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106- Marvin Gaye's point to point - $7.4M Verdict
<•> 106- The FCC's Net Neutrality Rules
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106- Gaye's point to point - note by note
copyright infringement $7.4 million win
106- The FCC's Net Neutrality Rules -
Is the FCC in Charge of the Internet?
106- Is the Digital Millennium
Copyright Act a Safe Harbor?
115- TCM CLASSIC FILM FESTIVAL,
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115- 40th AFCI Locations Show
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101- Oscar Winners 2015
101- The Oscar Presenters
115- LA Travel Show
Coming- The FCC Net Neutrality Winners
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106- Performer-Author- Marvin Gaye's point to point - note by note copyright infringement win for the Gaye Family 201504-AprCov108w.jpg
• • •Like the text and drawings of the 1907 WiTel Patent . . . the effects, elements and components of Notes of a musical composition, make the song copywritable and trademarkable, and eligible to use the symbols . . . ®™ and ©.
• Royalties - ®™and ©
• • • Like the published magazine picture on the right, the song becomes eligible for ®™and ©, and the collection of intellectual property royalties, ie. such as songs, and WiTel phone numbers.
• Phone numbers analogy
• • • Based on copyright infringement law and the Red Fags Rule of 2010, the theft of ID and one's goods, products or services, i.e. songs or even phone numbers, could be either a civil or criminal offense and ownership royalties can be collected upon.
• • • Based on copyright infringement, a federal jury in Los Angeles found that the 2013 hit song "Blurred Lines" infringed on the effects, elements and components of the Marvin Gaye chart-topper "Got to Give It Up," the soul singer's 1977 hit, awarding nearly $7.4 million to Gaye's children. It was 2013's biggest hit. The song brought in $5.6 million for Thicke, $5.2 million for Williams, about $700,000 went to T.I and another $5 million to $6 million or more for the record companies, (Interscope, UMG Distribution and Star Trak) as well as an additional $8 million in publishing revenue. Overall, the Gaye family sought more than $25 million in damages. Jurors found against singer-songwriters Pharrell Williams and Robin Thicke, but held harmless the record company and rapper T.I.
• • • Gregory Butler, Los Angeles based composer and producer said colleagues in the industry were stunned by the verdict. "You've made it illegal to reference previous material," said Butler, also a managing director at music startup WholeWorldBand. "I'm never going to come up with something so radically different that it doesn't contain references to something else."
• • •Joe Escalante, an entertainment law attorney, said he was concerned that the jury's decision had been driven by emotion rather than what's protected under copyright law.
• • • On the other hand, a veteran music industry executive said that protecting creative work was just as important to musicians, and that inspiration bordering on copying was becoming too common.
• • • "Somebody should be protecting that," said the executive, who asked not to be named because he might work with those involved in the case in the future. "If it has a chilling effect on copyright infringement, that should happen.... Stopping theft is what we're talking about."
• • • The Gayes contended that they instantly recognized striking similarities between the two songs when they first heard "Blurred Lines." They called to the stand a musicologist who analyzed the songs and concluded there was a "constellation" of eight similar elements. Others outside court had also noticed similarities.
• • • According to Mark Anderson, of PSI, the infringement is an analogy to the copycat telecom carriers using Nathan B. Stubblefield's 1902 telekey number systems.
• Copied elements-
• • • An attorney for the Gaye children, Richard Busch, said there were copied elements -- including the bass and keyboard line, the hook and a repeated theme -- in all but two bars of "Blurred Lines."
• • •Williams alone wrote the song with no input from Thicke, and that neither Gaye nor his song was discussed in the song's creation.
• • •Thicke, during his turn on the stand, played a medley of pop songs on a keyboard to demonstrate that many of them share the same chord progression and can sound similar.
• • • According to Mark Anderson, of PSI the infringement is an analogy to the copycat elecom carriers using Nathan b. Stubllefieldes telekey phone number systems.
The verdict is notable-
because Gaye's 1977 hit was published just before a major overhaul of copyright law in 1978, so the jury had to fall back on 1909 copyright law to determine whether Thicke and Pharrell had infringed.
• • •In an early pretrial hearing, the judge ruled that the 1909 law only protected the song's sheet music, not the actual sound of the song.
• • But in a later hearing, the judge changed his mind, ordering Thicke and Williams' lawyers to produce an audio version of the specific elements of the song that were copyrighted and on file at the Library of Congress.
• • • That version included a bass line and some keyboard chords under Gaye's voice, but not the similar percussion that tends to draw people to make the connection between the two songs. The jury heard "Blurred Lines" repeatedly throughout the trial but never heard the full version of "Got To Give It Up."
• • •Williams, 41, also signed a document stating he didn't use any other artists' work in the music and would be responsible if a successful copyright claim was raised.
• • • Jurors repeatedly heard the upbeat song Blurred Lines and saw snippets of its music video, but Gaye's music was represented during the trial in a less polished form. Jurors did not hear Got to Give It Up as Gaye recorded it, but rather a version created based solely on sheet music submitted to gain copyright protection.
• • • That version lacked many of the elements --; including Gaye's voice --; that helped make the song a hit in 1977.
• ••An expert for the Gaye family said there were eight distinct elements from Got to Give It Up that were used in Blurred Lines.
• • •The verdict could have implications for songwriters everywhere and may also have implications beyond the massive verdict.
• • Still, while testifying last week, Williams said the two songs share "feel -- not infringement."
• •The attorney for the Gaye family, Richard Busch, will also seek to halt sales of "Blurred Lines," and said he will file official paperwork by next week.
• • •The verdict may face years of appeals.
Click More tviStory 106-s90- Gaye's point to point - note by note copyright infringement win
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GoTo: • 106- Is the Digital Millennium Copyright Act a Safe Harbor? --
Court denies Grooveshark DMCA protection for songs like "Johnny B. Goode"
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106- Is the Digital Millennium Copyright Act a Safe Harbor? --
Court denies Grooveshark DMCA protection for songs like "Johnny B. Goode"
In April 2013, a New York state appellate court made a curious decision in a matter being litigated between Grooveshark parent company Escape Media Group, Inc. and UMG Recordings, Inc. The court ruled that due to an peculiarity in copyright law, the Digital Millennium Copyright Act does not apply to songs that were licensed under state law before February 15, 1972. As such, for these recordings, Grooveshark is not eligible for what is known as safe harbor -- an immunity to liability if users upload copyrighted works without the website's knowledge.
•••• As a website that allows users to upload their recordings, Grooveshark's business model depends on the DMCA. Users upload songs on Grooveshark and are warned about uploading copyrighted material. If a rights holder discovers that a user has uploaded a copyrighted song, the rights holder notifies Grooveshark. As long as the website takes the song down quickly enough, Grooveshark avoids being held responsible for the infringement.
• 1972
But an anomaly in copyright law is throwing a wrench in that system. In 1971, Congress overhauled copyright laws, making most protection a federal matter. However, recordings copyrighted before February 15, 1972 would remain under the purview of the common law and statues of the individual states. The new federal copyright prescriptions noted that "any rights or remedies under the common law or statutes of any State shall not be annulled or limited by this Title until 2067."
•••• With this in mind, UMG brought litigation against Grooveshark saying that the DMCA, a federal act, does not apply to these recordings under common law. So the website is still liable for copyright infringement if a user uploads, say, Chuck Berry's "Johnny B. Goode" (written in 1958) without Grooveshark's knowledge.
•••• A 2010 filing by UMG in the case says that these titles under state copyright protection include works from "Buddy Holly, The Carpenters, Cat Stevens, Chuck Berry, The Jackson Five, The Mamas and the Papas, Marvin Gaye, The Supremes, The Temptations, and The Who."
•••• While a New York District court initially ruled in Escape Media and Grooveshark's favor, the New York appellate court took a very different view. "Initially, it is clear to us that the DMCA, if interpreted in the manner favored by defendant, would directly violate section 301(c) of the Copyright Act," the court's decision read.
About the DMCA
•••• The Digital Millennium Copyright Act (DMCA) is a United States copyright law that implements two 1996 treaties of the World Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures (commonly known as digital rights management or DRM) that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on the Internet.
•••• Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.
•••• The DMCA's principal innovation in the field of copyright is the exemption from direct and indirect liability of Internet service providers and other intermediaries. This exemption was adopted by the European Union in the Electronic Commerce Directive 2000. The Copyright Drective 2001 implemented the 1996 WIPO Copyright Treaty in the EU.
Click More tviStory 106-s90- Is the Digital Millennium Copyright Act a Safe Harbor?
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106- Did FCC's New Internet Rules Put the FCC in Charge of the Internet?
•••• March 10, 2015- It's been two weeks since the Federal Communications Commission voted 3-2 to overhaul the way broadband Internet service is regulated, changing it from a Title I information service to a Title II telecommunications service - by expanding the definition of conventional phone service to include Internet address as well as phone numbers, according to the order
••••And only now is the 400-page order, not released prior to the vote, that was drawn up by FCC Chairman Tom Wheeler and supported by the commission's two Democratic members, available for public viewing. This was perhaps the most significant and far-reaching shift in Internet policy in nearly two decades, and put in place without full public access.
The FCC's catchall, 'just and reasonable' provision.'
••••And yet even though the rules are now available for all to see, it still remains somewhat unclear how exactly they will work in practice. As noted by the New York Times, the FCC is "set to decide what is acceptable on a case-by-case basis. The regulations include a subjective catchall provision, requiring 'just and reasonable' conduct."
••••What counts as 'just and reasonable' will, naturally, be up to the whims of the FCC.
••••In some ways, this is the worst part of the agency's net neutrality push. It's not even that it puts in place bad rules; it's that it installs potentially strict but ultimately vague rules, and leaves the FCC as the final arbiter of what is and isn't acceptable. The FCC will have some guidelines, of course, but Wheeler's book-length bureaucratic proposal will surely provide legal ammunition for whatever creative interpretation the agency settles on - or desires - at any given time.
New net neutrality rules give the agency veto power over ISP innovation
••This is give or take what to expect in the wake of the FCC's rules; ISPs will probably invest and innovate more cautiously, knowing that the FCC has veto power over their decisions. And armies of expensive telecom lawyers will spend their days arguing about what, exactly, constitutes "just and reasonable" in a wide variety of situations.
••••As telecom analyst Roger Entner told the Times, "Telecom lawyers in Washington popped the corks on the champagne," when the rules were passed last February 26. "It will be at a least a hundred million in billable hours for them. This will go on for an unforseeble time."
••••Critics at times describe net neutrality as a government takeover of the Internet. This is in most ways an exaggeration; the Net will remain for the most part privately operated, with competing though heavily regulated firms continuing to own and operate the infrastructure.
•••• ISPs will now need the FCC's permission, at least tacitly, to innovate and to invest, and they will inevitably make major business decisions with the FCC's veto power in mind. The agency, and its nebulous "just and reasonable" standard, will be a shadow presence whenever any major move is contemplated. The publication of the FCC's order, in other words, mostly serves to confirm that the rules will mean whatever the agency wants them to mean.
Click More tviStory 106-s90- Did FCC's New Internet Rules Put the FCC in Charge of the Internet?
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101-Oscar Winners 2015 - 87th Academy Awards
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The 87th Academy Awards
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114- TV Newsman, Stan Chambers died. By: Gary Sunkin
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114- GaryOwens, announcer on "Rowan & Martin's Laught-In" Died. He was 80.
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110- Google releases translate App upgrade
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102- Was the SmartPhone a USA Invention? - Stubtelephondelgreen108w.jpg • 102c- Birthplace of the Wireless Telephone®™©, and its NBS Wireless Telephone®™© registered service marks.
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101- 21st Annual Screen Actors Guild Awards®
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115- NATPE, Fontainebleau Miami Beach Resort, January 20-22, 2015
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115- BrandonTartikoff Legacy Award
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115- CES 2015: Wearables Everywhere. Intel demos button size wearable computer
•••Click More tviStory 115-s90- Intel Demos Curie
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CES 2015: • 106- Net neutrality rules reclassification proposed
Click More tviStory 115-s90- FCC Proposes New Set of Net Neutrality Rules
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CES, Las Vegas, January 6-9, 2015
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Click More tviStory 115-s90- The 2015 Rose Parade
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THE ROSE BOWL GAME, THE GRANDDADDY OF THEM ALL-

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Oregon Vs Florida State
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114- Gary Owens, of "Rowan & Martin's Laugh-In" Died
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102- Was the SmartPhone a USA Invention?
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115- NATPE, Miami Beach, FL Jan. 20-22, 2015
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115- THE GRANDDADDY OF THEM ALL-
115- Oregon vs Florida State at the Rose Bowl
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