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D-Diaries

October - 2001
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Troy Cory's D-Diaries Examines the Psychological Twists of Disappointments, Dollars and Show Business . . . .

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Troy Cory's D-Diaries (Digital Diaries) -- Examines the Psychological Twists of Disappointments, Dollars and the Web.

By: Bernie Schwartz

Entertainer, Troy Cory,
is an international renowned Singer/TV-performer, and the creator of Vine Street Video Center in Hollywood. During the mid-70s when Troy Cory's Vine Street played host to the legendary Rod Stewart, Jackson Brown, Tom Petty and the Heartbreakers first video for television recordings. His weekly TV shows featured, Clint Walker, Alan Hale, Sammy Fain, Nick Lucus, Nona Hendricks, Foster Brookes, Sugar Ray Robinson and the now famous legendary tribute to Samual Goldwyn told by Jack Forman.
----"In as much as Troy Cory founded Vine Street Video Centre in 1976, and helped set todays firewire, streaming video, DVD, MPEG2 standards, he is very shy about his Firewire, Video Record Albums Format (VRA) compatibility standards, wrote Kathy Rosen of Video News Report in January 2000. Troy pointed out the headline the press gave the inventors of the Wireless Telephone and Telegraph. For NB Stubblefield it read, "Watermelon Farmer Invents Radio". For Marconi during World War II -- it was - Marconi becomes a Fascist
----"Troy's news gathering style is profoundly disturbing and conjectured to the locals," said, Prof. Horton of Murray State University, in 1992.

"Each show of the series is a precept
of an aggravation that gathers force, so that by the end of a four minute musical segment, you feel the gloomy disheartening disappointments of the 20th century and the viewer begins to realize that most major achievements can never be understood," wrote the China Weekly's, Jane Qu last year. Larry Leverett of Hollywood Beat writes; "betterment and telepathic wisdom . . . compassion, an open-ended honesty that can't be camouflaged."
----Troy is spiritually aided, a seriously meaningful American artist," the Harbin Daily summed up months ago in reviewing the Troy Cory Harbin Webcast in August 2001.
----The bugaboo, from a Hollywood point of view, is that Troy does not make movies with actors with pre-scripted text, or even customary documentaries. Many of his programs are what he calls a collection of "historical flawed achievements"-- shorts that last from four to five minutes, with most of the footage fluffed together from "never before seen" documentary film clips provided by his sponsors, advertisers and show biz acquaintances who wish to tell and sell "their side of the story" regarding their old movies and song hits now sold on Amazon.com and LookRadio. He manipulates scenes so that their look fits the responses and arguments he is trying to draw out of the subject matter provided; then he mounts the visuals with apropos music, voice-overs and subtitles.

Because of the ups and downs of Hollywood politics,
instead of financial meetings with Hollywood and New York producers, Troy prefers to do his show business dealings with the social, political and academia crowd in Europe and China. "But, things might be changing", says Troy, since the September 11th attack, it appears Hollywood and its service related protective royalty groups are becoming enlightened as to the fact that show biz is a business not only for the Jack Valenti's and the Quakenbush's, but for the artists and producers too! There is no such a thing as "run away productions", says Troy, "it's competition".
---- Critics of Hollywood say it's the aggressive policing activities over new high tech methods of copying movies and music that's killing Hollywood. They contend that such warmongering by Hollywood's dictatory policies, has brought a significant control over "crimes" against Hollywood, but critics point out that it is sending the wrong message to software developers and foreign nations that manufacture consumer players and recorders. Along with laxing union requirements, rules, regulations and taxes, attitudes of a host city play a big part in selecting the area you wish to produce a program. The entertainer-side of Troy could shortly be seen doing business with a major Television Network in Los Angeles, if the "pettiness" on the union side and the "pugness" of the Valenti Motion Picture group gives in a little". Foreign competition say they are never consulted and are not part of Hollywood's Studio/Union high priced signatory agreements.
----As middle-age approaches, Troy is focusing on promoting his large catalog of CD music, DVD TVShows and his many books on the Internet through Amazon.com, ClearChanel.com, House of Blues and VRAtv.com. His recordings, movies and text books on the tortfeasor and broadcasting -- are distributed and published by VRA TelePlay Pictures and TVI Publications.

Troy has won his reputation as - -
"The Innovator of the Music Video Format", by applying his fast/flash, short-form music video performances to big, profound subjects. The Troy Cory music video started out in the mid 70s with fast scene changes to keep video-taped mouth movements in sync with the out of sync music playbacks. Today the clips of Kenny G, Jeffrey Osborn, R.J. Reynolds and Troy are "historical cliches that, like the best of zingers, packs a gothicized bang of force."
----"Yesterday's Heros" is a plea for society to stop raising boys to be football/basketball voyeurs --- and instead, encourage the nerd side of the boy stressing law, accounting or one with a scientific purpose, like Howard Hughes or a Von Braun, the German spacecraft innovator. Troy says "Yesterday's Heros" grew out of an almost impelling gush of memory while he was filming the D-Diary segment of "Eagles Nest", the story about the desires of Adolf Hitler and Benito Mussolini.
----Troy profusely recounts an episode in which he (by voice over only) -- joined a mob of fellow show biz union members to attack and humiliate the non-union female dancer scapegoat. The sinister aura he creates -- makes it quite clear that, when it comes to human cruelty, the scapegoat is the warning sign to all of those social and historical horrors that builds-up against the scapegoat in favor of the union bullies that appear to offer nothing but so-called protection, a costly health insurance program, inflation and "run away productions".
----"Lost Women of Italy" and "When The Party's Over" also explore cruelty on an epic scale, but again from a surprising, personal standpoint.

The inspiration for "Lost Women of Italy"
jumped out at Troy from a Nazi propaganda celluloid he was viewing in China with other purposes in mind. A scene of Adolf Hitler, Eva Braun and Hitler's dog, "Blondie" made him flash on the idea that even the greatest evil wears the trappings of familiar, everyday humanity. "Eagles Nest" consists of short clips with music on Hitler, Benito Mussolini, President Delano Roosevelt and Mao Tse-tung. Each war-time leader is seen, giving a matter-of-fact account of his personal habits and defects. We learn that Hitler loved to give tea parties, Mao loved his wife Qing Jiang best of all and wanted her to lead China with her favorite Gang of Four. There are several honest to goodness reasons of their cruelty and their impact on history. They are just people, talking about personal religious concerns and political desires that we are just beginning to understand. A look at the writings and sayings of Osama Bin Laden and his Taliban followers certainly reflect the same thoughts of his predecessors - spelling out the same ending, with the exception of Mao and Roosevelt.

"The Eagles Nest segment's footage of Hitler
entertaining various people at his Berchtesgaden, Germany mountain retreat, (the Eagles Nest) - and patting kids on the head, "made me see him as a human being, and I found that even more chilling," Troy said from his studio-lab in Burbank, where his editing studio occupies most of the computer consoles. "My desire in presenting D-Diaries (Disappointments, dollars, dumbells, dimwits, dopes, duffers, dunces, dolts and dodoes) -- is to challenge people with the "winner takes all" responsibility theory, a psychological egotistical quirk on their part. If we see them as potential monsters, and we know what their monetary reasons are, and still make them our leaders, we are directly responsible for their actions." On the other hand, if we see them as the monsters that can do good -- and we put them on an evil pedestal, we have no responsibility."
----For example, "Sad Movies" and the one-hour movie classic, "Christmas Around the World", began in Troy's obituary article in remembrance of his "devilish" son. Keith, the blond bright eyed all-American boy, was brought up in a Christian full gospel home fearful of the word Satan. Therefor, Satan was a fearful, unspoken name because Keith was convinced that it was Satan - that inflicts torment on the world. As you know, Satan, the fallen Angel, was the one who supposedly convinced Judas, one of the 12 disciples, to tell the whereabouts of Jesus Christ to the Romans for 30 pieces of silver. Resulting, of course, in the killing of Jesus. When appropriate, little Keith was referred to as "the little angel" or "the holy terror".

"During my world-wide travels, I discovered in Asia
that if even though you are in a somewhat human form of life, if the physical body lacks a spirit from heaven - that can breath in local surroundings, you're not alive and part of mankind, (Menschheit). Religion became a reality Rome, when I toured the big Christian church in the Vatican, the one the Romans had constructed and dedicated in the name of the man they had judicially killed as "the king of the Jews".
----The 30 -minute "Lost Women of Italy" - is built largely on shots from captured German and Italian film and American CIA documentaries, along with clippings from Troy's KTLA/Warner Bros. Shows. "Lost Women of Italy" recounts the historical background on the Venetian artwork by Titian, Troy obtained for the Stubblefield Foundation. Troy then confrontational puts forth the findings of some of the paintings stolen by American GIs and Russian soldiers, as part payment for the cost of World War II and for the crimes of evil Leaders whom consciously defamed the Jews, falsely pinning Jesus' death on them to curry favor with Roman authorities. In the final sequence, Troy depicts the suffering of Ann Frank as a mirror for all Jewish suffering--appropriating the essential Christian moment as part of the Ottoman "Friar" plan of things.

"I wish the viewer at the end of the "Lost Women of Italy" to look at a Jew being crucified, not just Jesus," Troy said. "If he's truly seen as a Jew, Christian disbelievers might be convinced. How can you revere the man and hate his Mother and Father?" On the other hand, if Jesus was from a virgin birth, what would that make him - the son of God?

All is not heaviness and intensity in most of Troy's
D-Diaries segments. "China's Open Door Policy" is in the traditional Bogart Voice Over documentary styling, in which Troy trains his camera shots on his background singer, Joey Lauren Adams and the Brooke Sisters. He follows them through their experiences, as they become the first movie stars in communist China, and the aftermath of their performances.
----Joey, composed, dignified and a little wild over all of the attention of the crowds, goes through it all without a whimper; although all of the girls become the emotional oversexed prozac cases -- China bestows upon talented girls.
----Troy's educational background includes finance, law and medicine. All three forms, he said: "has helped shape my success and life as an entertainer, and has at times, inspired my many D-Diaries short-shorts. I've used every bit of my school days in my show biz career, although most of my risky antics came from the devilish country boy core motivations, as more fully described by Mark Twain in his book, "Tom Sawyer".
----"There's a definite psychological drive in most of my D-Diary segments. I am sort of driven to make films that do have potential to bring about some healing in the world."

The international concert and trade show circuit
has been Troy's main venue, along with historical landmark locations that adds reality to his "live" concert performances, like the first Webcast from Harbin, China in 2001. Such was a breakthrough for the House of Blues, Yahoo, Terran, LookRadio.com, and other dot.com servers that became part of the first world-wide Webcast from China. To prove the point, go to LookRadio.com's, Video on Demand (VOD) and click on the Harbin WebCast icon -- you-ll see what I mean.
----Successes at the Shanghai TV Festivals and other musical festivals around the world, have led to a few nibbles, but no offers from the major television networks for a Troy Cory China TV Special. But doing a major network show or making a Hollywood movie, like I have in China and in Europe, would show rue for my runaway productions. "Even directing a major feature film would be an interesting endeavor," says Troy.

Truth and love", continued Troy, imprisons us, judges us and it punishes us, and you know something, it's very disappointing when you find your own Rules of law, might back the monsters.

"Capt. Billy", "Flip Flop" and "Nathan B. Stubblefield"
is a three part series that proves up the truth about the twisted history of a Captain in the Confederate Army and his innovative son who goes on to invent the radio, the wireless telephone and broadcasting. Troy sees his short D-Diaries type of these three segments, as the fulfillment of his passion in search for the connection between Kentucky, artistry, and the mother of invention.

"Flip Flop" introduces the idea,
that by the stroke of a pen, the patents and copyrights on most goods, products and services become invalid, because "everything in them was invented before by someone else - with a different name." But, of course, the psychological twist to this legal theory is -- as you watch a movie, listen to music or read a book -- you're learning from others. I suggest to the readers in my book, "Bank of America, the Tortfeasor" - the quirk of the American free enterprise system is, "it's free to get in, and more often than not, it's free to get out" . . . So . . . Troy draws on annual grants from the Stubblefield and ChinaExpo2000 foundations to help pursue their public educational goals in promoting the wireless communication, electromagnetic wave, and the political and cultural changes in China. ///

Respectfully Submitted
Josie Cory
Publisher/Editor TVI Magazine
TVI Magazine, tviNews.net, Associated Press, Reuters, BBC, LA Times, NY Times, VRA's D-Diaries, Press Releases, They Said It Tracking Model, and SmartSearch were used in compiling and ascertaining this news report.

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