becoming a cinematic
statement in itself. We're drawn into a
summery, lush, blue-green colorscape that
will remind everyone in Munich of the
Isar, the Eisbach, and the English
Garden.
During the festival
period from June 28 to July 7, all of
Munich's cinematic events will reflect
this design, which will be featured
prominently at the opening at the Gasteig
HP8. On Saturday, June 29, FILMFEST
MÜNCHEN will hold its festive opening
gala -- with a film and thousands of
guests who will already be making waves on
the first weekend of the festival.
Click
for
more
///
Photographic Images:
The PaleyFest LA - The Paley
Center
The
Annual PaleyFest is headed back to the
Dolby Theatre in
Hollywood
LOS ANGELES,
February 2024 -- The Paley Center for
Media announced the schedule for the 41st
annual William S. Paley Television
Festival, which will take place from
Friday, April 12 through Saturday, April
20, at the DOLBY THEATRE in Hollywood.
The nation's
premier television festival celebrating
creative excellence, PaleyFest LA brings
audiences together with television's
brightest stars from the most acclaimed
and buzzworthy TV shows, and features
screenings of special preview and premiere
content with never-before-seen TV
footage.
The 2024 selections
encompass a collection of the best
programs that television has to offer
featuring beloved shows celebrating their
farewell seasons and milestone
anniversaries, as well new shows certain
to take their place among television's
most iconic series and current fan
favorites. For more information about The
Paley Center for Media, and to learn about
the Paley Center's acclaimed programming,
please
visit
www.paleycenter.org
///
2nd annual
benefit for Pasadena
Playhouse
The PLAYHOUSE PARTY
Raises Over $675,000
PASADENA, CA (April
18, 2024) -- The PLAYHOUSE PARTY,
the 2nd annual benefit for Pasadena
Playhouse, the official State Theater of
California and recipient of the 2023
Regional Theatre Tony Award, created by
Pasadena Playhouse Producing Artistic
Director Danny Feldman and the PLAYHOUSE
PARTY Committee, was held on Saturday,
April 13, 2024. Co-chaired by
Elizabeth Hall, Y-Vonne Hutchinson,
Anita Lawler and Leigh Olivar, the event
was created to strengthen the community
through connection and celebration. The
event was an enormous success, raising
over $675,000 for Pasadena Playhouse.
With El Molino
Avenue cordoned off for the occasion, the
festivities in Pasadena Playhouse's
courtyard spilled into the street. More
than 300 guests adorned in shimmering
cocktail attire attended the one-of-a-kind
evening, which featured surprise pop up
performances from Rio Navaro, an
accordionist from Pasadena Playhouse
Conservatory of Music who appeared in the
Pasadena Playhouse Holiday Spectacular and
community partner McKinley Middle School
Drum Core.
The evening was
presented in three acts, starting with
cocktails and a silent auction, followed
by dinner and a special performance by
Jasmine Amy Rogers and the new Playhouse
Players, and culminating with a "Late Nite
at the House Party" hosted by comedian
Kate Berlant, who also served as DJ for
this one-of-a-kind event, with Bar Chelou
supplying cocktails, mocktails, wine,
food, and dessert.
Speakers and
performers at the event included Board of
Trustee President Erin Baker, Event
co-chair and Board Member Y-Vonne
Hutchinson, Playhouse staff members Omar
Avedanke (Director, Creative &
Content) and Bonne McHeffey (Company
Manager), Jenny Slattery (Associate
Producer), Danny Feldman (Producing
Artistic Director), Rich Caparella of
KUSC, and Jelly's Last Jam cast member
Jasmine Amy Rogers, who offered a sneak
peek from the upcoming Playhouse
production of Jelly's Last Jam with
a dazzling rendition of "Play the Music
for Me."
There was also a
silent auction featuring curated
experiences and artisanal items donated by
the community. Dinner was provided by
Heirloom LA, with additional food and
beverages provided by Heirloom LA and Bar
Chelou. Additional donations were provided
from over 40 other businesses and
individuals.
Supporters for
the event included the
following:
PRODUCERS: Jerry & Terri
Kohl
HOSTS: Ellen & Harvey Knell,
Leigh & Harry Olivar
ICONS: Erin & Jeremy Baker,
Stephanie & Leo Dencik and
Stephen & Chantal Bennett
INNOVATORS: Anonymous
|
ADVOCATES
Barajas Tavera Family, Greta
& Peter Mandell, Sheila
Grether-Marion & Mark Marion,
Ken & Tracy McCormick, Sarah
& Eric Miller, Beth Price,
Bingo & Gino Roncelli, Ann
& Steven Sunshine, East West
Bank
INFLUENCERS
Cristina Hernandez & Jeffrey
Bernstein, Anita & Vince
Lawler, Susan Shieldkret, U.S.
Bank
|
Click
for more tvi
Stroy-101-
2ndAnnual Benefit for Pasadena
Playhouse
///
101-
SAG-AFTRA, Record Labels Reach Tentative
Sound Recordings
Agreement
Deal
Includes Groundbreaking A.I. Protections,
SAG-AFTRA Executive Committee Unanimously
Approves the Agreement, will go to Members
for Vote
LOS ANGELES (April 12,
2024) -- SAG-AFTRA and leading record
labels reached a tentative multiyear
agreement on a successor contract to the
SAG-AFTRA National Code of Fair Practice
for Sound Recordings.
Covering the period starting Jan. 1, 2021,
and ending Dec. 31, 2026, the agreement
includes Warner Music Group, Sony Music
Entertainment, Universal Music Group and
Disney Music Group.
101-Music
Coalitions Respond to
SAG-AFTRA
Sound
Recordings Code Tentative Agreement
Deal
Includes 26.3% Compounded Wage Increase
and Groundbreaking A.I.
Protections
Los Angeles (April 12,
2024) -- Today, SAG-AFTRA and the leading
record labels -- Warner Music Group, Sony
Music Entertainment, Universal Music Group
and Disney Music Group -- announced
a tentative multiyear agreement on a
successor contract to the SAG-AFTRA
National Code of Fair Practice for Sound
Recordings.
Music
creator groups have lauded the new
SAG-AFTRA Sound Recordings Code:
"The music business has historically
lagged behind on technological
developments. This time, with A.I., MAC,
BMAC and SONA joined forces with SAG-AFTRA
to ensure that artists are protected
upfront. This collective bargaining
agreement with our label partners is a
great first step to make sure artists have
creative control and get paid," said Music
Artists Coalition Founder Irving Azoff.
"Congratulations to Duncan, Jeff and the
SAG-AFTRA team."
Click for more tvi Stroy-101-
SAG-AFTRA,
Record
Labels Reach Tentative Sound Recordings
Agreement
///
Last
total solar eclipse for the
next
20 years
109-
Last
total solar eclipse for the
next
20 years in
the contiguous United States.
On
April 8, 2024, the contiguous United
States will witness its
last total solar
eclipse for the next 20 years.
The moon's total
eclipse shadow will cross the Rio Grande
into Texas at 1:25 p.m. Central time and
trace an arc through 15 states all the way
to Maine before crossing into Canada. The
lower 48 states won't see another total
solar eclipse until August 2044.
Click for more tvi
Stroy-109
Last
total solar eclipse for the next 20 years
in the contiguous United
States.
///
SAG-AFTRA
Members Ratify TV Animation
Agreements
LOS ANGELES
(Mar. 22, 2024) -- In national
voting completed today, members of
SAG-AFTRA ratified the 2023 Television
Animation Agreement and the 2023 Basic
Cable Animation Agreement with the
Alliance of Motion Picture and Television
Producers. Members approved the new
three-year contracts by a vote of 95.52%
to 4.48%.
The contracts
provide strong protections around the use
of artificial intelligence and a
pattern-busting 7% wage increase that
applies retroactively to July 1, 2023.
For a full list of
provisions achieved in the contracts,
please see the summary.
Negotiations
between SAG-AFTRA and the Alliance of
Motion Picture and Television Producers
were delayed due to last year's
TV/Theatrical strike, and the previous
contract was extended. On Feb. 22,
SAG-AFTRA announced the tentative
agreement with the AMPTPT.
Click for more tvi Stroy-101-
SAG-AFTRA,
Members
Ratify TV Animation
Agreement
///
101-
The Octogenerian - ATAS a glittering
dream
-
By
Syd
Cassyd
Permission was given by Syd Cassyd to
Josie Cory, TVI for publishing.
Hollywood, CA
-
The
glittering dreams of the world for a new
culture and perhaps world peace through
television and radio turned to ashes when
Hitler used all media to destroy the
dreams and bodies of more than 30 million
persons.
When
in 1946 seven industryites in
communications joined me in founding the
"first generation" of the Academy of
Television Arts and Sciences, we didn't
foresee that in 43 years we would get the
recognition that the "third generation" TV
Academy has today,
We
weren't naïve, for since Jan. 6,
1884, the first TV system had already been
patented. For those 62 years world leaders
had already visualized the impact of the
moving image of television on society. The
problems in America was not when, but who
would control the new technology.
Because
there are three generations of the
Academy, each of the latter two calling
themselves the "new" Academy, undoubtedly
when the foundation selects people for the
Hall of Fame, no one will be around to
know that back in 1946, he was a
"founder."
As
Fred Sage, the fine actor in the "Wonder
Years" notes, each generation has their
own heroes.
Click for more tvi
Stroy-101-
ATAS Founder Syd Cassyd 's
Dream
///
107- Syd Cassyd,
Remembered
Hollywood - (February
2024
) Syd Cassyd was the Founder of the
Academy of Television Arts and
Sciences.
Cassyd worked for
the Army Signal Corps as a film editor
under then-Col. Frank Capra during World
War II. After the war, Cassyd moved to
Hollywood, where he worked as an editor
for Box Office magazine, as well as a grip
at Paramount Pictures.
///
101- History
of the Television Academy - The Beginning:
Syd Cassyd's
Dream
The history of
the Academy of Television Arts &
Sciences (ATAS) dates to the earliest days
of the television industry itself. When
Syd Cassyd, its founder, first conceived
of the organization, he envisioned a
serious forum where all aspects and
concerns of the fledgling medium could be
discussed. Flash and glamor were of no
interest to Cassyd. Indeed, for years he
refused to even consider the notion of
handing out awards.
"He thought
television was a really wonderful tool for
education," recalled his daughter, Donna
Cassyd. "He used to make us watch shows
like Omnibus, with Alistair
Cook."
Fortunately
for Cassyd and the other founders of the
Television Academy, the organization
eventually became both a place for serious
discussion as well as a place to celebrate
the industry's finest achievements with
its annual Emmy Awards ceremonies.
Click for more tvi
Stroy-101-
ATAS Founder Syd Cassyd 's
Dream
Click
for More
History
of the Academy of Television Arts and
Sciences
///
115-
NAB Show Get Ready to Walk the Show Floor
at NAB, April
14
The NAB Show
Daily brings First Look, a glimpse at the
innovations in technology and new products
you will see at the show, along with some
exhibitor viewpoints and events happening
on the show floor. The show will open its
exhibit floor on April 14, Las
Vegas.
HUNT VALLEY,
Md. & ARLINGTON, Va. -- In an notable
development that could help more public
broadcasters get on the air with NextGen
TV services, Sinclair Broadcast Group and
America's Public Television Stations
(APTS) have announced that in markets
where Sinclair has deployed a NextGen TV
Broadcast Service (aka ATSC 3.0) and a
public television station has not,
Sinclair will provide free carriage of a
virtual channel from that public
television station.
Carriage of a
broadcast-enabled virtual channel involves
transmitting programming data within the
NextGen signal that allows over-the-air
viewers with NextGen TVs to see and select
the channel in their programming guide and
access the channel seamlessly over the
Internet.
Under
this arrangement, Sinclair will provide
hosting at no cost to the public
television station. The public television
stations will also have the option to pass
through programming in high dynamic range
(HDR), significantly enhancing the video
quality to the viewers. Technologies such
as Advanced HDR by Technicolor will allow
content to be visually enhanced on NextGen
TVs that support the improved picture
format.
"America's
Public Television Stations partner with
Sinclair to offer more NextGen service to
more public television viewers," said
Patrick Butler, president and CEO of APTS.
"We are proud to have helped public
television stations in almost 30 markets
make the transition to the NextGen TV
broadcast standard. This partnership with
Sinclair will help serve local communities
while we work with other public television
stations to transition to NextGen TV to
advance their public service
missions."
"We
are thrilled to continue our partnership
with America's Public Television Stations
to help bring the next generation of
television to all viewers," said Rob
Weisbord, Sinclair's chief operating
officer and president of Broadcast. "For
public television stations that face
challenges in launching NextGen service,
we hope that this offer will help get them
in the advanced TV game and set the stage
for their eventual launch of this
spectacular service over the air."
Click
for
more
https://nab.org/
Cillian
Murphy, wins Best Actor for
"Oppenheimer"
Oppenheimer Scores Seven Wins during the
night, including Best Picture, Actor,
Supporting Actor, Director, Original
Score, Cinematography,
Editing
In a
surprise, Emma Stone won best actress for
Poor Things, which also snapped up three
crafts wins, for best costume design,
production design, and makeup and
hairstyling. She beat out perceived
frontrunner Lily Gladstone, who has
scooped up numerous awards for her role in
Killers of the Flower Moon.
Da'Vine Joy
Randolph won best supporting actress for
The Holdovers.
Hayao
Miyazaki and Toshio Suzuki's "The Boy and
the Heron" was named best animated
feature, while Jonathan Glazer's "The Zone
of Interest" won the Oscar for best
international feature. 20 Days in Mariupol
won the award for best
documentary.
Billie
Eilish and Finneas O'Connell won the Oscar
for best original song for "What Was I
Made For?" from Barbie.
Justine
Triet and Arthur Harari won best original
screenplay for "Anatomy of a Fall," while
Cord Jefferson won best adapted screenplay
for "American Fiction."
Best Picture
"American
Fiction"
"Anatomy of a Fall"
"Barbie"
"The Holdovers"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer" (Emma Thomas,
Charles Roven and Christopher
Nolan, Producers - WINNER
"Past Lives"
"Poor Things"
"The Zone of Interest"
Best
Actor
Bradley Cooper, "Maestro"
Colman Domingo, "Rustin"
Paul Giamatti, "The
Holdovers"
Cillian Murphy, (Oppenheimer)
-WINNER
Jeffrey Wright, "American
Fiction"
Best
Actress
Annette Bening, "Nyad"
Lily Gladstone, "Killers of the
Flower Moon"
Sandra Hüller, "Anatomy of a
Fall"
Carey Mulligan, "Maestro"
Emma Stone, (Poor Things)
- WINNER
Best Supporting
Actor
Sterling K. Brown, "American
Fiction"
Robert De Niro, "Killers of the
Flower Moon"
Robert Downey Jr.,
(Oppenheimer) - WINNER
Ryan Gosling, "Barbie"
Mark Ruffalo, "Poor
Things"
Best Supporting
Actress
Emily Blunt, "Oppenheimer"
Danielle Brooks, "The Color
Purple"
America Ferrera, "Barbie"
Jodie Foster, "Nyad"
Da'Vine Joy Randolph, (The
Holdovers) -
WINNER
Best Director
Jonathan Glazer, "The Zone of
Interest"
Yorgos Lanthimos, "Poor
Things"
Christopher Nolan,
(Oppenheimer) -WINNER
Martin Scorsese, "Killers of the
Flower Moon"Justine Triet,
"Anatomy of a Fall"
Best International
Feature
Film
"Io Capitano," Italy
"Perfect Days," Japan
"Society of the Snow," Spain
"The Teachers' Lounge,"
Germany
"The Zone of Interest,"
(United Kingdom) - WINNER
Best Animated
Feature
"The Boy and the Heron" (Hayao
Miyasaki and Toshio Suzuki) -
WINNER
"Elemental"
"Nimona"
"Robot Dreams"
"Spider-Man: Across the
Spider-Verse"
Best Adapted
Screenplay (Best
Writing)
"American Fiction" - (Written
by Cord Jefferson) -
WINNER
"Barbie"
"Oppenheimer"
"Poor Things"
"The Zone of Interest"
Best Original
Screenplay
(Best Writing)
"Anatomy of a
Fall" - (Written by
Justine Triet and Athur Harari -
WINNER
"The Holdovers"
"Maestro"
"May December"
"Past Lives"
Best Visual
effects
"The Creator"
"Godzilla Minus One"(Takashi
Yamazaki, Kiyoko Shibuya, Masaki
Takahashi and Tatsuji Nojima) -
WINNER
"Guardians of the Galaxy Vol.
3"
"Mission: Impossible - Dead
Reckoning Part One"
"Napoleon"
|
Best Original
Score
"American Fiction"
"Indiana Jones and the Dial of
Destiny"
"Killers of the Flower Moon"
"Oppenheimer" (Ludwig
Gorannson) - WINNER
"Poor Things"
Best Original
Song
"It Never Went Away" from
"American Symphony""I'm Just Ken"
from "Barbie"
"What Was I Made For?" from
Barie (Music and Lyric by Billie
Eilish and Finneas) - WINNER
"The Fire Inside" from "Flamin'
Hot"
"Wahzhazhe (A Song For My
People)" from "Killers of the
Flower Moon"
Best Documentary
Feature
Film
"20 Days in Mariupol" -
Mstyslav Chernov, Michelle Mizner
and Raney Aronson-Rath) -
WINNER
"Bobi Wine: The People's
President"
"The Eternal Memory"
"Four Daughters"
"To Kill a Tiger"
Best
Cinematography
"El Conde"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer" (Hoyte van
Hoytema - WINNER
"Poor Things"
Best Costume
Design
"Barbie"
"Killers of the Flower Moon"
"Napoleon"
"Oppenheimer"
"Poor Things" (Holly
Waddington) -
WINNER
Best Animated Short
Film
"Letter to a Pig"
"Ninety-Five Senses"
"Our Uniform"
"Pachyderme"
"War Is Over! Inspired by the
Music of John & Yoko"
- Dave Mullins and Brad
Booker,
WINNER
Best Live-Action
Short
Film
"The After"
"Invincible"
"Knight of Fortune"
"Red, White and Blue"
"The Wonderful Story of Henry
Sugar" - ( Wes Anderson and
Steven Rales) -
WINNER
Best Documentary
Short
Film
"The ABCs of Book Banning"
"The Barber of Little Rock"
"Island in Between"
"The Last Repair Shop" (Ben
Proudfoot and Kris Bowers) -
WINNER
"N?i Nai & Wài
Pó"
Best Film
Editing
"Anatomy of a Fall"
"The Holdovers"
"Killers of the Flower Moon"
"Oppenheimer"
(Jennifer
Lame)
-
WINNER"
Poor Things"
Best
Sound
"The Creator"
"Maestro"
"Mission: Impossible - Dead
Reckoning
Part One"
"Oppenheimer"
"The Zone of Interest" (Tarn
Willers and L Johnnie Burn) -
WINNER
Best Production
Design
"Barbie"
"Killers of the Flower Moon"
"Napoleon"
"Oppenheimer"
"Poor Things" - (Production
Design: James Price and Shona
Heath; Set Decoration: Zsuzaa
Mihalek) WINNER
Best Makeup and
Hairstyling
"Golda"
"Maestro"
"Oppenheimer"
"Poor Things" (Nadia Stacey,
Mark Coulier and Josh Weston) -
WINNER
"Society of the Snow"
|
|
|
Click
for More tviStory-
115-s90- OSCAR Winners
2024
///
115-Oscars
No Shows, 1960 -
2016
Hollywood stars who
snubbed the Academy Awards
There have only been
three people that refused the awards,
actors George C. Scott and Marlon Brandon
and screen writer Dudly Nichols.
Not everyone in Hollywood enjoys the gala
event. Over the years, a handful of
Hollywood A-listers have refused to attend
the ceremony, and some who've sidestepped
the show did so when they were up for
awards of their own.
From Katharine
Hepburn to Will Smith, here are Hollywood
stars who snubbed the Oscars.
2016 - Will
Smith and Jada Pinkett Smith called
for a boycott of the Academy Awards
ceremony upon learning that the
nominations, for the second year in a row,
featured no actors of color. The actress
and her superstar husband, Will Smith,
were soon joined in the boycott by other
Hollywood heavyweights including
Oscar-winning directors Spike Lee and
Michael Moore, while other stars --
including Oscar winners George Clooney and
Lupita Nyong'o -- spoke out in
support.
2003 - Peter
O' Toole - In 2003, Peter O' Toole
became the first actor to ever refuse an
honorary Oscar. Maybe he did so out of
pride. The legendary "Lawrence of Arabia"
star, who'd been nominated eight times
throughout his nearly 50-year career and
lost every single time, wrote to the
Academy, explaining, "I am still in the
game and might win the lovely bugger
outright. Would the Academy please defer
the honor until I am 80?"
The Academy
responded by telling him stars like Paul
Newman and Henry Fonda were given Honorary
Oscars and went on to actually win one
shortly after. O'Toole was sold, and
happily showed up to accept his award.
2002 - Woody
Allen though he's been nominated
several times throughout his decades-long
career, has never shown up to receive an
Academy Award, explaining, "I have no
regard for that kind of ceremony. I just
don't think they know what they're doing.
When you see who wins those things -- or
who doesn't win them -- you can see how
meaningless this Oscar thing is."
Allen did make one
appearance on the Oscars stage. In 2002,
just six months after the September 11
attacks, the director presented a montage
of films made in his beloved New York
City.
1987 - Paul
Newman was nominated six times from
1961 until 1982, and although he attended
the ceremony many times, he never took
home an award.
Newman was
nominated a seventh time in 1987 for "The
Color Of Money." All bets were on him, but
by that point, the actor was over it, and
decided ahead of time he wouldn't attend
the ceremony. "It's like chasing a
beautiful woman for 80 years. Finally, she
relents and you say, 'I'm terribly sorry.
I'm tired,'" Newman explained.
1981 - John
Gielgud, British actor, charmed
audiences as the unflappable, acid-tongued
butler Hobson in 1981's "Arthur," but the
actor didn't bother showing up to the
ceremony to accept his award when his name
was called.
Gielgud, who
throughout his eight-decade career nabbed
two Oscars, three Tonys, an Emmy and a
Grammy (among other honors) -- once said
of awards shows, "I really detest all the
mutual congratulation baloney and the
invidious comparisons which they
evoke.""
1974 - Katharine
Hepburn holds a Hollywood record for
being nominated 12 times and winning four
Oscars over her long career, but she never
attended the ceremony to hear her name
called. "As for me, prizes are nothing,"
she once said. "My prize is my work."
Hepburn made exactly one appearance at the
Academy Awards in 1974 to present the
Irving G. Thalberg Memorial Award to
producer and friend Lawrence Weingarten.
"I'm living proof that a person can wait
41 years to be unselfish," she
quipped.
1973 - Marlon
Brando caused a ruckus when he
boycotted the ceremony in 1973 to call
attention to Hollywood's misrepresentation
of Native Americans. Brando, who won Best
Actor honors that year for his performance
in "The Godfather," had Native American
civil rights activist Sacheen
Littlefeather approach the podium to
decline his award and give a protest
speech on his behalf.
1970 -
George C. Scott was the first actor to
refuse to accept an Oscar. The legendary
actor, who was nominated in 1970 for his
gripping portrayal of Gen. George S.
Patton in "Patton," telegraphed the
Academy months before the ceremony to let
them know he didn't want the award. On the
night of the ceremony, presenter Goldie
Hawn opened the envelope and cried, "Oh my
God! The winner is George C. Scott," but
the actor, true to his word, was home on
his farm in upstate New York.
Scott said of the
Oscars, "The ceremonies are a two-hour
meat parade, a public display with
contrived suspense for economic reasons."
Oops!
1960 - Elizabeth
Taylor, screen legend, was a frequent
Oscar nominee, nabbing her first award for
her role as a high-class escort in 1960's
"Butterfield 8." Six years later, Taylor
was poised to win again for her riveting
performance opposite husband Richard
Burton, who was also nominated, for "Who's
Afraid of Virginia Woolf?" However, Burton
had already lost four times at the Oscars
and would almost certainly lose again, so
both husband and wife boycotted the
ceremony in protest -- though Taylor made
up an excuse about Burton being afraid to
fly back to the states from Paris. Taylor
did win again and never issued a statement
thanking the Academy.
///
101-
The 39th Los Angeles Marathon Runs its
Course from Dodger Stadium to the Avenue
of the Stars, on March
17th
-
By
Gary Sunkin, TVI
This
year, the LA Marathon falls on Sunday,
March 17, which happens to coincide with
St. Patrick's Day. The forecast tells of
sunny skies and afternoon highs in the
70s.
Thousands
of runners and spectators across the world
will be in Southern California this
weekend for the 39th Los Angeles
Marathon.
The
39th running of the 26.2-mile marathon on
Sunday will begin at Dodger
Stadium.
and
continue through several Los Angeles
neighborhoods before the finish
at Avenue of Stars
in
Century City. About 25,000 participants
are expected during race weekend, which
features several events including the LA
Big 5K and LA Kids run scheduled for
Saturday, March 16 at Dodger Stadium.
Runners
will cover
locations like Downtown Los Angeles,
Hollywood, Little Tokyo, Hollywood, and
more
and will pass iconic landmarks, including
Rodeo Drive, the Hollywood Walk of Fame,
the Pantages Theater, Capitol Records, and
the Cathedral of Our Lady of Angels.
Running
participants will not only accomplish
their personal goals but also support
McCourt Foundation's mission to build a
healthier world.
The Los Angeles
Marathon, inspired by the success of the
1984 Olympics, was first run in 1986. It
is the most popular marathon in the
western half of the United States and is
also keen to boast that it is "one of the
biggest parties anywhere."
The Event has a
maximum race day time of six hours and 30
minutes runners are expected to finish
within the 6:30 hour space.
Last Year's 2023
Medal.
Click for
more -
www.lamarathon.com
- www.mccourtfoundation.org/
Click
for More tviStory-
101-
39th Los Angeles
Marathon
///
115-
"Oppenheimer" leads pack for the 2024
Oscars
nominations
LOS ANGELES,
(January 23, 2024) - The nominations for
the 2024 Oscars were announced today with
"Oppenheimer" leading with 13 nods.
Tuesday's
announcement brought a moment of surprise
with no best director nomination
for Greta Gerwig for "Barbie" -
she and Noah Baumbach were nominated for
the movie's adapted screenplay - and no
acting nod for star Margot Robbie,
who was also a
producer for the best picture nominee.
("To say that I'm disappointed that they
are not nominated in their respective
categories would be an understatement,"
said Ryan Gosling, who was nominated for
his role as Ken.) Past Oscar
winner Leonardo DiCaprio, who starred
in "Killers of the Flower Moon," also did
not receive an acting nomination this
year.
Meanwhile,
DiCaprio's co-star Lily Gladstone became
the first Native American to be
nominated for best actress. America
Ferrera scored a best supporting
actress nomination for her performance in
"Barbie" and Justine Triet became
the eighth woman nominated for
best director for "Anatomy of a Fall."
THE
96TH ACADEMY AWARDS will be held on
Sunday, March 10, 2024 at the Dolby
Theatre at Ovation Hollywood, honoring
movies released in 2023.
Oscar
Nominations
|
|
©
|
96th
Academy
Awards
|
®
|
96th
Academy Awards
|
®
|
|
Best
picture
"American Fiction"
"Anatomy of a Fall"
"Barbie"
"The Holdovers"
"Killers of the Flower Moon"
"Maestro"
"Oppenheimer"
"Past Lives"
"Poor Things"
"The Zone of Interest"
|
|
Best
actor
Bradley Cooper, "Maestro"
Colman Domingo, "Rustin"
Paul Giamatti, "The
Holdovers"
Cillian Murphy, "Oppenheimer"
Jeffrey Wright, "American
Fiction"
Best
actress
Annette Bening, "Nyad"
Lily
Gladstone,
"Killers
of the Flower
Moon"
Sandra Hüller, "Anatomy of a
Fall"
Carey Mulligan, "Maestro"
Emma Stone, "Poor
Things"
|
|
Click
for More
https://www.oscars.org/oscars/ceremonies/2024
101-
The Octogenerian - ATAS a glittering
dream
-
By
Syd
Cassyd
Permission was given by Syd Cassyd to
Josie Cory, TVI for publishing.
Hollywood, CA
-
The
glittering dreams of the world for a new
culture and perhaps world peace through
television and radio turned to ashes when
Hitler used all media to destroy the
dreams and bodies of more than 30 million
persons.
When
in 1946 seven industryites in
communications joined me in founding the
"first generation" of the Academy of
Television Arts and Sciences, we didn't
foresee that in 43 years we would get the
recognition that the "third generation" TV
Academy has today,
We
weren't naïve, for since Jan. 6,
1884, the first TV system had already been
patented. For those 62 years world leaders
had already visualized the impact of the
moving image of television on society. The
problems in America was not when, but who
would control the new technology.
Last
week when ABC's former chairman, Leonard
Goldenson, gave the Academy Foundation $1
million the "first generation,' we
founders, knew that we had arrived. Elton
Rule, former ABC president, is president
of the foundation. Delbert Mann, a
Burnside Avenue resident, is a member of
the foundation.
From
1949, when ATAS brought forth the Emmy,
the "third generation" Academy, the
present one, reorganized in 1977, owned a
little figure worth $1.5 million. That's
the price the network now pay to broadcast
the awards. But over the 43 years of ATAS
history there have been many problems.
Though we in ATAS, in 1949, did not
copyright the Emmy, wed did protect
it.
At
lunch last week with Karl Malden and other
film Academy moguls, I heard their problem
of copyrights. Owners of the Oscars wanted
to sell them at auction. But a clause in
the contract provided that the Academy
should have first choice in buying back an
unwanted Oscar.
We,
in the TV Academy, back in 1949, had that
same clause for our trophy. But when New
York and Hollywood were fighting over a
personnel problem of aid presidents,
employees of the Academy, the problem of
copyright ownership of the Emmy was a part
of a $100 million suit.
Believe
me, if I had known of the million dollar
goldmine which TV brought to our little
"first generation" Academy, I would have
hired some of those $100,000 attorneys,
too. We could have protected the growth of
ATAS in a more dignified method. We
wouldn't have "three generations."
Watching
all these goings on over 43 years, I had a
point of view. If any power group in this
huge organization wanted me to take sides,
they would have to ay. One president
wanted to know who owned the Emmy. Was
there any agreement, etc.? I told them if
they would pay me $2,000 for the history I
would hire someone to write it with me.
Lionel Rolfe and Nigey Lennon obliged.
Printing costs were billed to ATAS.
But
the slick attorneys slipped me a "mickey."
That's a good old New York talk for a
pill. They demanded that I leave my
archives about the Academy to them, when I
died. Strangely enough because I was abut
to move, I donated all that material to
ATAS/UCLA and thy picked it up in three
van loads. Everything pertaining to
NATAS.
Two
weeks ago, the new resident of ATAS wanted
to know what I did with the $2,000 and the
Archives. In the haste of takeover by the
"third generation," no once know that they
had my donation already.
Because
there are three generations of the
Academy, each of the latter two calling
themselves the "new" Academy, undoubtedly
when the foundation selects people for the
Hall of Fame, no one will be around to
know that back in 1946, her was a
"founder."
As
Fred Sage, the fine actor in the "Wonder
Years" notes, each generation has their
own heroes.
///
107- Syd Cassyd,
Remembered
Hollywood - (February
2024
) Syd Cassyd was the Founder of the
Academy of Television Arts and
Sciences.
Cassyd worked for
the Army Signal Corps as a film editor
under then-Col. Frank Capra during World
War II. After the war, Cassyd moved to
Hollywood, where he worked as an editor
for Box Office magazine, as well as a grip
at Paramount Pictures.
It was at Paramount
that he met and teamed up with Klaus
Landsberg, known for, among other things,
pioneering live TV news coverage. Cassyd
and Landsberg worked on an experimental
Los Angeles television station that would
eventually become KTLA-TV Channel 5.
While
at KTLA, Cassyd felt that TV needed an
organization in which people could share
their ideas about the fledgling medium and
talk about the future of the industry. He
founded the academy with seven people who
came to the first meeting. By the fifth
meeting, there were 250 members.
Syd
Cassyd founded the Academy of Television
Arts & Sciences in 1946, which has
grown into one of the most influential
organizations in the entertainment
industry. In addition to sponsoring the
annual Emmy Awards, which recognize
outstanding entertainment and news
achievement in television, the academy has
a variety of outreach and archival
programs.
Cassyd
became the fourth president of the Academy
in 1950 and over the years held various
other positions. In 1991, the Academy's
Board of Governors created the Syd Cassyd
Founder's Award in his honor and presented
the first to him.
In
1996, Cassyd received a star on the
Hollywood Walk of Fame.
Cassyd
died February 4, 2000, in Los Angeles,
California. He was 91.
///
101- History
of the Television Academy - The Beginning:
Syd Cassyd's
Dream
The history of
the Academy of Television Arts &
Sciences (ATAS) dates to the earliest days
of the television industry itself. When
Syd Cassyd, its founder, first conceived
of the organization, he envisioned a
serious forum where all aspects and
concerns of the fledgling medium could be
discussed. Flash and glamor were of no
interest to Cassyd. Indeed, for years he
refused to even consider the notion of
handing out awards.
"He thought
television was a really wonderful tool for
education," recalled his daughter, Donna
Cassyd. "He used to make us watch shows
like Omnibus, with Alistair
Cook."
Fortunately
for Cassyd and the other founders of the
Television Academy, the organization
eventually became both a place for serious
discussion as well as a place to celebrate
the industry's finest achievements with
its annual Emmy Awards ceremonies.
Click
for More
History
of the Academy of Television Arts and
Sciences
///
101-SAG-AFTRA
TV ANIMATION AGREEMENTS GO TO MEMBERS FOR
RATIFICATION
LOS ANGELES
(Mar. 1, 2024) -- The SAG-AFTRA
2023 Television Animation Agreements have
been approved by the SAG-AFTRA Executive
Committee, and the agreements will now be
sent to members for ratification. The
three-year contracts benefited from gains
made to the TV/Theatrical Contract after
the 118-day strike, particularly in the
area of artificial intelligence
protections.
"We were
able to ride the wave of our strike
victory to secure a better deal for
members. That momentum paid off in terms
of substantial wage increases, more than
$3 million in back pay, two new holidays
and the first SAG-AFTRA animation
voiceover contract with artificial
intelligence protections and gains," said
SAG-AFTRA National Executive Director
& Chief Negotiator Duncan
Crabtree-Ireland.
"Thank you
to Negotiating Committee Co-Chairs Bob
Bergen and David Jolliffe, who secured a
top-tier deal for members. Notably, I
appreciate that we have enshrined in the
contract what all members know: that a
voice actor must be human. This contract
builds on what we were able to achieve in
live action to offer additional
protections and gains in artificial
intelligence that meet the specific needs
of our dynamic voiceover community. Now,
more than ever, doing voiceover work
without a union contract is playing with
fire," said SAG-AFTRA President Fran
Drescher.
We built on
the gains of the TV/Theatrical agreement
to secure improved protections for
Animation actors, without a strike. Among
the highlights of the contract
are:
Specific language acknowledging that the
term "voice actors" includes only humans
and that acknowledges the importance of
human voice acting.
Retroactivity with salary increases: A
pattern-busting 7% wage increase applies
retroactively to July 1, 2023. That's
worth over $3 million dollars in instant
gains for the members.
Substantial artificial intelligence
protections and gains for voice
actors:
? Removed
the requirement that a digital replica
must exclusively sound like the
recognizable natural voice of an actor in
order to be protected.
?
"Employment-based digital replicas," need
only be recognized and identifiable via
contracts and other regular business
documents, confirming that it was in fact
the performer's voice used to make the
replica.
?
"Independently created digital replicas"
need only sound like the "character voice"
from which the replica was
created.
?
Confirmation that if the voice actor's
performance is digitally altered into a
foreign language, the voice actor shall be
eligible for residuals based on the
distribution of the foreign language
version.
? When
prompting a generative artificial
intelligence system with a performer name
or names, consent of those performers is
required. We have removed the requirement,
which exists in live action, that a "major
facial feature" be included in the prompt
with no substitute for that
criterion.
? We have
established regular, mandatory artificial
intelligence meetings with producers,
which will include discussion of methods
and systems to track the use of digital
replicas.
We
were able to keep the High Budget SVOD
threshold for Animated projects at its
lower-than-live-action level, and we made
the same significant improvements to the
formula that were achieved in live
action.
Further reducing the producer's ability to
"freely bargain" with voice actors for
compensation below union minimums on
certain made-for-new-media animated
programs.
Actors who perform improvised lines in the
nature of "omnies" will be treated as
principal performers with applicable
residuals, meaning all new TV/basic cable
animation productions moving forward are
prohibited from using this omni contract
for looping.
Achieves Martin Luther King Jr.'s birthday
and Juneteenth as contractual holidays
with retroactive holiday pay for anyone
who worked on the recent MLK
Day.
Upon
request, the producer must provide sheet
music, if it is available, for a voice
actor required to sing.
We
are implementing a system to improve a
series of outstanding compliance issues
including late payment, recoupment of
overpaid residuals, providing voice actors
with executed copies of their contracts,
and informing voice actors and their
representatives at the time of an offer
whether the animated program qualifies for
"high budget" terms, including application
of scale.
The
Executive Committee, on behalf of the
SAG-AFTRA National Board, is recommending
a "yes" vote.
Members will
now be asked to ratify the
contracts. Postcards were mailed
today to all eligible affected members.
The postcards contain instructions on how
to vote online or, for members who do not
wish to vote online, instructions on how
to request a paper ballot.
Prior to the
voting deadline of 5 p.m. PDT, Friday,
March 22, 2024, two online informational
meetings will take place on March 7 to
familiarize members with the contract
provisions and answer questions. Visit
sagaftra.org/tvanimation for
details.
SAG-AFTRA
2020 Television Animation Agreements
expired last year, but were extended due
to the TV/Theatrical/Streaming Strike,
with negotiations scheduled for February.
The agreements cover animated programs
produced for television, including network
television, basic cable and streaming
platforms such as Hulu, Netflix and
Amazon
Prime.
Click
for more tvi Stroy-101-
SAG-AFTRA
approved Television Animation Agreements -
going to members for ratification
(deadline March 22,
2024)
///
101-
SAG-AFTRA Statement On ON CBS Return Of
Reporter's Files
LOS ANGELES (Feb. 26,
2024) -
SAG-AFTRA is pleased to
confirm that earlier today a
representative of our union monitored the
return of several boxes containing
Catherine Herridge's reporting materials
from her CBS News office in Washington
D.C. Herridge is currently reviewing
the materials.
We welcome
CBS News' reversal which came after
SAG-AFTRA's intervention and widespread
media coverage that underscored shared
concerns about press freedom and the First
Amendment.
The resolution
of this matter sends a strong message
of protection for basic First
Amendment principles. We further hope the
public focus now turns to SAG-AFTRA's
continued efforts to support a Press
Shield law that provides additional
federal protections for journalists and
their confidential sources.
///
101-
PBS SoCal Rebrands KCET Broadcast Channel
as 'PBS SoCal
Plus'
-
TVIMagazine
Los Angeles
(Feburyary 2, 2024) -
KCET and local Southern
California PBS stations are set to be
consolidated into one name: PBS SoCal.
The
broadcaster noted that KCET programming
will not be impacted.
Though the Los
Angeles-based public broadcaster KCET will
still exist, it will be referred to as
"PBS SoCal Plus," so that both PBS
flagship broadcast stations will be under
one unified brand starting Feb.
6.
"PBS SoCal and KCET
merged in 2018, and since then, have grown
into a strong public media entity serving
Southern California that reflects the
diversity of our region and provides a
full schedule of beloved and trusted PBS
programs," PBS SoCal president and
CEO Andrew Russell said in a
statement. "While the broadcast channel
name may be changing, the programs that
viewers love on KCET -- Artbound, Lost LA,
Father Brown, Must See Movies and
more -- will remain available on the
channel and across all of our
platforms."
Viewers' favorite
programs will also be available to stream
on website, pbssocal.org. Local
viewers will still be able to watch KCET
(now "PBS SoCal Plus") programming on 28.1
while PBS SoCal viewers will continue on
50.1. Cable and satellite carriers will
host "PBS SoCal Plus" content on the same
channels previously carrying KCET, as
well.
Audiences will now
only see the call letters of KCET during
FCC-mandated station identifier
breaks.
///
101-
SAG-AFTRA and AMPTP Reach Tentative
Agreement on Animation
Contracts
LOS ANGELES (Feb.
21, 2024) -- SAG-AFTRA and the
AMPTP have reached a tentative agreement
on successor agreements to the 2020 Screen
Actors Guild-American Federation of
Television and Radio Artists Television
Animation Agreement and the 2020 Screen
Actors Guild-American Federation of
Television and Radio Artists Basic Cable
Agreement for Animated Motion
Pictures.
Full details of the
agreement will not be provided until after
the tentative agreement has been reviewed
by SAG-AFTRA leadership in the coming
weeks. The tentative agreement will be
sent to the affected SAG-AFTRA membership
for ratification upon leadership
approval.
///
115-
America's Favorite Travel Show is
Back
The Los Angeles
Travel and Adventure Show is taking place
on February 3-4, 2024, at the Los Angeles
Convention Center.
Discover thousands
of the newest vacation options from the
top destinations from around the globe and
meet the experts who are on-hand to help
you personalize and book your trip.
Learn the latest
travel tips, trends and advice on 4
theaters located right on the show floor,
and get the chance to meet your favorite
travel celebrities including Rick Steves,
Phil Rosenthal and Pauline Frommer.
There will be
access to over ten-of-thousands of dollars
in travel savings, trip giveaways and
exclusive show-only deals, all included
with your ticket.
Click
for
More
///
110-
Switzerland Boasts the World's Highest
Percentage of MAC
Users
By Edith
Read
According
to Stocklytics.com,
Mac's popularity is highest in
Switzerland, with 24% of households owning
a Mac.
The site's
financial analyst, Edith Reads, comments:
MAC products are renowned for their
exceptional performance, state-of-the-art
design and an unmatched user experience.
The discerning choice of the Swiss
underscores the enduring allure of
innovation, making Mac a hallmark of both
sophistication and functionality in the
digital landscape.
While Macs boast
superior security and reliability compared
to their Windows-based counterparts, they
still need to cover ground in terms of
sales. Dell, with its primary market in
the U.S., overshadowed the Macs by
recording an impressive revenue of
over $102.3 billion, while the Macs
generated nearly $30 billion, constituting
about 8% of Apple's total sales in
2023.
The full story and
statistics can be found
here: Switzerland
Boasts the World's Highest Percentage of
MAC Users, Dominating at
24%.
Click
for more tvi
Stroy-110-
Switzerland
Boasts the World's Highest Percentage of
MAC
Users
///
Winners
of the 2024 Sundance Film
Festival
'In
The Summers', 'Dìdi', 'Daughters'
Top Winners List
|
|
©
|
Sundance
Awards 2024
|
®
|
Sundance
Awards 2024
|
®
|
|
U.S. Grand Jury Prize:
Dramatic
In the
Summers
dir: Alessandra
Lacorazza
U.S. Grand
Jury Prize: Documentary
Porcelain War
dir. Brendan Bellomo, Slava
Leontyev,
World
Cinema Grand Jury Prize:
Dramatic
Sujo
dir. Astrid Rondero, Fernanda
Valadez
World
Cinema Grand Jury Prize:
Documentary
A New Kind of Wilderness
dir. Silje Evensmo
Jacobsen
Waldo Salt
Screenwriting
Award
A Real Pain
Writer: Jesse Eisenberg
NEXT Innovator Award
Little Death
dir. Jack Begert
|
|
Festival Favorite
Award
Daughters
dir. Angela Patton, Natalie Rae
Audience
Award: U.S. Documentary
Daughters
dir. Angela Patton, Natalie
Rae
Audience
Award: U.S. Dramatic
Didi
dir. Sean Wang
Audience
Award: World Cinema
Documentary
Ibelin
dir. Director: Benjamin
Ree
Audience
Award: World Cinema Dramatic
Girls Will Be Girls
dir. Shuchi Talati
Audience Award: NEXT
Kneecap
dir. Rich Peppiatt
|
|
Click
For More
Winners
///
Sundance 2024: Kristen
Stewart, Saoirse Ronan and Steven Yeun
lead lineup
115-
Sundance
Film Festival: the biggest films to look
out for from this year's
festival
After a big, banner
year for Sundance with acclaimed films
such as Past Lives, Passages, Fair Play
and 20 Days in Mariupol all premiering,
all eyes are fixed on what will emerge
from this year's edition, taking place
from January 18 - 28 in Utah.
With the festival's
Covid-era digital element retreating
further into the background and a new head
honcho hoping to bring back a more
independent spirit, the 2024 lineup teases
some provocative on-the-ground question
marks with fewer known properties and more
what ifs, an excitingly rather unknowable
set of films to open the new year
with.
Here are some of the biggest potentials
Click
for more tvi
Stroy-115-
Sundance Film Festival 2024
Potentials
Click for
Suncance
///
106-
FCC to consider new outage-reporting
rules, soliciting comments on FirstNet,
deployable
usage
-
By
Donny Jackson
Washington
DC (12th January
2024
- FCC commissioners
are scheduled to consider new rules
regarding the Disaster Information
Reporting System (DIRS) and the Network
Outage Reporting System (NORS), as well as
a proposal seeking comments whether
FirstNet should have reporting obligations
and whether deployable coverage should be
reported.
Under the proposed
new rules, all cable, wireless, wireline
and interconnected voice-over-IP (VoIP)
providers would be required to report
outages when the DIRS is activated and
must provide the FCC with a final report
within 24 hours of DIRS being deactivated.
The proposed rules also would suspend NORS
reporting obligations for providers
subject to DIRS, according to the FCC.
In
the further notice, the FCC seeks comments
whether FirstNet should be subject to NORS
and/DIRS reporting. FirstNet currently is
not required to file such outage reports,
but its nationwide
contractor--AT&T--does have to fulfill
these obligations. The further notice also
asks whether commenters believe "mobile
recovery assets"--for example, deployable
coverage solutions like cells on wheels
(COWs) and cells on light trucks
(COLTs)--should be noted in coverage
assessments for NORS and DIRS.
In
addition, the further notice proposes that
DIRS reporting obligations be expanded to
include broadcast, satellite and broadband
providers.
FCC
Chairwoman Jessica Rosenworcel noted the
proposed rules and a further notice of
proposed rulemaking in a blog she released
last week outlining the preliminary agenda
items for the Jan. 25 open meeting.
"Fast
and reliable reporting of communications
outages during disasters can help
emergency-management personnel make
smarter and faster decisions when they
matter most," according to Rosenworcel.
"It can also offer valuable lessons to
prevent service disruptions in the
future.
"The
Commission will consider rules to
transition the current voluntary outage
reporting structure to a mandatory
structure for certain communications
providers, as well as proposals to expand
reporting from other providers."
Adopted
in 2007, the DIRS reporting of commercial
network outages has proven to be a useful
tool to help the public gauge carriers'
progress in restoring terrestrial
communications networks to "normal" status
after a disaster. However, many industry
observers have questioned whether the
daily DIRS maps may create an overly
negative perception about wireless
coverage in a given geographic area,
because it does not reflect whether
service providers have provided
connectivity through deployable solutions
like SatCOLTs in an area.
"We
tentatively conclude that, if information
regarding the location of mobile recovery
assets were required to be supplied in
DIRS, the Commission would obtain this
information more efficiently and uniformly
across providers than is currently the
case, likely leading to better public
safety outcomes," according to the FCC's
draft further notice. "We seek comment on
this conclusion. Should we require such
reporting? If so, which subject providers
should be required to provide such
information?
"If
reporting is adopted, we seek comment on
what types of mobile assets should be
reported (including COWs and COLTs) based
on provider type, the level of granularity
for which location information should be
reported (e.g., on a zip code or street
address basis) and on whether this
information should be reported directly in
existing DIRS forms or through other
means. Should information on the time of
deployment, coverage, or available power
for such assets be reported as well?"
A
potential wrinkle to the relevance of NORS
and DIRS reporting is the expected
development of satellite-direct-to-phone
(Sat2Phone) technology that leverages
low-Earth-orbit (LEO) satellites as
cellular towers in space. If deployed as
designed in cooperation with a
carrier&emdash;the business model being
pursued by companies like AST SpaceMobile,
Lynk and SpaceX&emdash;Sat2Phone could
provide seamless coverage to users outside
a terrestrial-network coverage footprint
in virtually all outdoor locations within
the next several years.
Commercial
wireless carriers have provided the FCC
with network-outage information for years,
but the requirement has not been extended
to the FirstNet Authority's nationwide
public-safety broadband network (NPSBN).
The NPSBN is being built and maintained by
AT&T, which is subject to NORS and
DIRS requirements, which has allowed some
officials to make inferences about the
health of the terrestrial FirstNet system,
according to the language in the proposed
further notice.
"FirstNet
is not currently subject to NORS or DIRS
outage-reporting obligations and has never
participated in NORS or DIRS on a
voluntary basis," according to the
further-notice draft.
"However,
its importance to the public-safety
community and the unique customer base it
serves leads us to consider whether outage
reporting is necessary and appropriate to
provide a more complete picture of the
overall health and resiliency of an
increasingly important component of the
nation's communications infrastructure,
particularly during specific disasters
during which FirstNet is specifically
designed to provide more robust
outcomes."
One
question noted in the further-notice draft
is whether the FCC has the authority to
require such network-outage reporting from
the FirstNet Authority, which was
established by Congress in 2012 with
statutory reporting requirements. This law
mandated that the FCC grant the FirstNet
Authority a license to the 20 MHz block of
Band 14 spectrum in the 700 MHz band, but
the FirstNet Authority is housed within
the National Telecommunications and
Information Administration (NTIA) branch
of the federal government.
"Do
the Commission's general Title III
authorities, coupled with section 6003(a)
of the Public Safety Spectrum Act, support
our ability to seek information beyond
FirstNet's statutorily mandated reports?"
the further-notice draft asks. "What other
provisions might support such reporting?
What quantitative estimates of potential
costs and benefits of this integration are
available? What would be additional
improvements to public safety and other
measures of welfare due to specifically
reporting by FirstNet? How would the
magnitude of these benefits compare to the
benefits estimated in the Second Report
and Order?"
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for more tvi
Stroy-106-
FCC to consider new outage-reporting
rules
Click
for More
soliciting
comments on FirstNet, deployable usage
///
115-
NATPE Global at the MiamiIntercontinental,
Jan.
16-18
NATPE
Global is a Central and Eastern Europe's
most established market featuring the US
studios. To be held at the Miami at
MiamiInterncontinental. With nearly 400
regional buyers in attendance.
///
115-
CES
is right around the
corner
with
its focus on the latest trends and
innovations in
technology
CES 2024 is
unticipated to unveil some wild
innovations -- and mind-blowing TV tech is
expected to steal the spotlight. So the
question is, what can we expect from CES
2024 in terms of TV innovation. The Show
is to take place Jan. 9-12, 2024 at the
Las Vegas Convention Center.
CES® is the
most influential tech event in the world
-- the proving ground for breakthrough
technologies and global innovators.
This is where the
world's biggest brands do business and
meet new partners, and the sharpest
innovators hit the stage. Owned and
produced by the Consumer Technology
Association (CTA)®, CES features every
aspect of the tech sector.
CES will be back in
Las Vegas and the IMC will deliver the
exclusive platform for attendees and
exhibitors looking to experience the
nut-and-bolts of IoT technology for
consumer products. The IoT
Infrastructure Pavilion at CES will
showcase the latest technologies that are
the backbone of all connected consumer
technology. CES is simply the most
important IoT venue for large-volume
consumer markets in the world.
///
115-
The Most Captivating Tech at CES 2024
- AI is in everything
A
cooking system that can bake a pizza in 2
seconds - A low-maintenance electric
motorcycle of the future - The screen,
reinvented. A device that can help provide
health-care providers a quick medical
diagnosis. They were just a few of the
products that attracted big crowds at
CES.
Thousands of tech
media representatives poured into the
Mandalay Bay Convention Center on Sunday
for the media preview of CES, a four-day
technology trade show expected to draw
more than 130,000 people to the city,
one-third of them from foreign
countries.
CES Unveiled gave
hundreds of companies the opportunity to
meet the press with table-top
presentations that were miniaturized
versions of the booths that companies
displayed in several locations around the
valley.
Prior to the
unveiling, industry experts gave their
views on technology trends the world can
look forward to this year -- many of them
revolving around the pros and cons of
artificial intelligence.
You have about as
much chance of winning at the slot
machines as finding a company that does
not boast of its AI prowess at CES 2024.
This is far from the first time AI-powered
products could be found amid the booths,
but this is truly the year that AI is
dominating the show.
What we're
witnessing right now is the integration of
major breakthroughs in AI that have
occurred in the past year or so -- such as
OpenAI's ChatGPT -- into devices. "There's
no question that AI -- specifically
generative AI -- is going to be a big
driver of new products and services.
Highlighted is
Microsoft's decision to change up the
Windows keyboard for the first time in
nearly 30 years, adding a button that
provides a direct link to launch its AI
Copilot, as a key example. Another
is Volkswagen adding ChatGPT as a
standard feature in its vehicles later
this year. "You can literally talk your
car in a Knight Rider kind of way."
Along with the AI
products we've experienced firsthand,
companies are dropping hints left, right
and center at CES about what we can expect
to see from them in the year
ahead.
That supports
everyone's take that "we're just starting
to see how this foundational tech is going
to change the way we work, live and engage
with the world."
Already curiousity
is stirred how this rapidly evolving
technology will have changed the game
again by the time CES 2025 rolls
around.
Click
for more tvi
Stroy-115-
The
Most Captivating Tech at CES 2024 -
AI is in
everything
///
106- Co-founded
by AFL-CIO and SAG-AFTRA Union Leaders
Unite During CES 2024 to Tackle
Technology's Impact on Future of
Work
LAS VEGAS --
The Labor Innovation and Technology Summit
-- co-founded by the AFL-CIO, the AFL-CIO
Technology Institute and SAG-AFTRA and
sponsored this year by AFGE, AFSCME, the
American Federation of Teachers (AFT), the
Air Line Pilots Association (ALPA), the
Amalgamated Transit Union (ATU), the
Theatrical Stage Employees (IATSE),
National Nurses United (NNU), the
Transportation Trades Department (TTD),
the Transport Workers Union (TWU), the
United Association of Union Plumbers and
Pipefitters (UA) and UNITE HERE -- will
take place on Tuesday and Wednesday,
Jan. 9-10,alongside CES 2024, focusing on
how the tech innovation revolution affects
the American workforce.
The unions will
bring together notable labor and civil
rights leaders, including AFL-CIO
President Elizabeth H. Shuler, SAG-AFTRA
National Executive Director & Chief
Negotiator Duncan Crabtree-Ireland, AFT
President Randi Weingarten, and President
& CEO of the Leadership
Conference on Civil and Human Rights Maya
Wiley to address a critical gap in
evolving technology and workers'
interests. The summit will highlight the
importance of including workers in shaping
the future of technology and
innovation.
The following
panels will be present at session and
discussion: Worker Rights in the Age of
Tech; AI Goes to Hollywood 2024; Workers
Winning in the Age of Tech; Technology in
the Face of Worker and Civil Rights; AI
and Democracy; When Workers Fight, We
Win!
Closing remarks
with SAG-AFTRA National Executive Director
and Chief Negotiator Duncan
Crabtree-Ireland.
Click
for more tvi
Stroy-106-
AFL-CIO
and SAG-AFTRA Union Leaders Unite
During CES 2024 to Tackle
Technology's Impact on Future of
Work
///
///
Nominations
Announced for the 30th Annual Screen
Actors Guild
Awards®
The SAG
Awards® Ceremony will Stream Live
Globally Saturday, Feb. 24 Only on
Netflix
LOS ANGELES
(January 10, 2024) -- This morning,
nominees for the 30th Annual Screen Actors
Guild Awards® honoring outstanding
individual, cast and ensemble performances
for the past year were announced by Issa
Rae (Barbie, American Fiction, Insecure)
and Kumail Nanjiani (Welcome to
Chippendales, The Big Sick) via Instagram
Live. The nominees for outstanding action
performances by film and television stunt
ensembles were announced by SAG Awards
Committee Members Jason George and Woody
Schultz with an introduction by SAG-AFTRA
President Fran Drescher.
The 30th Annual
Screen Actors Guild Awards, produced by
Silent House Productions in partnership
with SAG-AFTRA, will stream live globally
on Netflix Saturday, Feb. 24, 2024, at 8
p.m. ET / 5 p.m. PT from the Shrine
Auditorium & Expo Hall.
To replay today's
announcement, follow the SAG Awards®
on Instagram @sagawards. To view the
complete list of nominations and fast
facts, please visit the SAG Awards®
Press Kit page:
https://sagawards.org/media/newsinfo/press-kit
As previously
announced, the legendary actor, singer,
producer, writer, and director Barbra
Streisand will be honored with the SAG
Life Achievement Award for career
achievements and humanitarian
accomplishments during the 30th Annual
Screen Actors Guild Awards
ceremony.
One of awards
season's premier events, the SAG Awards
annually celebrates the outstanding motion
picture and television performances from
the previous calendar year (SAG Awards
Eligibility Period: January 1, 2023 -
December 31, 2023). Of the top industry
honors presented to actors, only the SAG
Awards are selected entirely by
performers' peers in SAG-AFTRA with
119,515 eligible voters.
Final voting opens on Wednesday, Jan. 17
and closes at Noon PT on Friday, Feb.
23.
Click
https://www.sagawards.org
Click
for
List of Motion Picture
Nominees
Click
for more tvi
Stroy-115-
#115-30thAnnualScreenActorsGuildAwards
///
101-
SAG-AFTRA
and Replica Studios Introduce
Groundbreaking AI Voice Agreement at
CES
Australia and
Los Angeles -- January 9, 2024
-- Replica Studios (Replica), an
artificial intelligence (AI) voice
technology company, and The Screen Actors
Guild - American Federation of Television
and Radio Artists (SAG-AFTRA) announced
today the introduction of a groundbreaking
AI voice agreement during an event at
CES.
This new agreement
paves the way for professional voice over
artists to safely explore new employment
opportunities for their digital voice
replicas with industry-leading protections
tailored to AI technology, allowing AAA
video game studios and other companies
working with Replica to access top
SAG-AFTRA talent.
The agreement
between the leading AI voice company and
the world's largest performers' union will
enable Replica to engage SAG-AFTRA members
under a fair, ethical agreement to safely
create and license a digital replica of
their voice. Licensed voices can be used
in video game development and other
interactive media projects from
pre-production to final release.
Approved by
affected members of the union's voiceover
performer community, this contract marks
an important step towards the ethical use
of AI voices in creative projects by game
developers, and sets the basis for fair
and equitable employment of voice actors
as they explore the new revenue
opportunities provided by AI. In addition
to establishing minimum terms and
conditions, the agreement ensures
performer consent and negotiation for uses
of their digital voice double and requires
that performers have the opportunity to
opt out of its continued use in new
works.
"Artificial
intelligence has dominated the headlines,
and for most performers, the best
protection against the unauthorized
digital simulation of their voice,
likeness and/or performance is a SAG-AFTRA
contract. We are so happy to partner with
Replica Studios, because this is a great
example of AI being done right," said
SAG-AFTRA President Fran Drescher.
"Recent
developments in AI technology have
underscored the importance of protecting
the rights of voice talent, particularly
as game studios explore more efficient
ways to create their games," said
SAG-AFTRA National Executive Director and
Chief Negotiator Duncan Crabtree-Ireland.
"With this agreement, we have achieved
fully informed consent and fair
compensation when it comes to the use of
our members' voices and performances. We
are proud to work with Replica in leading
the way to make it easy for these
companies to access SAG-AFTRA's
world-renowned talent in an ethical manner
that ensures consent and fair compensation
for their contributions. This agreement
also paves the way for other companies to
follow their lead."
"Replica partnered
with SAG-AFTRA to introduce an ethical
approach to the emerging use of generative
AI. We are excited by the new
opportunities this opens up for
world-leading AAA studios who can now
access the benefits of Replica's AI voice
technology while knowing that talent is
recognized and compensated fairly for the
use of their likeness," said Shreyas
Nivas, CEO of Replica Studios. "Our voice
actor agreements ensure that game
developers using our platform are only
accessing licensed talent who have given
permission for their voice to be used as a
training data set, as opposed to the wild
west of AI platforms using unethical
data-scraping methods to replicate and
synthesize voices without permission."
Click
for more tvi
Stroy-101-
SAG-AFTRA-Replica- Introduce AI Voice
Agreement at CES
2024
///
115-
Golden Globe: Oppenheimer scores 5 wins
See
the full list of Winners at 2024 Golden
Globe Awards
As the industry
comes out from under the cloud of two
overlapping strikes lasting six months and
the long tail of COVID-19, while bracing
for a meager 2024 release calendar, the
business of movies could certainly use the
cheerleading that a healthy awards season
is supposed to provide.
Ratings for the
Globes, this year, were up.
The
show drew an average of 9.4 million
viewers, a 50% jump from last year's
telecast on NBC, no doubt benefiting from
an NFL game as a lead-in, in addition to
having plenty of celebrities in attendance
and popular movies in contention. In the
pre-pandemic year of 2019, the Globes had
more than twice that many viewers,
reaching about 19 million.
Full
list of 2024 Golden Globe nominees and
Winners-
(bold)
Best
Picture, Drama
"Openheimer" (Universal Pictures)
- Winner
"Killers of the Flower Moon"
(Apple Original Films/Paramount
Pictures)
"Maestro" (Netflix)
"Past Lives" (A24)
"The Zone of Interest"
(A24)
"Anatomy of a Fall"
(Neon)
Best
Picture, Musical or Comedy
"Poor Things" (Searchlight
Pictures) - Winner
"Barbie" (Warner
Bros.)
"American Fiction"
(MGM)
"The Holdovers" (Focus
Features)
"May December"
(Netflix)
"Air" (Amazon MGM
Studios)
|
Best
Actress in a TV Series, Musical
or Comedy
Ayo Edebiri -- "The Bear"
- Winner
Natasha Lyonne -- "Poker
Face"
Quinta Brunson -- "Abbott
Elementary"
Rachel Brosnahan -- "The
Marvelous Mrs. Maisel"
Selena Gomez -- "Only Murders
in the Building"
Elle Fanning -- "The
Great"
Best Actor
in a TV Series, Musical or
Comedy
Jeremy Allen White --
"The Bear" - Winner
Bill Hader -- "Barry"
Steve Martin -- "Only Murders
in the Building"
Jason Segel --
"Shrinking"
Jason Sudeikis -- "Ted
Lasso"
|
|
|
Click
for more tvi
Stroy-115-
List of Golden Globe Winners at 2024
Golden Globe
Awards
///
115-
Golden Globe Nominations: 'Barbie',
'Oppenheimer' Top Movie List; 'Succession'
Leads
TV
The 81st Golden
Globe Awards will honor the best in film
and American television of 2023. The
ceremony will be held on January 7, 2024,
from The Beverly Hilton in Beverly Hills,
California, produced by Dick Clark
Productions, Ricky Kirshner, and Glenn
Weiss; the latter will also serve as
director.
Feminist "Barbie," played by Greta Gerwig
that traces its origins to toy store
shelves, dominated nominations for the
2024 Golden Globe Awards. With 10 nods it
makes the movie the second most-nominated
(Cabaret) in the 81-year history of the
show.
"Barbie" was
followed closely by "Oppenheimer,"
Christopher Nolan's look at J. Robert
Oppenheimer and the development of the
atomic bomb, which tallied eight
nominations. "Oppenheimer" was released on
the same weekend as "Barbie," a rare
confluence of blockbusters that inspired
memes and, later, Halloween
costumes, while boosting the box
office.
Unlike the Oscars,
the Globes honor the best of both film and
television and steer clear of recognizing
excellence in most below-the-line crafts
like editing or cinematography. They also
distinguish between film genres,
recognizing the best comedies and musicals
separately from the best dramas. Thus,
"Oppenheimer" will compete for the top
drama prize alongside "Killers of the
Flower Moon," "Maestro," "Anatomy of a
Fall," "The Zone of Interest" and "Past
Lives." For its part, "Barbie" will vie
for best comedy or musical with "Air,"
"American Fiction," "Poor Things," "May
December" and "The Holdovers."
Click
for more
tviStory-115-
Golden
Globe 2023: 'Barbie', 'Oppenheimer' Top
Movie List; 'Succession' Leads
TV
///
115-
81st Golden Globe Broadcast
will honor
the best in film and American television
of
2023.
The 2024 Golden
Globe Awards ceremony takes place Sunday,
Jan. 7, from 8-11 p.m. ET (5-8 p.m. PT),
and will be broadcast live on
CBS as part of a new deal between the
Golden Globes and the network. The
ceremony will also be available to stream
on Paramount+ and the CBS app. Paramount
Global is the parent company of CBS. The
Official Golden Globe 2024 afterparty will
be hosted by Billboard.
The Golden Globes
come to CBS after its longstanding
relationship with NBC ended, and as the
award show works to rebuild its
credibility under new leadership following
a widely publicized scandal and boycotts
over allegations of racism and ethical
lapses within the Hollywood Foreign Press
Association, which organized the Globes
and voted for years to determine its
nominees and winners. CBS is hosting the
Golden Globes live in 2024, CBS
Entertainment announced in a
statement on Friday, Nov. 17.
CBS will air the
three-hour award show extravaganza live on
the network on Sunday, Jan. 7, starting at
5 p.m. Pacific Time (8 p.m. Eastern Time)
following an NFL football doubleheader.
The show will stream on Paramount+ and the
CBS app as part of a "new deal between the
Network and the Golden Globes."
"Live entertainment
and sports have been, and will always be,
a hallmark of CBS, and the Globes adds an
exciting new dimension to our first
quarter schedule this year," George
Cheeks, president and chief executive
officer of CBS, said in a statement.
This is the first time in more than 40
years that the Golden Globes will air on
CBS, following the end of a long-time
partnership with NBC. Scandals and
boycotts had knocked the award show off
television in 2022, when a Los Angeles
Times investigation found that the
Hollywood Foreign Press Association, which
then organized the awards, had no Black
members.
Many stars and
studios boycotted the show, long
known for its boozy dinner-party
atmosphere, as other allegations of
ethical improprieties surfaced in the then
Hollywood Foreign Press Association-owned
award ceremony.
The Golden Globes
returned to NBC for the 2023 broadcast in
a one-year deal -- a make-or-break moment
after the HFPA sold the award show to Todd
Boehly's Eldridge Industries, dissolving
the nonprofit and its membership, earlier
in the year.
The firm, which
owns Dick Clark Productions, which
produces the Globes, and the Beverly
Hilton, the award show's longtime home,
turned the show into a for-profit
venture.
Started in 1944 as
an informal ceremony honoring actors, the
Golden Globe Awards are now viewed in 185
countries around the world.
CBS is part of
Paramount Global, which also owns CBS
News.
Click
for
more
Click
for more
tviStory-115-
81st
Golden Globe Broadcast
will honor
the best in film and American television
of
2023
THEY
TOLD HIM TO BE
QUIET
- by Adria Manary
Adams
When the government tells
you to be quiet, alarm signals should go
off in your brain. Only a chosen few know
the full extent of its power, and my
uncle, Elwin Laurence Peterson,
regrettably found out the hard
way.
During World
War II, he worked at the Washington D.C.
Navy Yard in the optics and machine shop.
While there, he received several awards
for his contributions to the war effort.
One concern that he became acutely aware
of, was the difficulty that all facets of
the military were experiencing in
communications. Methods of transmitting
vital information to and from ships,
submarines, airplanes and troops on the
ground had become increasingly problematic
since the Germans were intercepting and/or
scrambling our signals. In exploring the
situation, Elwin realized that varying the
frequencies on which the messages were
sent would disable the enemy from
capturing our communications. Since
frequency variation was a prominent
component of a television system that he
had conceived of in the late 1920's, and
patented in 1928, he suggested that the
government use this significant piece of
his "Transmitting System and Apparatus,"
patent number 1,747,791.
He
absolutely believed that this method would
provide clear, secured and unencumbered
communication in military operations, thus
saving many American soldiers.
After
explaining how FM would benefit the Navy
to the manager of his department, his
suggestion made its way up the ranks. In
handwritten notes written by my uncle in
1945, he states:
"I was
interviewed several times by various
officers and engineers. At one of these
interviews, a man who worked for Edwin
Armstrong was in attendance. He had been
called in because of his claim that
Armstrong (now a Major in the Signal
Corps), had been working on variations of
wavelengths since 1931. At that point I
informed the officers that I was well
aware of his efforts, because I had
demonstrated my version to Mr. Armstrong
back in
Elwin Laurence Peterson
1929 and
again in 1930, when Bell Telephone and the
Postal Telegraph Company had requested his
opinion of my invention."
What Mr.
Peterson did not mention in this meeting
was that after seeing these
demonstrations, Edwin Armstrong later used
what he saw to further his efforts in
transmission technology, which eventually
helped him to become who many refer to as
the "Father of Radio". If Armstrong was to
be given this title, then Elwin Peterson
should have been credited for being the
"Grandfather of Radio". (The Armstrong
patent was filed in 1933. Peterson's
patent was submitted in 1928, five years
earlier, and finalized in 1930, three
years before Mr. Armstrong's.)
Click
for more tviStory
110--THEY
TOLD HIM TO BE
QUIET
///
Norman
Lear, TV Legend and creator of 'All in the
Family' dies at
101
LOS ANGELES
(December 6, 2023) -- SAG-AFTRA
today honors the legacy of iconic
writer-producer and SAG-AFTRA member
Norman Lear, a television institution, who
died Tuesday at age 101.
SAG-AFTRA President
Fran Drescher said, "I grew up
watching Norman Lear sitcoms that made me
think and question so much about the way
we look and feel about a myriad of topics
that were never a part of comedy. He took
real issues and made them a part of sitcom
families, and he showed life as it was.
Not white-washed, not oppressed, but real,
for young people, for women, for people of
color, for people with and without
money.
Norman
Lear and Fran Drescher at the Hollywood
Museum's LGBTQ+ Real to Reel Awards, June
9, 2022.
Photo by William Kidston/Courtesy of the
Hollywood Museum
The first time I
worked for him, the first day of the
reading of the script, I was late and I
was so nervous. I walked into the room,
everybody was sitting around the table,
and I said, 'I'm so sorry that I'm
late,' and Norman said, 'That's ok,
anyone that can look that good at this
hour of the morning deserves to be
late,' and I never forgot his
generosity and his brilliant need to
elevate people and to think differently
with a greater capacity for understanding
each other. I saw him as recently as one
year ago when I was being honored at the
Hollywood Museum and he was presenting. We
sat together and talked about so many
things. I marveled at how sharp his mind
still was even at a few months shy of 100
years old. He was a great man, a great
producer, and a great American who will be
greatly missed but long remembered."
Lear joined AFTRA
in 1953 and SAG in 1991.
///
115- 15th
Edition of Languages & The
Media
After a hugely
successful conference in 2022, with a
record breaking number of particpants, we
are delighted to announce that the
15th edition of Languages & The Media,
the International Conference and
Exhibition on Language Transfer in
Audiovisual Media, will take place from
November 13 - 15, in Budapest,
Hungary.
For its 15th
edition, Languages & The Media is
discovering new frontiers by moving to
Budapest. Embark on this journey with us!
After so many years in Berlin, we are very
excited about this change of location and
hope you'll be joining us in this new
adventure!
The conference will
be held under the overriding theme "New
Frontiers in Media Localization" and you
can find out more about our overall theme
and our sub-themes here and submit to the
call here.
Click
for more tviStory
115-
15th
Edition of Languages & The
Media
///
SAG-AFTRA Statement to Members Regarding
End of Historic TV/Theatrical/Streaming
Strike
LOS ANGELES, Nov.
9 -- SAG-AFTRA President Fran
Drescher and SAG-AFTRA National Executive
Director and Chief Negotiator sent the
following message to members
today:
We did it!
Our historic TV/Theatrical/Streaming
strike is over as of 12:01 AM this
morning. After 118 days on strike, we are
set to change the future of our industry
with a transformative contract that
includes gains for every category of
SAG-AFTRA member who works this
contract.
This
revolutionary agreement achieves major
breakthroughs in addressing compensation
via residuals and protections from
generative artificial intelligence
technology while reaffirming the role
human performers play in the production of
film, television, and streaming
entertainment.
Tomorrow,
the National Board will meet to review the
tentative agreement and vote on whether or
not to send it to you, the membership, for
a ratification vote.
Although
full details will not be shared in advance
of tomorrow's meeting, we wanted to share
just a few key deal
points:
More
than one billion dollars in new wages and
benefit plan funding;
A streaming participation
bonus;
Minimum compensation increases that
break the so-called "industry
pattern;"
For the first time, consent and
compensation guardrails on the use of
AI;
Raised Pension & Health caps
that will channel more value into our
funds; and
Critical protections for diverse
communities.
We're proud
of the phenomenal efforts of our
TV/Theatrical Negotiating Committee, and
send our sincerest thanks to you -- the
members -- who made these gains possible
by granting a strike authorization prior
to negotiations, and remaining resolved
throughout the 118 days of our strike.
Your solidarity helped us achieve the
necessary leverage to secure these
unprecedented gains.
We're also
grateful to our union siblings who stood
by our side -- literally and
figuratively -- from the very beginning.
We truly could not have succeeded without
your unwavering support.
Effective immediately,
all SAG-AFTRA members should fulfill their
contractual obligations and return to
work. Members and influencers may resume
services relating to publicity and the
promotion of motion pictures produced
under the CBA and Television Agreement,
without consequence or conflict with the
union.
Click
for more tviStory
101-
SAG-AFTRA End Of TV/Theatrical Strike Nov
9
/// <End
of Part Two News>
<Return
Top>
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Troy
Cory Show 5000-00
TCS187
50
"Hollywood
Beat" -Larry
Leverett
http://www.lookradio.com/5000-00tcs.htm
www.youtube.com/watch?v=80FZz0CmyYY
VRA5000
Troy Cory Show - Hurrah For
Hollywood Troy
Talks
about
China from 1980s to 2007.
Players: Larry Levrertt and Judy
Henderson, Troy Cory
Directed By: Troy Cory;
UD: Josie Cory; Camera:
Producers: TCS187; VRA TelePlay
Pictures; Josie Cory.
PreProduction:
PostProduction: Online Computer
Editing: VATS Firewire Media;
Post Production Facilities:
Rosemont Studios; Video Record
Albums (VRA)
Munchen-Bratislava-Universal
City, California, USA.
Distributor: NBS.Prod:
WebPlay WebCast Rosemont Studios:
Victor Caballero; TCS90, WiFi90,
TCS187; S90tv. VRAWebPlay; Vine
Street Video Centre; A VRA
TelePlay Preview; LookRadio
Movies; RnB Plus, R&B plus
Troy Cory Show with Ambros Seelos
Orchestra.
For
Full Production Participants:
http://www.lookradio.com/5000-00tcs.htm
=
doesn't
go anywhere
<>
<02c
- 5000-01tcs>
50
Troy
Cory
Show
-
5000-01
Shanghai
Film Festival
1988
TCS187
/
05:22
http://www.lookradio.com/5000-01tcsisntashame.htm
https://www.youtube.com/watch?v=92YL2O-OJHw
VRA5000-11
Troy Cory Show - Troy Sings:
"Isn't It A Shame" Hurrah For
Hollywood Troy Cory, The First
U.S. Show into China -1988.
Players: Troy Cory,
Joey Adams and the Brooke
Ssisters Directed By:
Troy Cory; UD: Josie
Cory; Camera:
Producers: TCS187; VRA
TelePlay Pictures; Josie Cory.
PreProduction:
PostProduction: Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA)
Munchen-Bratislava-Universal
City, California, USA.
Distributor: NBS. CREDITS:
WebPlay WebCast Rosemont
Studios: Victor Caballero;
TCS90, WiFi90, TCS187; S90tv.
VRAWebPlay; Vine Street Video
Centre; A VRA TelePlay
Preview; LookRadio Movies; RnB
Plus, R&B plus Troy Cory
Show with Ambros Seelos
Orchestra. Full
Production Participants
http://www.lookradio.com/5000-01tcsisntashame.htm
- <>
<03c
-
00-02tcs>
50
Troy
Cory Show 5000-02
Munich
FilmFest Song: "I Never
Knew"
http://www.lookradio.com/5000-02tcsIneverknew.htm
https://www.youtube.com/watch?v=ybzQLLthLC0
VRA5000-02Troy
Cory Show - Munich Film Fest
-
2004 Players: Troy
Cory, Directed By: Troy
Cory; UD: Josie Cory;
Camera: Producers:
TCS187; VRA TelePlay Pictures;
Josie Cory.
PreProduction:
PostProduction: Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA)
Munchen-Bratislava-Universal
City, California, USA.
Distributor: NBS100.
WebPlay WebCast Rosemont
Studios: Victor Caballero;
TCS90, WiFi90, TCS187; S90tv.
VRAWebPlay; Vine Street Video
Centre; A VRA TelePlay
Preview; LookRadio Movies; RnB
Plus, R&B plus Troy Cory
Show with Ambros Seelos
Orchestra.
For
Full
Production Participants:
http://www.lookradio.com/5000-02tcsIneverknew.htm
- <>
<04c
-
5100tcs>
51
Troy
Cory Show Sam
Butera-
"Up The Lazy River"
VRA5100-00
http://www.lookradio.com/5100tcs.htm
http://www.youtube.com/watch?v=M2qW55GEJGQ
51000
Troy Cory Show Sam Butera
Sings:
"Up The Lazy
River"
R&B
Plus TCS187. VRA5100 Episode
Introduction. Players: Sam
Butera & the Wildest; Phil
DiRe; Buck Menari; Arnie Tech;
Jim James (Jimbo); Bob Sachs;
Chuck Stevens; Troy Cory;
Odette Ashooy; Robin Nichols;
Lori Engel; Gene Emberton;
Maribeth Lotito, Jim Lotito;
Frank Tropepe, David Trotter;
Lynn Mann; Nina Janovsky; Bob
Wills; Directed By: Troy Cory,
TCS80: Unit Director: Richard
Greninger; William Janovsky;
03b Producers: TCS80; VRA
TelePlay Pictures; Josie Cory;
PreProduction / California
Video; John Morgan; Jeff
Barnes; Marcus Robinson; Greg
Klein; Dave's Magic Lighting;
William Adrian; Guy Manning;
Lynn Mann; Mike Lipman; Robert
Guy Barrows; Camera:
California Video.
PostProduction / Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA);
Muenchen-Bratislava-Universal
City, California, USA. Sponsor
/ Charley O'Brians; Mary Kay
Cosmetics; Actrix Computers.
TAGSWebPlay WebCast
Rosemont Studios: Victor
Caballero; TCS90, WiFi90,
TCS187; S90tv. VRAWebPlay;
Vine Street Video Centre; A
VRA TelePlay Preview;
LookRadio Movies; RnB Plus,
R&B plus Troy Cory Show
with Ambros Seelos Orchestra.
For
Full
Production Participants:
http://www.lookradio.com/5100tcs.htm
/
- <>
<05c
-5200tcs>
52
Troy
Cory Show L.J. Reynolds
"Touchdown" R&B+
VRA5200-00
http://www.lookradio.com/5200tcs.htm
520000
Troy Cory Show L.J. Reynolds
sings: "Touchdown".
The Best of R&B+ TCS187
Episodes feature top R&B
recording artist of the era.
The Rosemont Estate Studios
referred to in this segment as
the popular R&B Mansion:
Jeffrey Osborne, George Duke,
Mel Carter, Kenny G; Beau
Williams; Rockwell; Nona
Hendrix; Jimmy Vee; Philip
Baily; Cameo; Timmy Thomas;
R.J. Reynolds; Joe Williams;
Madison Cole; John Harris;
Darlene Hoyer; Cathy Pierce.
Producers: VRA TelePlay
Pictures; VRA WebPlay, Don
Butler; Josie Cory;
PreProduction: Eddie Barber,
Tony Nicholof; Angel Domino;
Linda Velar; Linda LeClerg;
Jossi Sigl; William Adrian;
Shelton Elkins; Bob Barrows.
PostProduction: Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA). Distributor: VRA
WebPlay WebCast Rosemont
Studios: Victor Caballero;
TCS90, WiFi90, S90tv.
VRAWebPlay; Vine Street Video
Centre; A VRA TelePlay
Preview; LookRadio Movies; RnB
Plus, R&B plus TCS187,
Ambros Seelos.
VRA5300
Allan Hale - Episode Sweet
Leilani
For
full description See:
http://lookradio.com/5200tcs.htm
- <>
<06c
5300tcs>
53
Troy
Cory Show TCS187 Classics
Allan Hale Jr.
VRA5300-00
http://www.lookradio.com/5300tcs.htm
Youtube: https://www.youtube.com/watch?v=uLG7pBBWbcY&t=31s
530000
Troy Cory Show TCS187
Classics.
Allan Hale Jr. opens the
Episode Series. Troy sings:
Sweet Leilani VRA5300. In May
31, 1974, TV Guide described
the Troy Cory Show airing time
- 11:00 on KTLA: Troy's Guest
is actor - restaurateur Alan
Hale. Also: Priscilla Cory
joins her father in a
selection of Hawaiian tunes,
including "Sweet Leilan,"
"You, My Ukulele and Me," and
"Blue Hawaii." Today's program
features a replica of
Gilligan's island with an
all-hawaiian format.
Passionettes are featured as
mermaids. Troy sings: "My
Claire De Lune" accompanied by
Redwood & Company
Players: Troy Cory; Priscilla
Cory; John Perkins Barrymore;
Jr.; Inge Maria Pinser; The
Passionettes: Caroline Nering;
Debbie Midget; Evelyn Cortes;
Jacquelyn Lombard; Jeep
Ransaw; Susan Jackson; Guest
Stars: Sammy Fain; Larry
Storch; Alan Hale; Clint
Walker; Foster Brooks; Jack
Foreman; Sugar Ray Robinson;
Florence Marly; Byron Matson;
Lieutenant Robert Helder;
Wanda Hendrix; Nick Lucas;
Zina Florentine; Ron Fischer;
Liz Renay; Dee Arlen; Sumatran
tiger; Renee Valenti; Dave
Macklin; Tommy Cooper; Sandy;
Marve; Pam Warsham; Jessie
White; Priscilla Stubblefield;
Jackie Stubblefield; Linda
Nering; David McFarlane;
Janice Wilson; Rayme
Whitenack; Hilda Fuchs;
Estelle Prince; Harry Ashley;
Dennis Grimes; Mario Feninger;
William
Lasky.
For
full description See:
http://lookradio.com/5300tcs.htm
<>
<
07c
-
5400tcs>
54
Troy
Cory Show TCS187 Sammy Fain
"To Get To
You"
VRA5400-00
http://www.lookradio.com/5400tcs.htm
https://www.youtube.com/watch?v=Ct-rWGwGJeY
540000
Troy Cory Show TCS187
Classics.
Sammy
Fain opens the Episode Series.
Troy sings: To Get To You
VRA5400. Players: Troy Cory;
Priscilla Cory; John Perkins
Barrymore; Jr.; Inge Maria
Pinser; The Passionettes:
Caroline Nering; Debbie
Midget; Evelyn Cortes;
Jacquelyn Lombard; Jeep
Ransaw; Susan Jackson; Guest
Stars: Sammy Fain; Larry
Storch; Alan Hale; Clint
Walker; Foster Brooks; Jack
Foreman; Sugar Ray Robinson;
Florence Marly; Byron Matson;
Lieutenant Robert Helder;
Wanda Hendrix; Nick Lucas;
Zina Florentine; Ron Fischer;
Liz Renay; Dee Arlen; Sumatran
tiger; Renee Valenti; Dave
Macklin; Tommy Cooper; Sandy;
Marve; Pam Warsham; Jessie
White; Priscilla Stubblefield;
Jackie Stubblefield; Linda
Nering; David McFarlane;
Janice Wilson; Rayme
Whitenack; Hilda Fuchs;
Estelle Prince; Harry Ashley;
Dennis Grimes; Mario Feninger;
William
Lasky.
For
full description See:
http://lookradio.com/5400tcs.htm
<>
<07c+>
54
Troy
Cory Show
TCS187 Troy Sings "Sugar To
Tea"
VRA5400-01 =
"Sugar
To
Tea"
http://smart90.com/dvdstore/vravmusic/sugartoteaktla4032.htm
http://www.lookradio.com/5400tcs.htm
=
"To
Get To
You"
https://www.youtube.com/watch?v=nvldXVhld1s&t=181s
540001
Troy Cory Show TCS187
Classics.
Troy sings one of Sammy Fain's
Songs: "Sugar To Tea" VRA5401.
Players: Troy Cory; Priscilla
Cory; John Perkins Barrymore;
Jr.; Inge Maria Pinser; The
Passionettes: Caroline Nering;
Debbie Midget; Evelyn Cortes;
Jacquelyn Lombard; Jeep
Ransaw; Susan Jackson; Guest
Stars: Sammy Fain; Larry
Storch; Alan Hale; Clint
Walker; Foster Brooks; Jack
Foreman; Sugar Ray Robinson;
Florence Marly; Byron Matson;
Lieutenant Robert Helder;
Wanda Hendrix; Nick Lucas;
Zina Florentine; Ron Fischer;
Liz Renay; Dee Arlen; Sumatran
tiger; Renee Valenti; Dave
Macklin; Tommy Cooper; Sandy;
Marve; Pam Warsham; Jessie
White; Priscilla Stubblefield;
Jackie Stubblefield; Linda
Nering; David McFarlane;
Janice Wilson; Rayme
Whitenack; Hilda Fuchs;
Estelle
Prince;
Harry Ashley; Dennis Grimes;
Mario Feninger; William
Lasky.
For
full description See:
http://lookradio.com/5400tcs.htm
<>
<08c
-
5500tcs>
55
Troy
Cory
Show VRA5500
The Best of TCS187 "Movie
Star" R&B Plus Kenny G,
George Duke, Jeffrey Osborne,
Mel Carter
Seg01
VRA5500:
Players:
/ Troy Cory; Kenny G; George
Duke, Jeffrey Osborne, Mel
Carter,
Beau Williams; Rockwell; Nona
Hendrix; Jimmy Vee; Philip
Baily; Cameo; Timmy Thomas;
R.J. Reynolds; Joe Williams;
Madison Cole; John Harris;
Darlene Hoyer; Cathy
Pierce.
VRA550002 Troy Cory Show The
Best of TCS - R&B Plus
"I've Been Missing You"
VRA5500-02. Players: / Troy
Cory; Kenny G; George Duke,
Jeffrey Osborne, Joe Williams;
Madison Cole, Tina Kincaid,
Angelica Bridges.
Producers: TCS83; VRA TelePlay
Pictures; VRA WebPlay, "I've
Been Missin' You" Don Butler;
Josie Cory;
PreProduction: Eddie
Barber,Tony Nicholof; Angel
Domino; Linda Velar; Linda
LeClerg; Jossi Sigl; William
Adrian; Shelton Elkins; Bob
Barrows.
PostProduction: Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA).
Distributor: VRA
Sponsor: Special Thanks To:
Arista Records, Mowtown;
Capitol Records; Polygram;
Warner Bros.; MCA; CBS; Epic;
A&M; Cinema Prize. For
Full Production Participants:
http://lookradio.com/5500tcs.htm
TAGS WebPlay WebCast
Rosemont Studios: Victor
Caballero; TCS90, WiFi90,
TCS187; S90tv. VRAWebPlay;
Vine Street Video Centre; A
VRA TelePlay Preview;
LookRadio Movies; RnB Plus,
R&B plus Troy Cory Show
with Ambros Seelos
Orchestra.
For
full description See:
http://lookradio.com/5500tcs.htm
<>
<09c
-
5600tcs
>
56
Troy
Cory Show> VRA5600 The Best
of Interviews Pete Simon
Bonnie and Clyde Episode
1973
http://www.lookradio.com/5600tcs.htm
VRA5600tcs
Variety-type
Television Talk Show out of
Las Vegas, hosted by Troy Cory
and featuring various
celebrities and film clips.
Featured
Guests: Pete Simon; Priscilla
Cory, Larry Taylor, Suzanne
Vegas, Fawn Maureen. Troy
sings various songs from his
albms.
In
1973 the Bonnie and Clyde
Death Car was purchased by Peter
Simon of the Oasis Casino in Jean
Nevada for $175.000. It was
on display at Whiskey Pete's
Casino for several years and is
now on permanent display at the
Primm Hotel and Casino at Primm
Nevada just of Interstate 15 on
the Nevada and California
Stateline.
Players:
Troy Cory; Priscilla Cory;
Suzanne Vegas, Virginia, Hill,
Jack and Tom Lambie, Hang Glider
Innovators, Karen Lafrenz, Sherry
Teranto; Paul Oesterle,
owner-operator Howard Johnson
Hotel,
Las Vegas; Allen Pinson,
Inge-Maria Pinson; Fawn Maureen;
Peter Simon, Suzanne Vegas, John
Harris.
For
full description See:
http://lookradio.com/5600tcs.htm
<>
<10c
-5700tcs>
57
VRA5700
The Best of R&B - LJ
Reynolds"Touchdown"
570000
Troy Cory Show L.J. Reynolds
sings:
"Touchdown".
The Best of R&B+ TCS187
Episodes feature top R&B
recording artist of the era.
The Rosemont Estate Studios
referred to in this segment as
the popular R&B Mansion:
Jeffrey Osborne, George Duke,
Mel Carter, Kenny G; Beau
Williams; Rockwell; Nona
Hendrix; Jimmy Vee; Philip
Baily; Cameo; Timmy Thomas;
R.J. Reynolds; Joe Williams;
Madison Cole; John Harris;
Darlene Hoyer; Cathy Pierce.
Producers: VRA TelePlay
Pictures; VRA WebPlay, Don
Butler; Josie Cory;
PreProduction: Eddie Barber,
Tony Nicholof; Angel Domino;
Linda Velar; Linda LeClerg;
Jossi Sigl; William Adrian;
Shelton Elkins; Bob Barrows.
PostProduction: Online
Computer Editing: VATS
Firewire Media; Post
Production Facilities:
Rosemont Studios; Video Record
Albums (VRA). Distributor: VRA
WebPlay WebCast Rosemont
Studios: Victor Caballero;
TCS90, WiFi90, S90tv.
VRAWebPlay; Vine Street Video
Centre; A VRA TelePlay
Preview; LookRadio Movies; RnB
Plus, R&B plus TCS187,
Ambros Seelos.
The Rosemont Estate referred
to in this segment as the
popular R&B Mansion
features appearances of a
variety of RnB artists on the
R&B Plus TV Show that
aired on Channel 9 in Los
Angeles, California.
For
full description See:
http://lookradio.com/5700tcs.htm
<>
<11c
-
5800tcs>
58
VRA5800-00
The Wireless
Telephone
- 5800-02
The
NBS1908 Legacy "The Wireless
Telephone Legacy" - Part
Two
http://www.lookradio.com/5800tcs.htm
Troy
Cory Show The Best of NBS100
Murray, Kentucky (Year).
Intro: John Perkins Barrymore;
Ron Smith Look-alikes (Song-
Movie Star). ("Segment Title")
VRA5800-00 VRA5800tcs
For
full description See:
http://lookradio.com/5800tcs.htm
<>
<12c
-
5801tcs>
58
5801
Troy
Cory Show
"The
Wireless Telephone
Bequest" 1973, Jackson,
Mississippi
http://www.lookradio.com/5801tcs.htm
VRA580001
The NBS1908 Legacy "The
Tranfer of Title to the
Wireless Telephone" -
Part One.
Troy Cory, TCS explains to
Suzanne Vegas, Larry Taylor,
and Priscilla Cory how he came
into possession of the
Wireless Telephone and
its effects, after the death
of Troy's uncle, Bernard
Stubblefield, on October 4,
1973. The admistrator of
Bernard's estate, Mrs. Thomas
(Ann) Lynch, read the will
leaving all of the estate and
effects contained in the trunk
to Troy, the heir in
succession.
Troy
introduces a film clip from the
October,1973 CBS "Dot Lambert
Show," Jackson, MS., where the
hostess of the show opens the NBS
trunk during the show going
through the writings, drawings
and patents bequested to Troy by
Bernard. Troy's grandfather,
Nathan B. Stubblefield of Murray,
KY, bequested his estate and
effects to Bernard and his heir
in 1928. For full description
See:
http://lookradio.com/5801tcs.htm
Troy
Cory Show Talk Las Vegas Troy
Cory sings: Clair de Lune.
Players: Troy Cory;
Priscilla Cory; Suzanne Vegas,
Virginia, Hill, Jack and Tom
Lambie, Hang Glider
Innovators, Karen Lafrenz,
Sherry Teranto; Paul Oesterle,
owner-operator Howard Johnson
Hotel, Las Vegas; Allen
Pinson, Inge-Maria Pinson;
Fawn Maureen; Peter Simon,
Suzanne Vegas, John Harris;
Dot Lambert; Mrs. Thomas (Ann)
Lynch. 03 Directed By:
Troy Cory; Unit
Director: Allen Pinson;
Camera: Channel 5;
Producers: TCS73; VRA TelePlay
Pictures; Don Butler, Josie
Cory. 03c
Pre-Production / Channel 5,
Las Vegas; John Harris; Zot
Harris, Jerry Titus. Jerry
O'Ferro William Adrian; Agida
Serdienis; Flash it 3002
Lighting Co.; John Oster,
Allen Ziven; Jerome Titus.;
CBS TV, Jackson, MS.
VRA580001
The NBS1908 Legacy "The
Tranfer of Title to the
Wireless Telephone" -
Part One.
Troy Cory, TCS explains to
Suzanne Vegas, Larry Taylor,
and Priscilla Cory how he came
into possession of the
Wireless Telephone and
its effects, after the death
of Troy's uncle, Bernard
Stubblefield, on October 4,
1973. The admistrator of
Bernard's estate, Mrs. Thomas
(Ann) Lynch, read the will
leaving all of the estate and
effects contained in the trunk
to Troy, the heir in
succession.
For
full description
See:
http://lookradio.com/5801tcs.htm
<>
<13c
-
5900tcs
59
>
VRA5900
TCS Beijing
1988-2008
http://www.lookradio.com/5900tcs.htm
https://www.youtube.com/watch?v=KujToCxzwN8
= ?
01.
Feature
Story
/
VRA5900-00
"Beijing - 20 Years Later - 1988
to 2008"
Movie
Title: "Beijing - 20 Years Later
- 1988 to 2008" Knock, Knock,
Who's There?
China's
Open Door Policy - Troy Cory,
Joey Adams, vp Al Gore, Josie
Cory, Shanghai 1997, Troy Sings,
Smooth Sailing. / A VRA LookRadio
Movie VRA TelePlay Preview 4003
(9 min seg.) - LookRadio, S90tv,
Yes90, tviNews, Smart90,
D-diaries
More About Segment
"Beijing
- 20 Years Later - 1988 to 2008"
"China's Open Door Policy"
features TVInews / CCTV / IOC
film clips. Troy Cory and Joey
Lauren Adams are featured
performing at the 1988 Shanghai
TV Festival "Summertime Is Here
At Last", "Isn't It a Shame", and
"Smooth Sailing" on the Yangtse
River. STV news anchor welcomes
Troy to Shanghai.
As
first American singer to perform
at Shanghai Festival, signifies a
"leap forward" since Deng
Xiaoping's visit to USA,
Thatcher's signing Hong Kong
agreement, military October
parading at Tiananmen Square, and
trial of Mao's wife Jiang Quing,
the Gang of Four as seen in
historic footage. Troy and the
Brooke Sisters lighting candles
at Buddha Temple.
MORE
DESCRIPTION:
It was Deng Xiaoping's visit to
the USA in 1978, his meetings
with Richard Nixon, and the trial
of Mao's wife, Jiang Quing and
the Gang of Four that created
today's China's Open Door
Policy.
Recording Artists:
The California Goodtime Band;
John Mraz; Sam Montelle Stavros;
Smokey Allen Stover; Rick Turner;
The Pheromones;
Players: Troy Cory; Joey Lauren
Adams; Ginger Adams; Lila
Greninger; Christy Mattola; Gayl
Murphy; Kalia Salangron; Lynn
Stepney; Paul Wu; Shelley Zhang;
Political Figures: Jiang Zemin;
Deng Xiaoping; Al
Gore;
<>
<14c--
tcsmoviestar01top
"Troy
Cory Show "Movie
Star"
Troy Cory Show - The Best of
NBS100 Murray, Kentucky (Wireless
100th Anniv. 1892-1992). Intro:
John Perkins Barrymore; Ron Smith
Look-alikes (Song- Movie Star).
("Segment Title") VRA5800-00
-http://lookradio.com/5800tcs.htm
Troy
sings Movie Star at Hawaian
Tropics beauty contest
lookradio.com/tcsmoviestar.htm
troycoryshow.com/tcsmoviestar01top.htm
BuyAmazon
Priscilla's
Pop https://www.youtube.com/watch?v=WvUS3LSAnYs
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<03><>
<03>
<><>Trade
Shows<><>17
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12
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7
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115-
TradeShows - Festivals -
Awards
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Reports
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QUARTER 2022
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Direct-
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JANUARY 4
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JANUARY 20 - 30
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APRIL
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<
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®
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- History:
Founded in 1956 by ABC's
Sam
Donaldson
and his partner
Al
Preiss
and acquired by the Cory's in
1987.
In
April 1956 TVI (TELEvisionFILM
Magazine) debuted it's first
edition with offices at 1580
Crossroad of the World,
Hollywood, CA.
In
March,
1963, TVI hosted the first
"Annual Festival of World TV
Classics Award " at the
Huntington Hartford Theater.
Since 1956 TVI grew to command
the print readership of
television network executives
in 142 countries on six
continents, covering the
industry of television, film,
telecommunication and WiTEL.
In the mid-90s Television
International Magazine (TVI
Magazine) went online as:
tvimagazine.com
JosieCory.com
TroyCory.com
.
. .
"People
read what they want," says
tviNews. "There is no master plan
what people are interested in."
The question is, how can we
partner with people to have a
symbiotic
realationship?
Television
Internatinal Magazine Founder,
Sam
Donaldson.
Samuel
Andrew Donaldson became
interested in broadcasting at an
early age and, after graduating
from New Mexico Military
institute, majored in
telecommunications at Texas
Western. He immediately began
working at local stations as a
disc jockey, announcer and
interviewer. While still in El
Paso, he had his first taste of
television, working as an
announcer in the region's first
television station.
While attending graduate school
at the University of Southern
California, Donaldson met
publisher Al Preiss, and they
both formed TELEvisionFILM
Magazine. Both seeing where the
international television market
was heading, the name was changed
to Television International
Magazine.
In his book "Hold On Mr.
President" Donaldson writes
.... After getting my B.A., I
went to the University of
Southern California for a year of
postgraduate work. This time I
worked hard but didn't stick to
it. Instead, I started a magazine
in Hollywood all with five
thousand dollars and a friend
named al Preiss. We went
first-class, letter press
printing instead of offset,
four-color ads instead of black
and white. It soon became evident
that we needed fifty thousand
dollars, not five." Eventually
Donaldson sold out to Al Preiss
who continued publishing the
magazine until his death in 1986.
In 1987 The Cory's purchased the
Magazine fro,m Al's widow Sylvia
Preiss.
SamDonaldson
Click
for More
Sam
Donaldson
Television
International Magazine
Co-Founder, Al
Preiss.
Born
in Waseca, Minnesota, Preiss
began his career in the newsroom
at WCCO-TV in Minneapolis as a
sportscaster. He later moved to
Los Angeles, where he began
teaching television courses at
the University of Southern
California.
It was there, in 1955 when Al
Preiss had a vision -- a vision
that materialized in 1956, when
he and his colleague Sam
Donaldson launched TELEvisionFilm
Magazine.
Both Al and Sam had an honest
conviction that, "the television
film industry had reached a stage
where it needed a national
publication that would analyze
and put into focus -- the news,
issues and problems which
particularly concern the
production and distribution of
film for television.
When Al Preiss died in August
1986, the television industry
lost an untiring advocate and a
giant of a good friend. The tall,
wonderfully amiable publisher
truly seemed to do it all --
attending nearly every press
conference, speech, convention
and reception, and was never seen
without his trademark clear
plastic briefcase. You turned
around at these functions and
there was Preiss, taking notes,
talking animatedly, telling
stories, doing his job. One that
he not only loved, but felt was
necessary and important. He did
it all with the help of his
charming wife of 25 years,
Sylvia, who was editor of the
magazine during the years of 1985
and 1986.
The controlling interest of the
magazine, with all of its
archival history was purchased in
1987 by the Cory's.
Contributing
Journalists:
Josie
Cory, Gary Sunkin, Byan Lukas,
Donna Jeffries, Valerie Milano,
Peter Allman, Don Butler, Troy
Cory-Stubblefield, Barry Seybert,
Victor Caballero, Mike Lipman,
Gordon Talbott, William Adrian,
Ginger Adams, Larry Leverett,
Bernard Schwartz, Bob Fisher, Dr.
Frank Iezzi, Ph.D., Kurt Sigl,
Robin Strausberg, Mark Schaefer,
Brad Ashton, Jim Baker, Anika
Michalowska, Theo Pirard, Richard
Mahler, Bill McCloskey, Bill
Peterson, John Chittock, Tony
Chiaveillo, Moira Burnett, John
Sanders, Mark Trost, Gillian
Davies, Jonathan Ames, Peter
Knight, Anton van Casteren, Jim
Hodgetts, Martin Jackson, Jack
Loftus, Peter Warner, Christian
Williams, Alex Ben Block, Bob
Foster, Seth Goldstein, Bob
Marisch, Jefferson Graham, Jack
Anderson.
|
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TELEVISION
INTERNATIONAL
MAGAZINE receives 2019 Best of Toluca Lake
Award
TOLUCA LAKE,
December 17, 2019 -- TELEVISION
INTERNATIONAL MAGAZINE has been selected
for the 2019 Best of Toluca Lake Award in
the Magazine Publishers since 1956
category.
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NBS
- SMART90
- GoTo:
PartFivea-TCS
China
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Wireless
Telephone inventor Nathan
Stubblefield
Click Stubblefield Speaks -
YouTube-
30Min
///
Proclamation
by Wallace G. Wilkinson, former
Governor of
Kentucky
1992
proclaimed Nathan Beverly
Stubblefield year and
Murray, Kentucky
'Birthplace of
radio'
STUBBLEFIELD-MAIN
Acknowledgments-02
Thanks-Gerry
ThanksGovWilkinson
PROCLAMATION
Acknowledgment-03
NBSwiTEL04
NBSwiTEL05GOV
NBSwiTEL06
113th
Anniversary of the N.B.
Stubblefield's Wireless Telephone
Patent
1908
0512 - PATENT GRANTED:
Stubblefield's U.S. Patent,
Number 887,357, All Purpose
Wireless Telephone, Filed April
5, 1907, Granted May 12, 1908. /
Click MORE STORY TO GO DIRECTLY
TO U.S. Patent Office - (Patent
Expires May 12, 1925) CLICK ANY
IMAGE TO VIEW
PATENT
Click
for
More-
Nathan
be Stubblefield
Nathan
B. Stubblefield's Wireless
Telephone
Patent
Nathan
B.
Stubblefield
Click
for
more-
Ground
Battery
Trivia:
What
other event occurred in 1902, the
year of Stubblefields's public
demonstration in
1902.
A:
The founding of J.C. Penney
stores by James Cash.
///
102-
Nathan B. Stubblefield, the Man
History
Overheard
By
Harvey
Geller
In Life's current
Bicentennial issue, radio checks
in, at #86 on the hot "100 Events
That Shaped America," 19 buttons
behind Bell's telephone.
Erroneously, Life lists Guglielmo
Marcon's dots and dashes as the
first wireless broadcast, a fable
echoed by the World Almanac and
Encyclopedia Britannica. It's a
forgivable mumpsimus, since the
evidence offered on the following
pages has not, until now,
appeared in any national
publication.
The birth of broadcasting is a
bizarre soap opera saga, a
lacrymal legend of mystery,
machination, ephemeral
enshrinement, decline,
disillusionment and disaster.
It's denouncement dissolves six
miles north of Murray, Kentucky,
in a two-room shanty constructed
of pine and cornstalks, where
radio's uncelebrated architect is
discovered 48 hours after his
death, his records scattered, his
equipment destroyed, his brain
partly eaten by rats. Even local
radio fails to mention his
demise. He is Nathan Beverly
Stubblefield, the man history
over-heard and then
overlooked.
Click
for Full Story
Published
in Warner Bros.
Circular
Click
for More
tviStory
102-s90- Nathan B. Stubbblefield,
the Man History
Overheard
Who
are the SMART Inventors of
Radio-WITEL
1890-2017
-
®©
1908
0512 - PATENT GRANTED:
Stubblefield's U.S. Patent,
Number 887,357, All Purpose
Wireless Telephone, Filed April
5, 1907, Granted May 12, 1908. /
Click MORE STORY TO GO DIRECTLY
TO U.S. Patent Office - (Patent
Expires May 12, 1925) CLICK ANY
IMAGE TO VIEW
PATENT
SMART90
SMART90 stands for
Stubblefield Nathan,
Marconi Guglielmo,
Ambrose Fleming,
Reginald Fessenden,
Tesla Nicola,
DeForest Lee,
Armstrong Edwin Howard,
Alexanderson Ernst Fredrik
Werner, Farnsworth Philo,
SMART-DAAF
Boys,
Vol I, 'The Inventors
of Radio & Televison &
The Life Style of Nathan B.
Stubblefield," by Troy
Cory-Stubblefield and Josie Cory,
Library of Congress Number
93060451. (ISBN)
1-883644-003, pgs.
580.
Copyright
© 1993
SMART-DAAF stands for
Stubblefield,
Marconi, Ambrose,
Reginald Fessenden,
Tesla, DeForest,
Armstrong,
Alexanderson,
Farnsworth
///
Click for More
Smart-Daaf
Boys
Book
NBS100
<Return
^To
Top
After the Telecommunication
Act of 1996 and the prior
establishment of the world wide
web
by
Tim Berners-Lee,
Television International Magazine
went online in the mid-90s as
TVIMAGAZINE.COM under the
distribution arm of SMART90.COM.
(
CLICK
FOR MORE TVI
History)
SMART
- DAFF
Boys
Stubblefield
Marconi
Ambrose
Fleming
Reginald
Fessenden
Tesla
DeForest
Armstrong
Alexanderson
Farnsworth
Smartdaafboys/
(The
inventors of the Signals and
Frequencies that put the Pizzazz
in the Electromagnetic Radio
Wave)
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Corys
Road To
China
-
Jiang
Zemin
|
12
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7
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101-Vine
Street Video
Center
Troy
Cory
Show
Ambros
Seelos
Troy
Cory
Show-VINE
ST.
Troy
Cory
Show-CHINA
01QUARTER
Pasadena
Show Case House 1990- the Cory
Estate
115-
The 26th Shanghai TV Festival
with focus on story's quality
&
energy
On the
morning of August 5, the meeting
of judges for Magnolia Award of
the 26th Shanghai TV Festival
(STVF) was held, including
Chinese judges for Dramas,
Documentaries and Animations.
Click
for More
tviStory
115-s90- 26th Shanghai
TVFestival
Click
for
more
STVF.
Troy
Cory Performs at the 1988
Shanghai TV Festival
(STVF)
Troy
Cory- Shanghai TV Festival
concert
program
<Return
^To
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101-
Troy Cory, First American to
perform on Stage in China,
PRC
101-
Cory's Road to
China;
Troy Cory was among the first
international entertainers and
the first American entertainer to
perform in the People's Republic
of China, beginning in 1988. In
itself a notable
culture-historical feat, in view
of China's closed door policies
of the late 70s and well into the
80s. The PRC's administrative
climate in comparison is much
less restrictive now and China's
open door policy enables many
entertainers to introduce
themselves to the populace
Chinese audiences.
Click
for
MoreChina
More
TroyCory
TroyCoryShow
Shanghai
TV Festival
Troy
Cory & The Brook
Sisters
Click
for
"Goodtimes" Bejing,
China
^
+
101-
Cory Meets Jiang Zemin, former
President PRC
Back in the 80s,
as a goodwill ambassador
representing the U.S.A., Troy
Cory and his back-up dancers and
singers, "The Brooke Sisters,"
were the first entertainers from
the United States to appear in a
full staged program in the
People's Republic of China during
the Shanghai TV Festival, and
televised on China's National
Television (CCTV), viewed by over
300 million
people.
It was there Cory
met Jiang Zemin, then mayor of
Shanghai, and who later became
the 5th President of the People's
Republic of
China.
The '88 Shanghai Concert
was the beginnings of Troy's
concert tours in China for the
next two decades. The concerts,
just to name a few, included the
following cities: Shanghai,
Beijing, Anshan,
Harbin,
Fuzhou and and Tsingtao
(Qingdao)
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